Some Christmas / Holiday tunes just in time to celebrate the season.
A great ‘Crooner’ selection from this new and versatile young artist with an ear for timeless songs.
Some Christmas / Holiday tunes just in time to celebrate the season.
A great ‘Crooner’ selection from this new and versatile young artist with an ear for timeless songs.
Levi-X Live at The Gallery
Iconic Live Jazz Covers and an original with Levi’s startling voice
Release Date: November 20 (Foghorn/MGM) ALL Digital Platforms
At only 12 years old, Levi-X performs his first original composition “I Need to be Me”, in a live session set at the MerchWorx Galley Session. Recorded on Oct 17th2020, the session lets listeners share Levi-X’s young passionate approach to music and cross over style between contemporary and easy jazz that is rarely seen in someone so young. Supported by piano, bass, drums, and guitar, he also brings an emotional take on John Hiatt’s “Have a little faith”, freely working with his fellow musicians to create the rich delivery of the song’s roots. He then picks up the saxophone on what can only be described as an extraordinary performance of Grover Washington’s “Winelight”.
I Need to Be Me – Levi-X
I Need to Be Meis Levi-X’s first song written wholly by himself, aged 12, lyrics and music. The magic of this song is not only the way the song melodically flows and sweeps its listeners into an emotional centre but is also about the strength and depth of the how the lyrics speak to people of all ages.
“To be the person I need to be….I need to be me”. A simple truism relevant to young and old, whatever your walk of life. Aim to be truthful to yourself – who you are – what you stand for. Then comes the matching counterbalance in the song – the recognition that to really be yourself, is never a path without failure, but it is a worthwhile goal to keep reaching for. “I know I’m trying again…I gotta get back up then.”
It sometimes takes a young mind to remind us that being real to ourselves is a struggle for all, not just youth. I Need to be Me, is a song that wholeheartedly delivers a message of compassion and encouragement to everyone.
Considering that “I Need to be Me” is Levi-X’s first debut into song writing, it is going to be very exciting to see where this Australian musician and performer takes us next.
Levi-X, live at the Gallery Sessions, is a fearless delivery of youthful talent on many levels that should not be overlooked.
Levi X – Live at the Gallery is OUT NOW – via MGM
Adam Blacksmith is a thought provoking songwriter from Sydney, Australia. He is a talented wordsmith and a storyteller. He draws his influences from far and wide, from his contemporaries Augie March and the Drones to his workplace, Long Bay Gaol in Sydney where he works as a Special Education teacher. Blacksmith’s music doesn’t fall neatly into any conventional category although musically, he gives folk and blues an indie make-over resulting in a refreshing and unique sound.
Adam describes the moment he decided to become a singer:
“I was driving in my car In 1999 when I heard, “Asleep in Perfection” by Augie March on JJJ. I had to stop the car to take it all in. I had loved folk music for years but had lost faith in the radio to play bands with the lyrical substance of Dylan, Joni and The Tea Party until that moment. Hearing it renewed my faith in radio and music at the same time and it gave me the hope that I could transform my poetry into music. All of friends at the time were in metal bands and were very supportive of my direction and my family felt the same, however, If I am honest, I don’t think they believed I’d stick with it.”
Like so many other songs, the catalyst for “Sometimes I miss you” was a break-up, however that’s where the similarities end. This is not a song about heartbreak or pining over future loves, nor is it a declaration that “I’ll never love again” … That’s all been said.
“Sometimes I miss you” is no ordinary break-up song, but a penned commitment to giving aspirations their deserved priority, shaking old habits, facing hard truths and resisting the urge to self-sabotage when things finally go my way. It’s, a farewell to Codependancy, being the perpetual roadie and giving flowers to those with allergies.
Musically, this song combines folk inspired verses with a souped-up Fuzz guitar chorus, a howling Hammond Organ and distorted vocals to augment the refrain “I Don’t miss who I am when I’m with you”.
Production: Jordan Ellery (Dulwich Hill Sydney)
Mixing: Jordan Ellery (Dulwich Hill Sydney)
Mastering: Don Bartley (Blue Mountains, NSW)
Stream the new single here
Connect with Adam
Levi-X is a young singer/saxophonist (12 yo), based in Queensland. Levi has been performing at several markets in North Brisbane with his father since he was 11 years old, entertaining crowds with his saxophone and singing. He plays all genres of music but has a style that is rooted in light Jazz improvisation. His debut song, Amazing Grace (Grace Amazing) was recorded when he was 12 years old and is the first of a number of songs he is working on.
MrHarvey New Ep It’s Kool to Be Kind
Release Date: October 23 (Foghorn/MGM) ALL Digital Platforms
MrHarvey is the stage name of singer-songwriter Nathan Harvey. Having only picked up a guitar in 2015 at 44 years old, his music is as interesting and diverse as his life! A blend of blues, folk, country and rock, Nathan’s music is very lyrics focused as he draws on a myriad of musical and life experiences.
Former Channel V host and media personality in the 90’s, Nathan retreated from the spotlight leaving his hometown of Sydney for the Gold Coast working as a show announcer and FOH mixer at SeaWorld. It was here that he literally learnt the ropes from scratch after befriending the Ski Captain to become a professional water skier.
In 2010 a near fatal water-skiing accident in Canada whilst skiing with old SeaWorld buddies saw Nathan return to Sydney with a titanium plate and 4 screws holding his neck together. Always loving music and being a drummer in his teens, Nathan played in a fun “pisstake” band during his V days called “The Velvet Underpants” alongside Ken Stewart from Mr Blonde and Anthony Ousback former MTV host. His debut single “Brand New Day” was played nationally on the Triple M / Austereo Network and reached No 3 on the overall Triple J Unearthed Charts.
Arranged and produced by Nathan Harvey with Magnus as co-producer the EP features Nathan on vocals, guitar, some keyboards and various other instruments, Magnus on Clarinet, BVs and lead keyboards along with Catrina Bargwanna, Tara Resch on Violin / BVs, Alex Gresley on lead and bass guitar, Luke Spies on drums and Brett Chapman on Harmonica.
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Melbourne one-man-band Releases his New Album – The Entirely Unremarkable World of The Jimmy C
The Jimmy C returns with an album that surprised even himself. Despite featuring a few guest contributions from Jamie’s Lava Fangs bandmates: Wesley Fahey and Andrew Horne, and Stu Thomas (The Stu Thomas Paradox, Kim Salmon/Surrealists, Dave Graney), the vast majority of instruments on the record, as always, are performed by Jamie.
Step into “The Entirely Unremarkable World of The Jimmy C” – a fantasy land of catchy pop songs, self-deprecation, and the struggle for normalcy in a world gone completely bonkers.
Jamie Coghill is a musician and songwriter based in Melbourne, Australia, who has been recording solo under the moniker of ‘The Jimmy C’ since 2005. A multi-instrumentalist, The Jimmy C is Jamie’s primary creative outlet, in which he writes, records, engineers, produces, mixes and masters everything himself in his home studio, Casa de Kensington. Originally recording to four-track tape, and gradually moving to digital, Jamie’s ability to make his lo-fi gear produce hi-fi quality sound is part of The Jimmy C’s charm.
Playing primarily as a drummer in The Devilrock Four, Fez Perez and Luxedo prior to 2005, The Jimmy C was Jamie’s opportunity to showcase his unique style and abilities, and quickly became his main musical project. While still touring with Devilrock, including a tour of Europe in 2008, Jamie was working on what would end up being 2009’s Glamour and Fame. Recorded over two years “in lunch breaks and on weekends”, Glamour and Fame was a sprawling 20 track loose concept album, which established Jamie’s talent – as well as his penchant for genre hopping and very short songs.
The Jimmy C has since released three albums: 2014’s Orbital Debris, 2016’s Un Homme Orchestra (released as three EPs but spiritually one record) and 2018’s Songs For The Species; as well as recording original music for two American web series: The Adventures of Superseven and The Sandra West Diaries; and a feature film. He also released several EPs, a Christmas single, and produced a live album with The Jimmy C Group, out of which formed his latest side project: Lava Fangs.
2020 is shaping up to be a huge year for Jamie, with The Jimmy C releasing his latest album, The Entirely Unremarkable World of The Jimmy C, as well as Lava Fangs releasing their debut, self-titled long player.
As Melbourne headed into lockdown in early 2020, Jamie found himself stuck at home: which conveniently also houses his home studio. With the studio becoming a place of therapy, “The Entirely Unremarkable World of The Jimmy C” became an album borne out of boredom. Continuing the DIY journey started with “Project E.G.O.” in 2005, “The Entirely Unremarkable World of The Jimmy C” is The Jimmy C’s most accomplished and fastest finished album to date with Stage 3 Coronavirus restrictions unexpectedly giving Jamie much more time to spend working on new songs.
While The Jimmy C’s previous releases have all spanned genres, “The Entirely Unremarkable World of The Jimmy C” showcases Jamie’s creativity and musical diversity on another level. No stranger to straight up rock’n’roll, he delivers that on ‘Standing in Doorways’, a track written for and about the Coghill family’s cats and kittens, while ‘Where Was She’ is perhaps the most straightforward pop jangle on any The Jimmy C record to date and melancholy album closer ‘Kings of the Earth’ departs from Jamie’s usual wheelhouse and introduces strings and a trumpet to The Jimmy C’s ever-expanding sound palate.
The Entirely Unremarkable World of The Jimmy C is out now on Foghorn/MGM.
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Andrew Barnum is a singer-songwriter, whose music is a modern take on folk-blues based alt-rock. He has been recording and releasing his own original songs as a solo artist in Australia since the 1990s. With long-time collaborator Boris Hunt, they’ve now produced 8 albums. Their sound is a blend of the acoustic and electronic arcane – forgotten analogue technologies, merging with digital interfaces and an array of musicians. Boris and Andrew call it ‘Homefolktronics.’
The song-writing-performance duo of Andrew & Lissa Barnum, aka Vitabeats, had a national hit with ‘Boom Box’ (Hot/EMI) in 1985. This was followed by singles ‘Audrey’ and ‘Build it Right’ from the album ‘Spot the Spanner.’ YouTube clips: https://bit.ly/2Ctb1qo. The band stopped recording and touring in 1988. Andrew has never stopped writing, recording and performing his own songs since then.
Dear Ancestor is a letter to our past, asking for directions for the future. The songs have a dark smoky quality to them, musically they speak volumes, and have a sense of longing, lingering and meandering that is full of romance. There is a continual dark, menacing feel to the tracks that really captures the zeitgeist of today’s isolation.
The tracks were recorded live at Black Rabbit Big Room in Kanimbla NSW, Australia with Boris, Lucius Culliton (drums), Andy Gordon (bass) and Andrew (vocals guitar). Boris added more bass, keyboards and pedal steel, Andrew recorded the final vocals at home on the South Coast of NSW. 27 tracks were recorded, 11 made the cut, 9 released.
This album is part of a continuum of albums that began between Andrew and Boris starting in 1993. Dear Ancestor is their 8th album. The unique process required recording the initial 27 songs over 2 days. The final version of the album was mixed by Boris and mastered by Nat Love. Recorded before the Australian bushfires and then finalized during the arrival of the Pandemic.
GARETH KOCH NEW ALBUM THE GUITAR PLAYER
Following the EP Code Blue earlier this year and taking time out from multiple Steve Kilbey projects Gareth has put together this superb selection of his classical guitar work recorded in two European locations, a remote Austrian village chapel & a baroque Viennese monastery, while living in Europe for over two decades.
A curious & ancient bond unites the selections on this recording. Performed entirely on the ‘Spanish’ guitar, these works have been moulded by the traditions of Spanish classical music & the passionate folk art of flamenco. The musicological connection between folk & classical music is well documented, a phenomenon in which composers incorporate the spirit of folk music into their work. Spanish music is often imbued with the fire of ‘Gypsy song’, whose powerful artistic reach extends well beyond Spain.
ARIA Award winner Gareth Koch is uniquely placed as an interpreter of Spanish music. Trained in Vienna & Madrid, he brings both classical & flamenco perspectives to his interpretation. He is joined on tracks 3, 9 & 12 by Viennese cellist Herwig Tachezi – former Principal Cellist of the Vienna Symphony Orchestra.
‘The Guitar Player’ is an entirely natural acoustic recording using direct source microphones and purely the ambient spaces of the chapel’s thereby avoiding any extra processing.
Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & songwriting. He has appeared at major festivals within Australia, Europe, Asia and North America.
Born in Milan, Koch began his musical studies on piano and clarinet, and at age 12 was accepted into the Mozarteum in Salzburg. He received his Bachelor of Music degree at the Sydney Conservatorium of Music before winning a scholarship for advanced guitar study at the Vienna Academy of Music. He holds a PhD in Music.
In 2002 Koch formed what might be termed the first guitar supergroup. Saffire – The Australian Guitar Quartet soared to number 1 on the classical music charts and appeared on the pop charts. The quartet released a total of 3 best-selling albums.
Gareth is involved with many cross genre projects & in 2020 released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).
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Soundslikecafe is proud to feature this exciting new singer – Cenzina – self described as an 80’s dance-pop diva inspired by Madonna.
Treading her own path in the pop scene; Cenzina is blasting into the music industry with some older school roots. Inspired mainly by Madonna, she is an independent artist who has been studying voice and piano for many years and currently is coached by David Butler.
Cenzina has ambitions to grow her fanbase and become an overall successful artist; a statement bolstered by her involvement in Craigieburn Central’s Unity Festival in 2019, Reservoir Stomp in 2017 as part of Darebin Music Feast, Scorcher Fest in 2016 and her feature on a popular U.S. podcast “Woman Of Substance” .
Keeping up her busy schedule, Cenzina has been promoting her latest single , “I Want You” at open mics around hotels and pubs.
Check out the single here
Connect with Cenzina here
STEVE KILBEY PRESENTS HIS FIRST SOLO ALBUM FOR 2020 – ELEVEN WOMEN
Catch the new LIVE SHOW – click image for tix.
Checkout The Latest Review
We’ve become used to seeing many of our favourite artists and acts taking advantage of their enforced isolation to complete albums or other musical projects that might normally have been put aside to fulfil touring obligations, but Steve Kilbey was already well into perhaps his most prolific period to date beforeCOVID overwhelmed us. This year already there have two albums in collaboration with Gareth Koch, another with Kate Ceberano and now comes a solo album, Eleven Women. All the collaborations in which Kilbey has been involved over the past couple of decades have certainly helped him push his muse beyond the expected pop/rock references points, but at the end of the day he’s still the archetypal pop sponge; his love of ‘60s psychedelia and artists like The Beatles and Bowie with a dash of The Small Faces remains paramount, the more exotic elements absorbed providing quirky flourishes and whimsical embellishments – which makes for a very accessible and enjoyable classic record. The references, musical and literary, are replete and once in a while they quite cheeky – Birdeeneven sees Kilbey toss in a little reference to Abba’s ‘Money Money Money’. While the title suggests this collection presents Kilbey’s musings on a variety of women, historical, literary and some perhaps even actual, he’s happy to toss in something more oblique – ‘Lillian in Cerulean Blue’ for instance references a brand of metallic paint, while the aforementioned ‘Birdeen’ seems to be about particularly greedy lorikeet. So Mary Shelley is name-checked in ‘Poppy Byron’, though of course Kilbey’s Mary “was watchin’ the telly/on SBS it was in Mandarin”. Elsewhere he advises his listeners not to cross the “bewitching” ‘Doris McAllister’. Kilbey’s lyrics have never been straightforward of course. The fun has always been to test his listeners, to tease them with possible meanings – and so too with Eleven Women. Professionally enigmatic? Perhaps – and why not?
Steve Kilbey has created a fine new album for 2020. His first solo release for an astoundingly creative year reveals a dazzling array of songs brimming with ideas, personality & effervescence. The collection is at once whimsical yet personal, and in a masterful sleight of hand Kilbey’s Eleven Women are not quite as one might expect.
The album leads us through a shimmering whirlwind of encounters. After the disarming love song Baby Poewe are plunged headlong into the dark world of Doris McAllister, an evil witch who takes us ‘by the bells’. We are regaled by the Celtic wistfulness of Josephineas she forbearingly awaits her ‘wine & roses’ while Birdeen, a greedy lorikeet with a sweet tooth, beguiles us with infectious bounce & colour.
Eleven Womenis full of melodic invention & lyrical surprises. Singling out tracks for special mention is frankly impossible since this album consists entirely of highlights. Amongst these bijous however the timelessly beautiful Think of Youshines brightly. This song has the unmistakeable stamp of eternity & evokes a sense of having existed since music began.
From the album’s opening salvo it is clear we are in the most capable of hands. Steve Kilbey is a veteran song writer at the very height of his creative powers.
ELEVEN WOMEN SEPTEMBER 4 via FOGHORN/MGM.
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