The Insufferable Paul Scott New EP Radio Station

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"The Insufferable Paul Scott New EP Radio Station"

 

Soundslikecafe is proud to present this Catchy Indie-pop EP from a veteran of the Genre Paul Scott

The Insufferable Paul Scott (The Likes of You, Montana, John Kennedy’s 68 Comeback Special, The Bad Machines and on into the dim recesses of the Indie hive-mind’s faltering memory…) has plied bass and guitar for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Most recently Scott released last year’s lovingly reviewed and widely supported by community radio, indiepop album ‘Surrender to Robots’.

Radio Station is the next instalment.

Says Scott: “When I was coming up (pre-internet!) the only way you could hear alternative music was on independent and community radio stations: Joy Division, HuskerDu,The Boys Next Door, The Replacements, The Waterboys… I’d hear an amazing song on the radio and have fun hunting for it at the local record emporium. Unfortunately when it came to remembering the details of the track I’d just heard I was less reliable than Shazam: I once spent a week trying to find a Lou Reed song called ‘Velvet Underground’ only to be set straight by the record store clerk “it’s a band not a song, you idiot”.

Listen Here

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STEVE KILBEY AND GARETH KOCH NEW ALBUM SONGS FROM ANOTHER LIFE: MUSIC OF ANTIQUITY

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"STEVE KILBEY AND GARETH KOCH NEW ALBUM SONGS FROM ANOTHER LIFE: MUSIC OF ANTIQUITY"

Soundslikecafe is very proud to present this exceptional, spacious, fresh and different album from two of Australia’s most interesting ARIA Award winning artists joining together once again ……

Songs from Another Life (Music of Antiquity) is the second collaborative album by Steve Kilbey and Gareth Koch. It follows their successful debut Chryse Planitia earlier this year.

These two artisans have produced a unique musical creation – an esoteric masterpiece which is difficult to define. It is an entirely new body of work, evoking a living connection to the past which resonates with us all.

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It is tantalising to reflect on how music of the ‘ancients’ might have sounded. Our clues lie in the iconography and artistic representations of the pre-Christian era, and within specific types of folk music which have a living tradition.  This continuum provides a valuable framework for the attempt at reconstructing ancient music. Indian folk music and flamenco for example create an interesting template, since both these traditions merged and are further coloured by the Moorish invasions of Andalucia.

It is significant therefore that the earliest form of notation was created in Babylonia, probably in about 1400BC. The instructions are fragmentary, but the cuneiform tablets suggest that the music was composed using scales, harmonies and gestures not altogether unfamiliar to today’s listener.

In Steve’s words on the liner notes to the LP he says:

“Working with language scholars and local musicians, we have attempted to bring these ancient songs alive. They have rendered the songs in a manner that is comprehensible to the modern listener. The songs and recordings represent the thoughts and sounds of a distant antiquity. Here then is the past – and now the past is here.”

Stream it here

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Jessie-May Kitchen Debut EP Zone Out

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"Jessie-May Kitchen Debut EP Zone Out"

Here we present a fantastic new young artist – Jessie May Kitchen

Jessie-May was born in Hobart and grew up on the NSW Central Coast. She started writing songs at five and Performing Arts became her escape from a tough family life.

 The debut EP Zone Out follows her successful singles and videos-
Teen Love, Coffee Shop and Star Child from 2018-2019(see YT link below)

Have you ever been so deep in thought that the world disappears and suddenly you are detached from the physical plane, and all you know is what you are thinking about? Like a switch has been flicked and the real world just isn’t there anymore. Most people say they do occasionally or brag that they scandalously day dream whilst doing chores and leave their body on autopilot for a little while.

Ever since I can remember, I have been switching back and forth from this world to my own, I just Zone Out. It’s an integral part of who I am. Zoning out has brought me so many brilliant ideas, inspirations and creations to my life.

There are many different ways to be smart and tuning out reality, tapping into your imagination is a skilled, worthwhile cleverness. I wanted to use this EP to bring my world to you. My stories, thoughts and philosophies in every song, courtesy of tuning out the rest of the world and tapping into my own.

So, give it a go! Find a safe place of your own, listen to the music, let your imagination run wild and Zone Out.

[photo by Tony Mott]

Track Descriptions:
Blue Skies
Along with the video Jessie’s new single features a lyrical story of optimism and happiness, overlaying a hybrid acoustic and keyboard driven rhythm track.

Calm In The Eye Of The Storm
Some more great messages in Jessie’s lyrics – “it’s all lies within your perception of your own reality – you either choose defeat or to be calm amidst the chaos.”  With a more uptempo and guitar driven backing track, along with a catchy keys melody – another great track.

Head In The Clouds
A note to her younger self, this song features similar production values to the rest of the EP, lush keyboards, full guitars, solid beats and hooky melodies.

Jessie May Kitchen – Zone Out is out NOW through Foghorn Records / MGM Distribution.

Download or stream: 

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Connect with Jessie May Kitchen:

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For further information, Cd’s and Interview requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

Kaijin Solo New EP Universal Love

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"Kaijin Solo New EP Universal Love"

Kaijin Solo is a contemporary singer/songwriter based on the NSW Central Coast with a blues rock influence.

Universal Love is an experiment in letting other people find their way into his music.
The idea came about from jamming original songs live with a host of different people on the local open mike circuit. The result is an electric mix of ideas that provides a solid rocking sound-scope for the lyrics.

Mark Cashin and Jake Hunt from The Little Hussies were the collaborators this time round, with Russell Pilling at Damien Gerard Studios engineering. The combination of talent without prima donna egos made the sessions into a fun day with a fantastic output and every song grew in dimension.
The EP was Mastered by Andrew Beck.


Universal Love – “When we can think, speak and act the way we want to be treated ourselves, the power of love will exceed the love of power and the world will know peace.” Is what Universal Love is about, it was inspired by a quote from Jimi Hendrix “When the power of love exceeds the love of power the world will know peace.

Into the Dream was written the morning after a Ryan Adams concert, thinking about how much things has changed since the beginning of the century.

The Republic is a tribute to the people and their achievements, and a wake up to call to Canberra to get on with it.

Spirit on the Wind is an ode to the Spirit of Freedom.

Like Sunshine is a love song to music itself.

Stream from your favourite service:

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Gareth Koch-New EP Code Blue

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"Gareth Koch-New EP Code Blue"

Proudly featuring this one on SLC for your listening pleasure

“How does an artwork or song come into being and take form where once nothing existed?

The answer has layers of complexity, and varies from artist to artist, but there are partial explanations. Usually there is some type of catalyst, a half-remembered whisper, idea or a musical phrase which forms a point of creative departure. Sometimes though, an actual event might spark inspiration.”

The song Code Blue is jaunty & upbeat with tongue-in-cheek lyrics, but these provide clues to an underlying seriousness:

‘code blue runnin outa time,…show a vital sign,… in emergency ICU…o honey i’d die for you….’

A ‘code blue’ is a hospital crisis situation in which the patient is in cardiopulmonary arrest, requiring a team to rush to the specific location and begin rescue efforts.
The narrative of the song draws on a sudden medical emergency in which Gareth was saved by the skill of medical staff.

GK PR Code Blue pic edited

Both the song Code Blue and EP are dedicated with love and gratitude to the wonderful medical professionals across the world.

The other songs on the EP Include

Come Heavy Sleep is a type of re-imagined Elizabethan ballad, so you hear Gareth’s Nylon string classical guitars prominently, harking back to his roots in the classical world, but overlaid with drums/percussion and a calming sleeplike vocal delivery.

The Flame is a more rock track with electric guitars and a rhythm section and has a certain echo of the great Blue Oyster Cult.

 ‘Am I Ever Gonna See Your Face Again’. In this rendering Koch re-invents the song as a sensitive ballad, laced with classical guitars and a very different vocal to the original

Check out the video premiere for Code Blue

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Tim Walker’s New Album Bridge of Angels

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"Tim Walker’s New Album Bridge of Angels"

Ex-Sydney singer-songwriter Tim Walker moved back to his hometown of Adelaide earlier this year and immediately began recording this new album, his first for a while.

The album was inspired by a recent trip to Europe, where Tim was struck by a culture saturated with centuries of spiritual and religious symbols, strivings and sentiments. The new album has more universal themes than his first (Fellow Traveller), which was very Sydney-oriented.

Beginning in folk, he went into a country rock act, and now is a prolific soloist, doing gigs around Adelaide. He was a regular on the Sydney live circuit and played at several NSW festivals. He found a SA recording studio in Grange this year, and immediately began laying down tracks according to a careful plan, devised over many months.

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Track list with Descriptions:
  1. On The Bridge (a prelude): This is a crossroad, of civilisation, of history, the course of your own life, a juncture, a leap. The “bridge” refers to Rome’s Bridge of Angels of the album’s title, which is lined with 10 angels and overlooked by a castle, on the River Tiber. A short classical piece, it provides the thematic underpinning of the entire album – a beautiful, floating spark of hope and redemption for a world in flux.
  2. The Loving Arms (those we love): The race is on from the day you are born as time and love play off against each other, and the kindness of strangers. The real currency of life, more valuable than gold or silver, never to be taken for granted.
  3. Every Story Tells a Picture (the plague): With 7.8 billion people on Earth and millions more being added every year, we are running out of everything, including our humanity and our judgement.
  4. Mirror of Love (a reflection):A photograph can lie, but love cannot lie. It is the ultimate mirror.
  5. Red Velvet Chair (a friend in need): When you sit in this chair you tell the truth, and the truth is told to you. It’s the advice of a friend, the helping hand. But hey, you can have some fun with it too!
  6. Streets of Rome (eyes are opened): The ancient capital was no stranger to the album’s themes. Without the benefit of science, its original citizensinvented their own answers to life, preserved today with respect and awe, embedded in every stone of the city. And they had to deal with the same spiritual questions as us. Rome was therefore the accidental epicentre of the album.
  7. The Bolshie Swing (the dance): Time for a break. This track started off as a playful riff and expanded into a mini-orchestra, was left on the shelf for a while, then rushed into action as track 7. It was the understudy.
  8. Face Without a Name (stare inside): Ultimately we are just one of the crowd. It’s a big world and that crowd is made up of billions. Not often can we roar; more often at most we can squeak. Not invisible -but maybe only a “hill of beans”, as Bogart said in one of his films.
  9. Fly into the Sunrise (flying home): You have been away, seen many things. Now you wing your way on a long flight home, from the nighttime behind (the past) to the sunrise ahead (the future). The huge jet streams past, its passengers look out and simultaneously look in, through half-asleep eyes; the moment is sublime.
  10. Star (inspiration): Maybe it’s love at first sight; maybe it’s the inspiration that keeps alive a distant flame. Perhaps it’s fate.

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Listen on your favourite platform:

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Throwing Shapes Feature Album Tranquillity Base

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"Throwing Shapes Feature Album Tranquillity Base"

Throwing Shapes Feature Album Tranquillity Base

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Throwing Shapes is Fox Shannon. An electronic and Drum and Bass producer from Perth, Western Australia. Unique and forward-thinking electronic music. With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5 and Slumber Jack.  

His energetic performances and catchy dance floor hooks have won him growing interest from community radio, with airplay around the country. And seen him feature on numerous compilation albums. And secure billing at local underground dance events, such as ‘Reawakening’. 

Throwing Shapes latest release,the EP ‘Tranquility Base’ is now available on Spotify, Apple Music and most other streaming services. 

 

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(Tim Fox Shannon)

Track descriptions:

Tranquility Base – (Mid to up tempo) The title track, is up lifting and euphoric. A truly majestic feeling to this track. Angelic choir pads floating over a rolling rhythm section. With synth leads in the chorus that lift you higher and higher. The song is about the beauty and fascination of creativity and fantasy, that we all possess.  

Demons Run – (Mid tempo vibe). A slightly deeper, introspective type track. The verses lend themselves to a sort of fantasy world that then drops away into a large space with a dominating bass synth, in the chorus. Gradually opening up to the more ambient, introspective sections of synth chords and leads. The title is taken from a Doctor Who episode called ‘Demons Run, When A Good Man Goes To War’. 

Wonders To Behold – (Mid to up tempo) Beautiful piano chords that build to a catchy lead synth line in the chorus, with a positive and up lifting vibe but also somehow defiant and proud. It ends with a sort of marching beat. A triumphant feeling of overcoming struggle, on this track. 

Marauder –  (Up tempo) Is probably the heaviest track on the EP but it’s also got the most funk and groove. A rolling, funky rhythm based verse which drops into a dark chorus of fat driving bass synths. The song gradually opens up to more melodic sections with a positive vibe and different chord changes, as synth lines and ambience builds the track to it’s crescendo. All the songs on this EP gradually develop and evolve throughout course of the song and take you on a journey. And this track is no exception. 

Defiant, Yet At Your Mercy – (Down tempo) Is the mellow track with the deepest vibes on this EP. It begins with slow ambient choir pads, chimes and some atmospheric ear candy that builds and drops into sort of swing’ing beat and wide synth chords, that have a slightly sad, introspective feeling followed by a lead bass synth line that drives that feeling home even more. The song evolves further and you’re introduced to a piano lead section which caries the main melody of the song and is a highlight of this release. 

Stream / Connect with Throwing Shapes

 

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10cc Star Graham Gouldman-Modesty Forbids

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"10cc Star Graham Gouldman-Modesty Forbids"

10cc Star Graham Gouldman To Release First Solo Album in Eight Years

On 21 Febuary 2020, 10cc’s Graham Gouldmanwill release ‘Modesty Forbids’,his first solo album in eight years.Released on British independent record label Lojinx, Modesty Forbids is the fifth solo album of Graham’s career, and his first since 2012’s ‘Love And Work’. Featuring eleven tracks, the album’s release will coincide with 10cc’s 14-date Australia and New Zealand tour, ahead of the rest-of-world release in March 2020.

With Graham’s 10cc tours enjoying ever-increasing success around the world in recent years, in 2018 he was invited by former Beatles’ drummer Ringo Starr to join his All Starr Band for tours of Europe and the USA, during which the band played three 10cc songs, elevating Graham’s profile yet further.

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 That relationship continues, with Ringo making a very special guest appearance on Modesty Forbids, playing drums on a song called ‘Standing Next To Me’.

Heres the tracklist along with Graham’s succinct descriptions-

Track-by-track guide to ‘Modesty Forbids’, by Graham Gouldman

  1. ‘Standing Next To Me’(written by Graham Gouldman)

“A song about being asked to join, and my experiences with, Ringo Starr And His All Starr Band. I would stand next to Ringo front of stage when he wasn’t playing the drums. It was a surreal and wonderful experience to see him ‘Standing Next To Me’. It was also brilliant to be on the road with the other members of the All Starr Band, namely Steve Lukather, Colin Hay, Gregg Rolie, Gregg Bissonette, and Warren Ham. A dream come true.”

  1. ‘That’s Love Right There’ (written by Graham Gouldman)

“Whenever I go on the road my wife Ariella leaves little notes in my suitcase that I come across when I’m unpacking. She also leaves me little chocolate bars. I was with the band when I found one of these bars and exclaimed ‘That’s Love Right There’. I wanted to make an authentic sounding ‘swing’ record so I asked these brilliant players, Jamie Salisbury piano, Ralph Salmins drums and Chris Hill bass to play on the record with me.”

  1. ‘All Around The World’ (written by Beth Neilson Chapman, Graham Gouldman and Gordon Kennedy)

“I asked Beth to send me her take on the song. I couldn’t top her description. At a time of such upheaval and chaos this song reminds me that all is not lost. It doesn’t hide from the truth of the challenges but it brings it all into perspective and it just fills me with such joy! I loved writing this with two of the great songwriters on this planet! ‘It can only get better’says it all.”

  1. ‘It’s Not You It’s Me’ (written by Graham Gouldman)

“This song was originally written for the Yardbirds who approached me to write something for a new album they were hoping to record, but it never got made. Don’t ask. I liked the song not least because it uses the old excuse when you want to break up with someone that ‘It’s Not You It’s Me’.”

  1. ‘What Time Won’t Heal’ (written by Graham Gouldman and Bill Lloyd)

“This song was written very quickly like all the good ones do. I had a chord sequence and melody and Bill came up with this great title, he also wrote most of the lyrics. Bill is from Nashville and I think you can hear that influence in the song.”

  1. ‘Different Times’ (written by Graham Gouldman, Anna Krantz and Graeme Pleeth)

“I’d written with Anna before and was very happy to work with her again. This song came out of a session we had at Graeme Pleeth’s studio. As well as co-writing the song Graeme wrote a beautiful string arrangement. A song of regret and what might have been.”

  1. ‘Wake Up Dreamer’ (written by Graham Gouldman and Iain Hornal)

“I already had a lot of the musical ideas for this, which I shared with Iain, who came up with the title and more musical ideas. We have written together before and one of my favourite co-writes with him is ‘Say The Word’ from his first solo album and a song we perform in our 10cc show. Let’s stop dreaming and wake up to what’s happening to our planet.”

  1. ‘Russian Doll’(written by Graham Gouldman and Graeme Pleeth)

“I started this instrumental years ago with the idea that it would make a great movie theme. Maybe it will someday. It was only after I’d overdubbed a mandolin, that sounds like a balalaika, that I came up with the title ‘Russian Doll’. I love its dark, melancholic feel.”

  1. ‘Hangin’ By A Thread’ (written by Graham Gouldman and Cassa Jackson)

“We’d already written one song and at the end of the session I started messing around and came up with the start of this. Cassa joined in with what was to become the title and the chorus of ‘Hangin’ By A Thread’.”

  1. ‘Waited All My Life For You’ (written by Graham Gouldman and Phil Thornalley)

“Phil discovered the demo of this whilst going through some old files and played it to me. I couldn’t understand why we’d never finished it before but I’m so glad we did. It has a lovely Beatles feel to it. Btw, I first met Phil in 1986 when he produced the first Wax album. We have remained friends and worked together occasionally ever since.”

  1. ‘New Star’ (written by Graham Gouldman and Iain Hornal)

“I got the idea for this walking home one day. I heard something being played in the distance on someone’s radio. I couldn’t hear the song very well but I heard the rhythm which I liked. The chords came into my head immediately. I originally wanted to repeat the verse chords for the whole of the song using different melodies but it just didn’t work, so I asked Iain to help me finish it adding new parts. I lost my mum in 2019 and the first line of the song, ‘There’s a new star up in heaven’, refers to her.”

Stream or download here

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The Mezcaltones Feature Album Mexican Hillbilly Surf Music

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"The Mezcaltones Feature Album Mexican Hillbilly Surf Music"

The Mezcaltones Mexican Hillbilly Surf Music
The band’s third album finds them at the top of their game with brilliantly written and played originals along with a tasteful selection of covers lifted from their live set. Recorded and mixed in just over a week at Damien Gerard’s new expanded studios on the Central Coast, the album stands as their most cohesively accessible and sonically pleasing to date.

Only released last Friday to coincide with the launch on Sydney’s Northern Beaches to their home crowd, the Album is already garnering reviews such as:
“The third album from the enigmatic Mezcaltones is cranking, feelgood drinking music that crawls into your boots and drags you to the dance floor of any number of dusty roadside Mexican Saloons.” Redback Rock
“The good, the bad, the groovy, playing all things cool with a Tarantino and strong Mexican flavour. Blog

The band have also been invited to co host Ross Fear’s influential Australian Spectrum show this Tuesday March 3.

The band will be playing over the next few weeks to promote the record, see dates below.

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And now to the band – Just what is it about the Mezcaltones –
Four guys dressed as cowboys and two women dressed like Spanish Mexican Senoritas that you might find in a Quentin Tarantino movie – two guitarists, a bassist, a drummer, a crazy front man and a beautiful dancer/percussionist. Whilst their original songs have an alt country flavour with rich cowboy guitar sounds reminiscent of another century, the guitar tones also reach into the realms of 60’s surf instrumentals.

See them live at

Album – Out Now – Foghorn/MGM
CD on sale at Shows
Click below for DSP’s

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For further information please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net


STEVE KILBEY AND GARETH KOCH NEW ALBUM CHRYSE PLANITIA

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"STEVE KILBEY AND GARETH KOCH NEW ALBUM CHRYSE PLANITIA"

What unites the musical spheres of an Australian rock icon and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns, fatal hours, and enchanted gardens. To complement the poignant lyrics is delicious instrumentation, weaving and wafting, ghostly and waif-like, alternately brimming with rhythmic drive, present yet somehow elusive.

Hot on the heels of two critically acclaimed singles, the debut album Chryse Planitiapulses with a strong and immediately recognisable musical identity. Kilbey and Koch have forged an entirely new sound characterised by a fluid and elegant movement across genres. Their partnership draws inspiration from medieval music to post-modern psychedelia, as if it were the most natural thing in the world, with every imaginable influence in between.

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(photo credit: Tony Mott)

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers. Kilbey’s words evoke a succession of images, half-remembered whisperings at the edge of our consciousness. He is a poet-master of unsaid things whose writing arouses the dreamer within us.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12thcentury.

Expertly mixed by Russell Pilling of Damien Gerard Studios and superbly mastered by Grammy Award-winning King Willy Sound, Chryse Planitia is a feast for the ears.

Release Dates February 7 (Foghorn/MGM)  Digital Platforms and CD Instore, April/May Vinyl LP 

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