Cody and the Blackouts – New Album – Living Asleep

"Cody and the Blackouts – New Album – Living Asleep"

Cody and The Blackouts(USA)
Living Asleep (12 Track Album)

Release Date:  October 20 (Chance Music) All Digital Platforms

Extrapolation, n:An educated guess or hypothesis. To extrapolate isto use observations about a current situation to make a prediction.

‘Extrapolation’ is not a word you’d expect to find in a modern pop song, but there it is in the title track of the thoughtful and heartfelt debut album by Los Angeles band Cody And The Blackouts:

Present finally caught up to my past / Surprised my house of cards had been built to last / Extrapolation gift and a curse / It helps connect the dots but can make things worse” (Living Asleep).

 

He’s the lead singer and keys player in the band, but Cody Hudock’s most striking asset is his songwriting. Notable LA music blog, Buzzbands.la, held up Hudock’s work to “any number of rock-Americana greats and piano-wielding popsmiths who can seize the moment with a single couplet … owing to Hudock’s often-cutting, always-earnest lyrics, the Blackouts come off as the band most likely to have put down their history textbooks long enough raise hell at the local bar.”

A dab hand with a lyric, Hudock often takes a song title and runs with it, as in “I’m gonna crack the code / it’s just a matter of time” (Matter of Time), or “All I’m asking for’s the last word” (The Last Word). Even the album’s closing track, tender piano ballad Love Song To You, pre-empts its own chorus as Hudock vows to “learn the vocab to say what I felt”.

There he goes, extrapolating again.

Cody Hudock was born into a family of songwriters. He learned the trade from his father and older brother, Jordan, who also plays keys on Living Asleep. After acquiring early performance experience playing keys in Jordan’s bands, Cody wrote and released 3 EPs between 2011 and 2015 under the moniker Cody The Band, and the ambitiously titled The Great American Album LP under his own name in 2016. The LP garnered some delirious word of mouth, with LA blog The 704 gushing, “If there were an award for ‘greatest living songwriter you’ve never heard of’, then Cody Hudock’s sterling solo effort would place him firmly in the running.”

Rounding out the Blackouts are guitarist Jimmy Holman, drummer Brent Stranathan and bassist Will Weissman, with Joanna Hudock on backing vocals. Joanna shines on the country-tinged I Confess, a duet with husband Cody, And contributes celestial harmonies to the choruses of several other songs on the album.

Recorded at Hollywood studio Elephant In The Room, produced by Ethan Kaufmann (Avril Lavigne, Wild Party) and Brent Stranathan, and mixed by veteran Capitol Records engineer Chandler Harrod (John Mayer, Neil Young), Living Asleep captures the unique studio chemistry of Cody And The Blackoutslike lightning in a bottle.

From the pop-cultural history lessons of opening track Time Stood Still (the band’s head-turning 2020 debut single), through the pendulum swing of Matter of Time, to the hook-laden pop bauble Sister Sister, Living Asleep extrapolates an uncommon range and versatility. As for predictions, heed the title of the album’s penultimate song: Somehow I’ll Make Good. Believe it.

Checkout the Album

Connect with Cody and The Blackouts




Living Asleep is Released In Australia by Chance Music

Jack Nolan Releases Album Gabriel

"Jack Nolan Releases Album Gabriel"

Soundslikecafe Presents The Album ‘Gabriel’ Aussie Americana by Jack Nolan 

Gabriel is Jack Nolan’s fifth solo album, and the first album he’s yielded to someone he trusted enough to produce: This is an album that mines its own carefully sculpted acoustic world with a profoundly atmospheric sense of place, and a depth of self-knowledge that speaks of arrival after a lifetime of sometimes hard, sometimes tender experience.

The genesis, Gabriel came to Jack a few years ago, sat at his side on a long desert drive that he wasn’t sure he’d come back from. The title track, in its own unhurried and roundabout way, eventually found itself in Nashville, USA, on an album completed just before COVID-19 wrought its havoc on the world.

Atonement is upfront in titles like The Hopeless Son and Restitution Song. Others — Tomorrow Came, Faster Than the Speed of Change, A Fool Would Follow Me — are deeper stocktakes, songs from life’s rear view mirror. Ghosts of people and places and other, maybe darker things, receding for sure, but too close to ignore.

Produced by Justin Weaver and captured on two-inch tape in the aptly named ‘Welcome to 1979’ Studios by engineer Chris Mara, the assembled band included drummer Jimmy Paxson, bassist Chris Autry, keys player Phil Towns and pedal steel player David Spires who were joined by backup singers Terri Lynn Weaver & Siobhan Maher Kennedy. Justin himself applied the deeply textured lead and electric guitars.

Gabriel, is a record offering up evocative, ethereal stories, perhaps best signalled on the album’s title track, with Nolan singing “Endless lanes /endless cars // In the absence /of stars” reminding us of this new world, turned on its axis in 2020/21.

Jack Nolan is a singer songwriter based in Sydney, Australia, who’s been performing and releasing music and albums since the mid 90’s. Along with a five-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun was critically adored along with their energetic live shows of the time.

Within Nolan’s music, mysterious and shimmering chords unite his sound with that of the Americana genre, once quaintly described as ‘Darlinghurst Country’, uniting elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

With three children entering their teens, it was post these releases that family and fatherhood took centre stage. Playing, performing and writing as much as possible, along with getting a ‘real’ job, Jack’s intention was to get back to the music. So it was that Jack finally assembled his band again and took to Electric Avenue Studios in Sydney for the initial sessions of what was to become his next album.

When listening to the playbacks mid recording, a manager friend listening along was impressed and made a chance comment, ‘why not take this to the States to finish and mix it there?’ It was the spark that eventuated in Jack hunting down a favourite Nashville native Mike Poole, an American producer engineer renowned for his work with artists like Robert Plant, Patty Griffins and Buddy Miller. With tracking and mixing completed with Mike, the album ‘Our Waverley Star’ was released in 2018.

Having caught the Tennessee bug while finishing his 2018 album ‘Our Waverley Star’, Jack returned to Nashville in February 2020 for two weeks of recording and mixing with his friend and multi-instrumentalist Justin Weaver, known best as the Dixie Chicks’ guitarist. After the most intense and enjoyable fortnight possible, Jack headed home in March 2020, a day before a hurricane wiped out Nashville, and less than a week before the world changed forever, if the word Wuhan rings a bell.

And so it is, Jack’s latest album, Gabriel, releasing October 2021, keeps the wheels moving on the meaningful passion of this writer and performer.

Singles

Hold Your Horses
Taken from Sydney singer songwriter Jack Nolan’s 2021 album, Gabriel. Recorded for a friend, supporting them, to tell them they’re worth it, to stay the course.

Gabriel
Gabriel, the title track from Sydney singer songwriter Jack Nolan’s 2021 album. Recorded originally as a demo that was almost released, Jack reconstructed the whole demo process again in Nashville with the band, with drummer Jimmy Paxson on the trash can drum.

Video

jn-yt-gab

Credits:
Written by Jack Nolan
Recorded at ‘Welcome to 1979’ in Nashville TN 2020
Produced by Justin Weaver
Engineered by Chris Mara
Mixed by Chris Mara & Justin Weaver
Mastered by Ryan Smith, Sterling Sound Nashville TN
Jack Nolan – Vocals & guitars
Justin Weaver – Electric Guitars, slide, banjo & backing vocals
Jimmy Paxson – Drums
Chris Autry – Bass

Gabriel is OUT NOW Quay Records/MGM. 

Stream or Download:

JAN_GAB ALB

Connect with Jack:

Grander Things release new EP Supermoon

"Grander Things release new EP Supermoon"

Following on from the release of their first ep MASH in 2020 and unable to play live with the sporadic Sydney shutdowns for the better part of the year, Grander Things went back into their burrow and got busy.
From a riff here or there, the lads played around with some ideas in the rehearsal room and started sending recordings for vocalist, Liz Clear to find the ones that inspired the lyrics and melodies to fall onto the page. After some months of blending music and lyrics, Grander Things had five tracks to put down.
Recorded at Damien Gerard Studios on the Central Coast, you can tell Grander Things love wearing their pop-rock hearts firmly on their sleeves. This ep has gentle moments of angst and vulnerability but then surprises you by colliding into epic rock. Keys were added post recording by Gino Campagnaro to the opening track You Said, but the band have stayed true to their roots with guitars that soar.

Liz  Clear / Brent Williams / Bruce Thomas / Rhys Lewis-Smith

Supermoon is OUT NOW – September 24th via MGM
All DSP’s

Watch Video

GT-Vid-Liz-Grab

Streaming:

GT-sles

Connect with Grander Things:

Julie-Anne Marshall releases positive and uplifting single Good Feeling

"Julie-Anne Marshall releases positive and uplifting single Good Feeling"

A feel good song can lift the spirits and that is exactly what the latest song from singer-songwriter Julie-Anne Marshall does.

Its light, bright and breezy sunshine pop.

It makes you feel like you are driving along a country road with the window down, friends in the car on a warm afternoon heading to the beach or doing a road trip.

Its about the sun being higher in the sky as summer approaches and winter is left behind as a distant memory.

Its about moving through challenging times and coming out the other side still hopeful.

Just added to playlist as track 1 cause we love it!!

jampr

Check Out Good feeling right now and get the positive vibes

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Connect with Julie-Anne

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CJ Shaw releases new album All Sorts

"CJ Shaw releases new album All Sorts"

 Soundslikecafe presents All Sorts –  the latest album from ARIA nominated educator and musician CJ Shaw.

Since ‘ANZAC Biscuits’ gained over 30,000 views on social media in 2019, and an ARIA nomination for Music Teacher of the Year, CJ has been busily recording this album. The collection of ten songs affirms Shaw’s position as a creative and dynamic storytelling songwriter for children and adults.

Having spent over twenty years as a songwriter and performer, ‘All Sorts’ draws on the catalogue that Shaw has been performing at folk clubs and festivals. It is an album for the modern eclectic times, containing poignant storytelling, songs of fatherhood, hip-hop, satire and traditional folk. “I wanted an album that could connect people of different ages,” states CJ, “Everyone should be able to enjoy the music”.

‘Terminator Shades’ is Shaw’s hip hop ode to primary school playgrounds and the chaos and characters that it presents. As a teacher Shaw wrote the song to draw his students into the world of hip hop and show the validity of their own experiences in song. “There’s no point in them singing about fast cars in Las Vegas”, says Shaw, “The students have embraced the song and challenge each other to see who can rap the fastest.”

Shaw collected some excellent players to help with the recording. The line-up includes: Allyson Newman who brings her emotive arrangement to the song ‘Lonely Road’ and features Canberra Symphony Orchestra players Steven Fitzgerald, Alex Voorhoeve and Timothy Wickham bringing depth and precision to the record.

A collection of the best songs in CJ Shaw’s repertoire, ‘All Sorts’ is brimming with life and vitality, drawing in audiences of all ages. Dubbed the ‘ultimate family album’ for a reason, ‘All Sorts’ is destined to be a family favourite on long car trips in the foreseeable future.

Armed with a guitar and a swag full of harmonicas, singer-songwriter CJ Shaw’s intricate finger-picking, word play and storytelling never fails to captivate his audiences.  CJ Shaw’s music is distinctly Australian in style, influenced by Paul Kelly and Slim Dusty. His lyrical storytelling and musicality lends itself to audiences of all ages.

In 2020, CJ Shaw was nominated for an ARIA Award for ‘Music Teacher of the Year’ with Jimmy Barnes as his official ambassador presenting him with the nomination.  This prestigious music industry acknowledgement recognised his dynamic and poignant songwriting for primary-aged children. These celebrated songs are woven through his performances and albums, played alongside satirical and storytelling Australiana folk songs.

With over a decade experience touring and performing at music festivals in Australia and Timor-Leste, CJ Shaw is an exciting Canberra musician at the top of his game.

CJ Shaw – All Sorts is out NOW September 17th through Foghorn/MGM

Download or stream: 

cj FULL SALES

Connect with CJ Shaw:

GARETH KOCH RELEASES THE ELIZABETHAN JANGLE EP

"GARETH KOCH RELEASES THE ELIZABETHAN JANGLE EP"

GARETH KOCH RELEASES THE ELIZABETHAN JANGLE EP

Release Date:  September 3rd  (Foghorn/MGM) Digital Platforms
and CD in Store.
Genre- World/Classical

Imagine music from the time of Shakespeare colliding with the Byrds & the 60’s jangle of 12-string guitars.  A fanciful scenario, yet one of the many wonders art & music can perform.

During the reign of Elizabeth I the lute was the king of instruments.  Its chief exponent, John Dowland, was England’s star musician.  He wrote music for Shakespeare’s plays & was lauded across Europe.

Fast forward some 400 years to classically-trained Gareth Koch who re-contextualises Elizabethan music in a contemporary framework.  The lutes are replaced by flamenco, classical & steel-string guitars, while the viols give way to Hofner & Rickenbacker basses.

This brand new musical endeavour embraces both informed historical performance practise & pop sensibilities.  Add to this an over-arching aesthetic derived from shimmering guitar pop & we have a new sound, the sound of Elizabethan Jangle.

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Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing.  He has appeared at major festivals within Australia, Europe, Asia and North America.
Gareth is involved with many cross genre projects.  Over the past two years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).  Earlier this year a third collaboration with Steve saw the release of double album ‘The Hall of Counterfeits’.

Song Descriptions
Can She Excuse
The opening track to this fascinating step back in time to the world of troubadours and courtiers and palace commissioned concerts.  Koch’s mastery of the Classical Guitar is augmented by his skills at percussion and arrangement to create a world music element as well.

The Hags of Gloucester

The title alone is intriguing and sure enough the track doesn’t disappoint with soaring peaks of guitar arpeggios and subtle percussion and jangling backing guitars.

Praetorian Jangle

Maybe if classical guitar had been around in Roman times you would have heard this in Caesar’s court or in The Forum.  With a bit of a military backbeat and some other percussion the guitars layered on top tell the whole story.

Fun Fact
The unique original oil portrait was painted by Steve Kilbey.

Elizabethan Jangle is OUT TODAY September 3rd – via MGM
All DSP’s and CD’s from official store below

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Connect with Gareth Koch: 

CJ Shaw releases new single Adelaide from upcoming album

"CJ Shaw releases new single Adelaide from upcoming album"

Adelaide
Just added to our playlist here is CJ Shaw.

Acoustic Folk Australian best describes this song which has elements of Slim Dusty and Aussie folk such as The Hussy Hicks and The Beggars. Checkout the video premiere courtesy of scenestr
CJ adl-gran

This story telling song follows the enchanting day which saw the arrival of my first child, Adelaide. The rain tumbled down in Canberra, soaking the city and filling the drains as we marvelled at the magic of being first time parents. As the song suggests the natural world that surrounded us, the animals and birds as well as the gardens and trees were reborn as the result of the 60mm that fell in just under an hour. This is a song that celebrates renewal and new life.

Armed with a guitar and a swag full of harmonicas, singer-songwriter CJ Shaw’s intricate finger-picking, word play and storytelling never fails to captivate his audiences. CJ Shaw’s music is distinctly Australian in style, influenced by Paul Kelly and Slim Dusty. His lyrical storytelling and musicality lends itself to audiences of all ages.

In 2020, CJ Shaw was nominated for an ARIA Award for ‘Music Teacher of the Year’ with Jimmy Barnes as his official ambassador presenting him with the nomination. This prestigious music industry acknowledgement recognised his dynamic and poignant songwriting for primary-aged children. These celebrated songs are woven through his performances and albums, played alongside satirical and storytelling Australiana folk songs.

In 2021 CJ Shaw will release his album ‘All Sorts’. Combining the best of his children’s songs with his unique brand of contemporary Australiana, Shaw has dubbed ‘All Sorts’ “the ultimate Family Album”.  With over a decade experience touring and performing at music festivals in Australia and Timor-Leste, CJ Shaw is an exciting Canberra musician at the top of his game.

CJ Shaw – Adelaide is out NOW August 20th through Foghorn/MGM

Download or stream:

Connect with CJ Shaw:
www.cjshawmusic.com

Jessie-May Kitchen releases new single Quirky

"Jessie-May Kitchen releases new single Quirky"

Imagine being born one day on another planet.
Everybody on this planet was given detailed instructions and knowledge of how to speak the language and how the world works. The entire planet is designed for everybody’s relaxation, socialisation, and comfortability.
Everyone but yours.

Growing up it felt like I was ostracised by the entire world. I felt like I was a literal alien and didn’t belong. The loneliness that never leaves you, leads to years of questioning the why. Am I the protagonist of a movie to be mocked by an invisible audience? Am I the butt of some cosmic joke? This is the life of a neurodivergent child.  This is me. A pop single written with my entire heart from the perspective of a neurodivergent individual trying to navigate a neurotypical world.

I was called many things when I was young – freak, loner, weirdo. It never truly stopped, but the language did shift as I got older, once difference became more socially acceptable. Instead of calling me a weirdo on the playground, I would always get the sceptical phrase, “haha… you are.. QUIRKY… Aren’t you…?”

The relief and confidence I felt when discovering I’m okay, I’m not broken – my brain just works differently, was life changing! I hope Quirky can bring representation, comfort and celebration to the wonderful neurodivergent community. Branching further into the pop genre is something I’ve always wanted to do and Quirky was the perfect chance to do it!

Quirky contains fast paced electronic beats, funky bass, whacky harmonies and the message – it never hurt to be Quirky! I want to thank Jordan for the electronic instrumentals, Russel Pilling and Andrew Beck for recording, mixing and mastering this project and of course Marshall Cullen for producing and always believing in me.

 Song Description
This is a new more pop direction for Jessie May Kitchen. Up-tempo, programmed backing, ‘quirky’ keys, bass and guitar and some very ‘now’ vocal fx all go together to make this song a real winner for pop radio.

Jessie May Kitchen – Quirky is out NOW through Foghorn/MGM

Download or stream: 

jmk-qry

Connect with Jessie-May Kitchen:


Mark Cashin releases new single The Genius

"Mark Cashin releases new single The Genius"

Mark Cashin Presents
New Single “The Genius

Mark has produced yet another smash tribute to his late son, Coen, with this brilliant new single and video.  The song was recorded in 2 days at Damien Gerard Studios and then mixed by renown engineer Russell Pilling.

Mark played drums and acoustics as well as providing the lead vocal. Other musicians included: Sarah Piper on backing vocals and Jake Hunt on electric guitars and bass. Recording engineer at DG’s was Murray Dilger and the song was produced by Mark Cashin and Marshall Cullen.
In Mark’s own words: “The song was written for a very talented musical genius, my son, Coen. He was involved in a fatal car crash 3 kilometres from our Central Coast home nearly 4 years ago. I would like to share the only gift I can give my son on his 28th birthday.”

Song Description:

The Genius
Strong acoustics and riffing electrics begin this heartfelt mid-tempo song from Mark. The verses all feature a catchy guitar riff as well as the melodic vocals morphing into some sing along woo hoos as part of the chorus.  Honest and straight from the heart this song really takes you somewhere.

Watch the Video here:

Credits:
Foghorn Media / MGM
Written by MARK  CASHIN
Performed by MARK CASHIN – Lead Vocals – Acoustic guitar – Drums
Jake Hunt – Electric Guitar – Bass Guitar
Sarah Piper – Backing Vocals
Engineered & Recorded by – Murray Dilger at Damien Gerard studios
West Gosford, NSW, AUSTRALIA
Mixed & Mastered by Russell Pilling
Produced by Mark Cashin and Marshall Cullen
Film clip by Stewart McDonald

Stream The Genius here:

casho-genius

Connect with Mark:

Gareth Koch Releases New Solo Album ‘Saladin’s Dream’

"Gareth Koch Releases New Solo Album ‘Saladin’s Dream’"

Soundslikecafe is proud to present this brilliant new Instrumental World Music/Classical album as our latest feature release

Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing.  He has appeared at major festivals within Australia, Europe, Asia and North America.
Gareth is involved with many cross genre projects.  Over the past two years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).  Earlier this year a third collaboration with Steve saw the release of ‘The Hall of Counterfeits’.

On his new solo project, ‘Saladin’s Dream’, Gareth explores the fanciful notion of Saladin’s dreamworld – his unconscious desires and wishes.  Saladin (1137-1193) was a warrior/sultan & ruler of Egypt, best known for his war against Christian Crusaders and the capture of Jerusalem.
Dreams and their significance in waking life are an enduring source of mystery.  On this album Saladin is visited nightly by ancient gods, bringing with them their harps & music of the underworld.  He then spirals into the mayhem of dark assignations with a succubus before veering into the chaos of an Egyptian bazaar. In his free-flowing dreams Saladin embarks on a surreal journey into the future, encountering Macbeth’s witches and their cats.
The album meanders effortlessly through a landscape of goatherds, ancient cities and other worlds.  Saladin’s Dream can be seen as a synthesis of Gareth’s musical journeys, ranging from classical, flamenco, medieval, folk & rock, flowing seamlessly into the realm of free experimentation & creativity.

Tracklist

Song Descriptions
Bazaar
This soundscape like track takes you to the Middle Eastern Markets of The Silk Road in ancient times.  With oud’s, guitars, hand percussion, even some calls to prayer like wailing this truly evokes a time and place – think The Arabian Knights put to music.

Saladin’s Dream
The title track to this new album by Gareth Koch, exactly half down the track order it creates a neat bridge from some of the more eastern sounds into what we may term more classical ones.  Some beautiful guitar melodies layered onto backing that includes resonating vocal textures.

The Nefarious Goatherd
Belying the tongue in cheek title this song moves along at a good pace and includes some solid bass and low-end percussion that keeps up the pace nicely.  With similar instrumentation to the album – background vocal layers, stringed instruments over the bass and percussion elements.

Saladin’s Dream is OUT TODAY July 9th – via MGM
All DSP’s and CD’s from

sladins

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