Kalen Hogan Releases New Single ‘Right There’

"Kalen Hogan Releases New Single ‘Right There’"

‘Right There’ is a song about not knowing what you’ve got, until it’s almost ending or gone. Lyrically, the song highlights the tendency of people to lose focus on the passing of time in life and take for granted their surroundings and the people in them.  When writing the music, Kalen said the echo in the guitar created the sound of wistful yearning and encouraged his lyrics that followed.

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About Kalen

Kalen Hogan debuted onto the local Central Coast music scene in late 2022.  At age 17, Kalen proudly launched his debut album ‘Isolation’ in May of the following year. Keen to kick off the new year with new music, Kalen went into Damien Gerard studios to start work on a collection of new material. He released ‘On The Phone’ in April and has continued working on the other songs to keep a steady stream of new material coming out through the rest of 2024.

Kalen says he is inspired by the 1990’s grunge movement, with a real reverence for bands like Nirvana and describes himself as an alternative indie rock singer song writer. Kalen sings about the complexities of everyday life, with an open heart and keen observing eye. His pure vocal tone, with a moderately high pitch, may reflect why some tracks have been compared to Thom Yorke from Radiohead and the late Jeff Buckley.

You can catch Kalen live at various venues and events across the coast. ‘Right There’ is dropping on all the popular streaming platforms this June and stayed tuned for more singles throughout the year.

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Paul Scott Releases New Single ‘Old People On Drugs’

"Paul Scott Releases New Single ‘Old People On Drugs’"

‘Old People on Drugs’ is the first track from a new collection of songs from Scott and Melville exploring the tones and textures of eighties electronic pop.  Lyrically it rummages through the hazy interworld of various ‘drugs’, from pharmacy to propaganda, prescribed, self-medicated or addicted that suffuse the soul as the animal vigour fades.

Older adults engaging in recreational drug use can be a complex and overlooked phenomenon often resulting in addiction.  As people age, their social circles shrink, leading to feelings of isolation or boredom.  Dumb ideas can be addictive too…So that’s what I think, but really, I’d rather not say anything – Paul Scott.

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Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since played bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Teaming up with Steve Melville (ex Mr Blonde and Montana) Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’. “I was looking for the kind of pop thrill I used to get from great Aussie indie bands such as The Falling Joys, Smudge, The Hummingbirds, pop thrills… you know?” says Scott.  An album has been completed and tracks will be released over the next few months on Foghorn, home to most of their releases to date.

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Carla Cargal’s Posthumous Album Release ‘Leap Year’

"Carla Cargal’s Posthumous Album Release ‘Leap Year’"
Here’s one of those special records which we can all relate to – bittersweet but superb composition and performances, we are proud to add this to our album collection for your listening pleasure
Born with an innate love of music and performing in childhood years, Carla Cargal set aside musical ambitions as an adult. Her desire to create music of her own resurfaced years later.
With unwavering support of loved ones and friends, Carla rediscovered her musical identity guided by her life lessons.
With mentor John McNicholas and producers Jonny Daly and Dan Dixon, Carla created a genre-transcending album that touches the depths of the human spirit.
Just as Carla’s music was about to be released, a tragic accident ended her life. Her legacy lives on through the timeless melodies she left behind.
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Steve Kilbey & Martin Kennedy Release Album ‘Premonition K’

"Steve Kilbey & Martin Kennedy Release Album ‘Premonition K’"

With the third album in less than 3 years things are gaining momentum with Premonition K Vinyl pre-orders sold out and a repress underway. Plus 5000 spotify followers can’t be wrong. We are delighted to add 4 of the album tracks to our Soundslikecafe Playlist. 

Building on the success of Jupiter 13 (2021) and The Strange Life of Persephone Nimbus (2022), Steve and Martin release their latest epic, ‘Premonition K’. The album unveils sumptuous sonic soundscapes courtesy of Kennedy paired with Kilbey’s lyrics that delve into the dark and enigmatic realms that exist between the boundaries of life and death. They invite you to break out the ouija board, turn off the lights, and immerse yourself in the mysteries of ‘Premonition K’.

Steve Kilbey (The Church), band singer, songwriter, bassist, painter, writer, poet, actor, sage, and dispenser of arcane wisdom, is one of Australia’s most loved artists.
Martin Kennedy (aka All India Radio) is the ARIA nominated composer whose music has featured in CSI: Miami, One Tree Hill, The Lying Game, Julia Zemiro’s Home Delivery and Bondi Rescue.

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This album, a testament to their musical synergy, encapsulates a darkly beautiful soundscape, drawing inspiration from diverse sources, ranging from the haunting tones of Roger Waters ‘The Final Cut’ to the shadowy depths explored by early 1970s Pink Floyd or Hawkwind.

Steve Kilbey infuses each track with an emotional resonance and sense of mystery. Martin Kennedy co-pilots this sonic odyssey with Steve Kilbey. Together they weave an intricate musical bed for Kilbey’s lyrical dreamings with layers of sonic complexity, at once warmly familiar and mysteriously strange, creating an immersive experience for the listener.

Song Descriptions 

Breaking The Fourth Wall
The opening track on the new Premonition K album from this prolific pair starts with an almost spoken word delivery from Steve with minimal backing. The track is reminiscent of Pink Floyd around The Wall era. As the song moves the textures build as it heads towards a massive outro.

Nowhere
This tune features ethereal female backing vocals and a full band mix. Kennedy’s lush guitar and keyboard textures flow over the drum and bass rhythm section. Steve Kilbeys highly distinctive voice is in great form and the lyrics as intriguing as ever.

The Song That Wrote Itself
An up-tempo radio track with all the elements that make this record a great piece of work. Steve’s voice and lyrics, lush backing, smooth but strong female backing vocals, especially on the chorus, easy catchy melodies, riffs and vocal lines.

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Paul Scott Releases Single ‘Back To The Old Town’

"Paul Scott Releases Single ‘Back To The Old Town’"

As part of the rollout for his forthcoming 2024 album ‘Faster Than Witches’, The Insufferable one releases the 3rd offering in this 2023 trio of videos and singles already receiving rotation airplay on community stations, most notably Sydney’s 2SER Breakfast the past 10 days.

‘You spend so much time trying to escape and when you do, you’re dragged back for the best and worst possible reasons. I always resented my hometown, why? Because everything was happening everywhere else. I was a provincial; envious, frustrated and motivated to flee. And I did. Whenever I’d return, I held a glimmer of hope in my heart that I’d see the old town in a new light, that time would reveal virtues and treasures previously hidden to me and I’d come to appreciate it with a provincial pride enjoyed by those who stayed. It never happened. And yet, and yet… back to the old town I go.’

Paul Scott’s happy and uptempo look at a childhood spent in small town NZ. Paul’s trademark jangly and hooky indie pop guitars with some very insightful lyrics. The drums and bass lock it all down with a catchy sing along part rolling over and over in the track.

Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix.  Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Teaming up with Steve Melville (ex Mr Blonde and Montana), Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’, harkening back to their familiar themes of sweet harmonies, spikey lyrics, and intriguing production.

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The Insufferable Paul Scott – Back To The Old Town is out NOW Nov 24
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Jessie-May K Releases Album ‘Rising Sun’

"Jessie-May K Releases Album ‘Rising Sun’"

Jessie’s first full length album is a triumph over childhood hardship – she explains below

Since escaping, recovering and healing from some childhood traumas, I’m finally experiencing a life where I’m free to live & not just survive. My whole world has opened up! The sun has finally shone through, I can explore people and places freely and breathe life in! Something I never had the chance to do as a child.

The first 18 years of my life were focused on surviving constant anxiety. It bubbled in my chest and body, it was like I hadn’t a second to take a breath. After escaping this situation, my brain and body shut down for a year like never before. My mental health had never been worse. The physicality of my depression & trauma hit me like a tonne of bricks. My mind and body were completely and rightfully exhausted.

I’ve grown the most, tried the most and felt the most free than ever in my life. I’ve met friends who have shown me levels of kindness and support I’d never experienced before and who help me remember life is worth living. I’m at a stage in my life where I’m younger now, a phoenix, regenerated, a Rising Sun. I’m still eclectic as a creator, but with this album I feel like I’ve really found my sound and one that expresses who I am inside.

There are so many people I couldn’t have made this album without! Artists I’ve collaborated with such as Brandon Macmillan, Jordan Ellery and the extraordinarily talented Dave Hunt. My wonderful sound engineers who do a lot of the heavy lifting when it comes to these projects: Andrew Beck, Olivia RA, Murray Dilger & Russell Pilling and my Vocal Coach Joanne McMahon.

Jessie-May K is a young Singer, Songwriter, Director, Actor & Artist. Most successful as an internet personality, Jessie has released four singles and a collection of episodic works that accompanied their 5 track EP Zone Out (2020).

Originally trained in Musical Theatre, Jessie transferred to music when they were 16, teaching themselves guitar from YouTube to elevate their musical career, as they had been writing songs with lyrics and melody since they were 5 years old.

Jessie is passionate about social justice and activism, often releasing music about movements that are important to them, raising awareness and sharing donation links in the hopes it will make a difference. Jessie is Neurodivergent and was born with ASD, ADHD, OCD and developed PTSD as a result of their early hardships and extreme childhood trauma. Jessie believes that the world thrives on diversity and that benign individuality is something to be celebrated and not feared.

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Steve Kilbey – New Solo Album – Eleven Women

"Steve Kilbey – New Solo Album – Eleven Women"

STEVE KILBEY PRESENTS HIS FIRST SOLO ALBUM FOR 2020 – ELEVEN WOMEN

Catch the new LIVE SHOW – click image for tix.

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We’ve become used to seeing many of our favourite artists and acts taking advantage of their enforced isolation to complete albums or other musical projects that might normally have been put aside to fulfil touring obligations, but Steve Kilbey was already well into perhaps his most prolific period to date beforeCOVID overwhelmed us. This year already there have two albums in collaboration with Gareth Koch, another with Kate Ceberano and now comes a solo album, Eleven Women. All the collaborations in which Kilbey has been involved over the past couple of decades have certainly helped him push his muse beyond the expected pop/rock references points, but at the end of the day he’s still the archetypal pop sponge; his love of ‘60s psychedelia and artists like The Beatles and Bowie with a dash of The Small Faces remains paramount, the more exotic elements absorbed providing quirky flourishes and whimsical embellishments – which makes for a very accessible and enjoyable classic record. The references, musical and literary, are replete and once in a while they quite cheeky – Birdeeneven sees Kilbey toss in a little reference to Abba’s ‘Money Money Money’. While the title suggests this collection presents Kilbey’s musings on a variety of women, historical, literary and some perhaps even actual, he’s happy to toss in something more oblique – ‘Lillian in Cerulean Blue’ for instance references a brand of metallic paint, while the aforementioned ‘Birdeen’ seems to be about particularly greedy lorikeet. So Mary Shelley is name-checked in ‘Poppy Byron’, though of course Kilbey’s Mary “was watchin’ the telly/on SBS it was in Mandarin”. Elsewhere he advises his listeners not to cross the “bewitching” ‘Doris McAllister’. Kilbey’s lyrics have never been straightforward of course. The fun has always been to test his listeners, to tease them with possible meanings – and so too with Eleven Women. Professionally enigmatic? Perhaps – and why not?

 

MICHAEL SMITH

 

 

NEW INTERVIEW ON THE EVE OF RELEASE WITH ARUN FROM BACKSEAT MAFIA

Meet: We chat with Steve Kilbey from The Church about celebrating 40 years, acting ‘European’, the fruits of isolation and we review his new solo album

Steve Kilbey has created a fine new album for 2020. His first solo release for an astoundingly creative year reveals a dazzling array of songs brimming with ideas, personality & effervescence. The collection is at once whimsical yet personal, and in a masterful sleight of hand Kilbey’s Eleven Women are not quite as one might expect.

The album leads us through a shimmering whirlwind of encounters. After the disarming love song Baby Poewe are plunged headlong into the dark world of Doris McAllister, an evil witch who takes us ‘by the bells’. We are regaled by the Celtic wistfulness of Josephineas she forbearingly awaits her ‘wine & roses’ while Birdeen, a greedy lorikeet with a sweet tooth, beguiles us with infectious bounce & colour.

Eleven Womenis full of melodic invention & lyrical surprises. Singling out tracks for special mention is frankly impossible since this album consists entirely of highlights. Amongst these bijous however the timelessly beautiful Think of Youshines brightly. This song has the unmistakeable stamp of eternity & evokes a sense of having existed since music began.

From the album’s opening salvo it is clear we are in the most capable of hands. Steve Kilbey is a veteran song writer at the very height of his creative powers.

“Steve Kllbey was born in England a long time ago and arrived in Australia as a ten pound pom with his parents in 1957. in 1980 he formed The Church who have gone on to have many hit singles including Unguarded Moment,  Almost with You and international best seller Under The Milky Way. Their 1988 album Starfish sold over one million copies in America alone. Kilbey has released many solo albums and collaborations making him one of the most prolific songwriters in the world. He acts , paints , writes books and juggles dangerous objects . He lives in Coogee Beach NSW and is hoping to one day own a Daschund .” 

ELEVEN WOMEN SEPTEMBER 4 via FOGHORN/MGM.

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Adam Jones Releases Third Album ‘The Dark Side Of The Earth’

"Adam Jones Releases Third Album ‘The Dark Side Of The Earth’"

Melbourne folk-rock, alt-country and blues singer/songwriter/musician Adam Jones releases his third album The Dark Side Of The Earth on 27 September 2019.

Adam released an album of 12 diverse songs in 2017 called ‘Little Death’, and then an acoustic version of that album a year later. His catchy and interesting songs traverse many styles such as folk-rock, blues, alt-country and Australiana.

In November 2018 Adam started recording some new material at a local studio in Flowerdale, Victoria and those sessions finally wrapped up at the end of August. Two early singles from these sessions – ‘Cupid’ and ‘Shining Car’ – were well-received by radio, social media and local fans.

Adam Jones studio scene

Adam explains his inspiration for the album title. “I wrote a song called The Dark Side of The Earth, protesting about, and expressing my sadness, with regard to how cruel humans can be. Later when it came to planning the album, I thought that it would make a great album title, especially as my favourite album of all time is Pink Floyd’s The Dark Side of The Moon! All songs on the album relate somehow to what I call ‘the dark side of humanity!”

Folk-rock album opener No Insurance examines risk in personal relationships, Knots in Our Hair is musically a nod to country artist John Prine whilst lyrically reflecting on the love, freedom and happiness that a relationship can provide.
The title track acts as a socio-political protest song, which Jones hopes will encourage listeners to “get up and make a real difference.”

Adam Jones guitar in studio

Adam has been a serious music fan since he was very young. “My older brother left home when I was 10 and left behind his vinyl collection, my favourites including The Beatles, Neil Young and Led Zeppelin. I remember the first CD I bought was Dire Straits Brothers In Arms when CDs had only just become available in Australia.  I loved the rock, blues and sweet melodies of Dire Straits music. Other early influences were some of the classics of 60’s and 70’s rock and folk, like Bob Dylan, Supertramp, Fleetwood Mac, Pink Floyd and Deep Purple. More recent music that inspires Adam are Manchester Orchestra and Kevin Devine “for their creativity and musicality.”

Although music has been a huge part of his life since then, it’s only in the last couple of years that he’s put some serious energy into his music. “I’ve been singing, writing songs, playing guitar, a bit of keyboard and percussion since I was a child. I decided to become a serious recording and performing artist late in life after a long-term relationship broke down in early 2017.”

Adam is an extremely prolific songwriter. “I write a lot, up to 150 songs per year – complete as far as lyrics and basic guitar parts go,” he explains. “I usually write the lyrics first and then straight away put some music to them and then finish the song and decide on the structure, rhythm, tempo, etc. Having time alone to sit and focus on my thoughts, experiences and feelings usually leads to me being creative. Sometimes I plan to write a particular song, others are very spontaneous. I try and change up what I write about a lot so that there is plenty of variety in my songs.”

Adam Jones – The Dark Side Of The Earth is out September 20 through Foghorn Records / MGM Distribution. 

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Diana Anaid – Leaving Town single and tour

"Diana Anaid – Leaving Town single and tour"

Diana Anaid – New Single – Leaving Town
Diana’s new single , number 3 from the My Queen album,  is out now  and an East Coast Tour will follow taking in a few festivals such as Airlie Beach along the way. From this time last year when Diana opened for Adam and The Ants across Australia and New Zealand on the release of My Queen – (her first album in 7 years) things have gone from strength to strength.

I am super proud to announce the release of my new single Leaving Town.The single features three live and acoustic tracks beautifully recorded by Paul McQueen(SWAA). The heartfelt music video (out in October) by Northern Rivers artist Kerry Negus further highlights the emotive and courageous lyrical content of the album, focusing this time on climate change, the drought, corporate greed and personal inner peace. I am so humbled by the amazing creatives who have thrown their weight behind the new My Queen release, helping to make it one of my defining albums, emboldening and bolstering my personal and creative growth and inner strength”

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The Leaving Town Single  features 3 intimate Acoustic Bonus Tracks“Better Girl”, “Into Your Heart”, “Leaving The Country” recorded earlier this year live in the studio for an Aussie Music WeeklyRadio Special.

The Single is also available on CD as part of the current My Queen Full Length CD LP available at all good music stores
Co-written with longtime guitarist Nathan Correy,produced and mixed  by Aria Award Winning Steve James and mastered at Metropolis London, the album has earned high praise such as
“Anaid’s luscious and rich vocals are tones for the soul.. The excellent production and mastering makes this record stand out from the crowd.”
Reviewed by FVReviews August 2018
“A gorgeous mixture of pop, indie rock, blues and folk…A timeless classic. My Queen possesses an intense array of color to it, proving Diana to be a master storyteller”.My Queen review by Beach Sloth 2018

The single is on the current soundslikecafe digital playlist so you should catch it in a cafe.

If you just can’t wait the direct link is here