Tim Walker’s New Album Bridge of Angels

"Tim Walker’s New Album Bridge of Angels"

Ex-Sydney singer-songwriter Tim Walker moved back to his hometown of Adelaide earlier this year and immediately began recording this new album, his first for a while.

The album was inspired by a recent trip to Europe, where Tim was struck by a culture saturated with centuries of spiritual and religious symbols, strivings and sentiments. The new album has more universal themes than his first (Fellow Traveller), which was very Sydney-oriented.

Beginning in folk, he went into a country rock act, and now is a prolific soloist, doing gigs around Adelaide. He was a regular on the Sydney live circuit and played at several NSW festivals. He found a SA recording studio in Grange this year, and immediately began laying down tracks according to a careful plan, devised over many months.

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Track list with Descriptions:
  1. On The Bridge (a prelude): This is a crossroad, of civilisation, of history, the course of your own life, a juncture, a leap. The “bridge” refers to Rome’s Bridge of Angels of the album’s title, which is lined with 10 angels and overlooked by a castle, on the River Tiber. A short classical piece, it provides the thematic underpinning of the entire album – a beautiful, floating spark of hope and redemption for a world in flux.
  2. The Loving Arms (those we love): The race is on from the day you are born as time and love play off against each other, and the kindness of strangers. The real currency of life, more valuable than gold or silver, never to be taken for granted.
  3. Every Story Tells a Picture (the plague): With 7.8 billion people on Earth and millions more being added every year, we are running out of everything, including our humanity and our judgement.
  4. Mirror of Love (a reflection):A photograph can lie, but love cannot lie. It is the ultimate mirror.
  5. Red Velvet Chair (a friend in need): When you sit in this chair you tell the truth, and the truth is told to you. It’s the advice of a friend, the helping hand. But hey, you can have some fun with it too!
  6. Streets of Rome (eyes are opened): The ancient capital was no stranger to the album’s themes. Without the benefit of science, its original citizensinvented their own answers to life, preserved today with respect and awe, embedded in every stone of the city. And they had to deal with the same spiritual questions as us. Rome was therefore the accidental epicentre of the album.
  7. The Bolshie Swing (the dance): Time for a break. This track started off as a playful riff and expanded into a mini-orchestra, was left on the shelf for a while, then rushed into action as track 7. It was the understudy.
  8. Face Without a Name (stare inside): Ultimately we are just one of the crowd. It’s a big world and that crowd is made up of billions. Not often can we roar; more often at most we can squeak. Not invisible -but maybe only a “hill of beans”, as Bogart said in one of his films.
  9. Fly into the Sunrise (flying home): You have been away, seen many things. Now you wing your way on a long flight home, from the nighttime behind (the past) to the sunrise ahead (the future). The huge jet streams past, its passengers look out and simultaneously look in, through half-asleep eyes; the moment is sublime.
  10. Star (inspiration): Maybe it’s love at first sight; maybe it’s the inspiration that keeps alive a distant flame. Perhaps it’s fate.

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Review of New Album from Graham Gouldman

"Review of New Album from Graham Gouldman"

Review

Graham Gouldman

Album: Modesty Forbids

by Adam Jones, 21/3/2020.

I click on the link and start to listen to the opener Standing Next To Me, without taking notice of the artist name. “Mmmmmm” I think as the song commences, “this is very groovy and thats a nice feel on the drums”. Vocals start and it sounds like a cross between Paul and Ringo from those legends I have loved all my life. Now hes mentioning Ringo and the story appears to be about the songwriter being a bit awestruck working with the great drummer.

I start doing a bit of reading about Mr Gouldman and hit his Facebook page only to discover that it actually is Ringo Star playing drums on the first track!  Wow, what an honour to review this British gentlemans interestingly titled new album Modesty Forbids. He has been active in the music scene as a performer and songwriter since 1965, AND this man was a hit songwriter and member of 10CC! I loved all their hits. Okay so now Im really looking forward to writing this one. Cant call it work.

Thats love right there” we are then told to the tune of a bit of piano swing big band jazz. Im smiling and suddenly life feels fine and my foots a-tapping. All Around The World takes us everywhere with some more nice chords on piano and a Beatley sounding band. This is as enjoyable as Ringos last album which I listened to on repeat when it came out.

Its Not You Its Me rocks on with a tasty acoustic guitar part and some cool, almost dreamy hippy style vocals. Theres a nice variety of songs on this album. I think Graham could write a hit song in his sleep, as the acoustic strums with some more great band sound reminiscent of George in the 70s on What Time Wont Heal.

More luscious keyboards feature in the sadly romantic Different Times. Wake Up Dreamer is the next solid song with the opening guitars sounding like a Crosby Stills Nash and Young track. Oh, and the bridge in this one is simply magic, then Graham reminds us that even though we must accept, that doesnt mean we cant reject”. Yep!

Now Im treated to the Russian Doll instrumental with its majestic and classic melodic stylings. The last 3 tracks treat my ears to more cruisey acoustic folk rock with some beautifully played guitar and perfect harmony backing vocals on the closing track New Star. When all is over, when all is done, only love survives”. Yes. So true. Modesty Forbids is a real gem, that is well worth searching for, and when you find it, give it a good shine!

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Review of New Single from Karissa

"Review of New Single from Karissa"

REVIEW OF

LIGHT AT THE END OF DARKNESS – KARISSA HAMBILTON

by Adam Jones. 20/3/2020

The piano notes tinkle gently as they introduce a voice with the huskiness of Stevie Nicks and the passion of the great late Janis Joplin. The light at the end of the darkness in so much piano rock is here, with a well-written song and the perfect level of emotion for the lyrical subject. This is what Delta might have been like when she came out, if she had some Aussie guts! And don’t forget the B-side “it was only me in this delirium..this reality…only to be with you” in a Utopian Coma, a gently contrasting but equally emotional performance from Karissa Hambilton, along with some complementary electric rock rhythm guitar.

This strong woman really does rock hard, well, hard enough for me. And those floating piano notes are always entrancing, every time it features momentarily during these songs. Karissa has been tapping the ebony and ivory and smashing out her dynamic vocals since 2011, and her latest offering reveals the maturity and development of a fine artist delivering from the pocket that she fits snugly into.

This is what I call ‘good driving music’. I can take the wheel and engage in her emotional rollercoaster whilst still happily avoiding those giant road trains!  Although, I could have this on during a dinner party, and it would make nice vibrations for my guests’ ears to occasionally tune into, indulge in, during that sweet but brandy-drenched dessert. 

So, without further ado, I tip my glass to you, Karissa, and say a simple ‘thank you for your music’. Never give up, because you’ve got this!

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New March Playlist

"New March Playlist"

Our new additions and playlist changes for March include new releases from Karissa, Fiona joy and Throwing Shapes as well as tunes lifted from current albums by Graham Gouldman, The Mezcaltones, Steve Kilbey, Gareth Koch and more.

  1. Steve Kilbey / Gareth Koch – ‘Stay Where You are’ (from the album Chryse Planitia)
  2. Big Merino – ‘I Lay Me Down (2020 Remix)’ (remix single from the album Sweet Little Angel)
  3. Graham Gouldman – ‘Standing Next To Me’ (from the album Modesty Forbids)
  4. Karissa – ‘Utopian Coma’ (from the album Light at the End of Darkness)
  5. Park Haven – ‘Take Cover’ (single)
  6. Fiona Joy Hawkins – ‘Bushfire Moon’ (single)
  7. The Mezcaltones – ‘Shango’s Surfwaxxx’ (from the album Mexican Hillbilly Surf Music)
  8. Throwing Shapes – ‘Tranquility Base’ (from the album Tranquility Base)

Have a listen to all these songs on Our Soundslikecafe Digital Playlist On Spotify: https://open.spotify.com/playlist/5r0hsdTsV5N3aZAXUWt6r2?si=FcW9kDa4RcCWwF980x2Iaw

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Karissa-Light at the End of Darkness

"Karissa-Light at the End of Darkness"

A regular soundslikecafe artist Karissa has recorded a brilliant new single, 2 songs that will capture your imagination with her heartfelt lyrics and delivery. Listen below and find it on the new February playlist.

Based in Young, Karissa divides her time between a young family, running her own business and her recoding career.

She lists her influences as Paramore, Muse, Sia and Lady Gaga. In her own words: “I love making music- it’s that simple. It’s always been part of my life and it’s who I am. I was put on this earth to stroke the keys of a keyboard and singing gives me inner satisfaction. It’s how I can express how the music makes me feel- emotion and passion. It’s been to long since I’ve done a recording and it was so good being back in the studio. I’ve longed for it and I felt like myself again being back in the studio creating music.”

About this track…Light at the End Of Darkness
This piano driven track also features full rhythm section with an up-tempo catchy feel. Karissa’s lyrics speak of passion, frustration and loss but resolve into the positive.
About this track…Utopian Coma

A ballad from Karissa with her signature piano work and vocals augmented by drums, bass and guitar. Reminiscent of anthemic 90’s tracks from artists such as Evanescence and Paramore.
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STEVE KILBEY AND GARETH KOCH NEW ALBUM CHRYSE PLANITIA

"STEVE KILBEY AND GARETH KOCH NEW ALBUM CHRYSE PLANITIA"

What unites the musical spheres of an Australian rock icon and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crownsfatal hours, and enchanted gardens. To complement the poignant lyrics is delicious instrumentation, weaving and wafting, ghostly and waif-like, alternately brimming with rhythmic drive, present yet somehow elusive.

Hot on the heels of two critically acclaimed singles, the debut album Chryse Planitiapulses with a strong and immediately recognisable musical identity. Kilbey and Koch have forged an entirely new sound characterised by a fluid and elegant movement across genres. Their partnership draws inspiration from medieval music to post-modern psychedelia, as if it were the most natural thing in the world, with every imaginable influence in between.

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(photo credit: Tony Mott)

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers. Kilbey’s words evoke a succession of images, half-remembered whisperings at the edge of our consciousness. He is a poet-master of unsaid things whose writing arouses the dreamer within us.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12thcentury.

Expertly mixed by Russell Pilling of Damien Gerard Studios and superbly mastered by Grammy Award-winning King Willy Sound, Chryse Planitia is a feast for the ears.

Release Dates February 7 (Foghorn/MGM)  Digital Platforms and CD Instore, April/May Vinyl LP 

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Eldafyre – Stylist Acoustic Poet

"Eldafyre – Stylist Acoustic Poet"

Soundslikecafe is proud to present our first feature artist for 2020 – Eldafyre

Heres the most recent review

Music review of the album ‘Raw’ by ELDAFYRE

Author: Adam Paul Jones

Lie back in bed with quality headphones wrapped around your head and escape into a meditative state with the grooves from ELDAFYRE’s ‘Raw’, an opus of 7 expansive modern jazz masterpieces. Mind you, I’d have this album, an indulgence for your ears and mind, blasting out of loudspeakers whilst spring cleaning the house!

38 year-old Mark, who hails from the central Victorian country town of Shepparton, and now more likely calls Byron Bay his spiritual home, is ELDAFYRE, with those dreamy and nasally new folky vocal tones reminiscent of Boy and Bear. This is a very fine album featuring sultry saxophones and trumpeting horns, that blend effortlessly with stereophonic keyboards, complimentary guitars and a beautiful dark rhythm section, topping off this modern catchy jazz-rock-funk outing.

 Imagine if an old creative Melbourne songwriter with jazz, blues and folk influences met Steely Dan and Patti Smith’s love-child, well, they would give birth to ELDAFYRE, and this ‘Raw’ album that opens quite naturally with ‘Welcome Around’ – getting that bass guitar popping with some twangy guitar and smooth trumpet before we are introduced to ‘why don’t you come inside?’, an invitation few could refuse, with that voice! As this song progresses I want to get up and dance with my special one and celebrate our love.

We can have ‘Another Wholesome Night’ with what now sounds like Rikki Lee Jones’ backing band, and yes mate, we will “be so kind to see it through”. As we keep dancing, ‘The Evening Came Together’ and we stopped to marvel at the conversation going on between Mr. Trumpet, Mr. Sax and Mr Keyboards. This is ‘Where Connection Bonds’ and we swing together like willows swaying in a warm breeze.

There is so much more to come, including some rock electric chords playing with a sax in ‘Phat Lines Down’, then we are treated to a ‘Long Pause’ (which is anything but), before ending appropriately with yet another work of art, ‘A Last Goodbye’.

Listen up lovers of fine music, do yourself an ELDAFYRE favour….

Describing himself as a ‘Sylist Acoustic Poet’ and with his new album of Dark Smokey Jazz NoirRAW” featured on soundslikecafe we managed to get him sitting on the couch and asked some in depth questions of this aspiring new artist –

  1. Tell us about the moment you decided to become a singer/writer/artist/musician? What did your family/friends have to say about it?

When I was very young I watched ‘the little shop of horrors’ and ‘the lion king’. I got my hands on the soundtrack and used to sing it over and over. The first time anyone becomes a singer is when they first start to sing. For me it was these songs to the walls of an old bungalow in Shepparton. Near the showgrounds. Down a street called Williams rd. My families way of support was to call me names and force me as far away from them as possible.  Then I found myself locked in the car so they couldn’t stop me from singing. They call it hard love.

  1. Who are your early influences?

Brian Transeau. Patti smith. Rodriguez. Melanie Safka. John Butler Trio. Jeff Buckley. Xavier Rudd.

  1. Tell us a little about your writing process, how does a song come along? What gets you going creatively?

Being alone. Where nobody can possibly here a word I’m singing. This happens in quiet spaces with just me and my guitar. Being together in the moment. Finding a ‘jam night’ and making up music in the heat of the moment. Being surrounded by a dancing crowd. I create many unheard songs this way. People tell me I look possessed. I literally have no concept of space and time. When I come out of the creative coma its like I am born again. The song is always complete the first time. If it doesn’t complete itself.. then it gets thrown away.

  1. What is the first record you bought and why?

Offspring – Smash.  It made me jump around the room and forget about school.

  1. What current/new Artists/Bands inspire you and why?

Brian Transeau. True music lovers have an artist they resonate with the most. ‘Movement in still life’ Was a transitional album for my life. Every-time I listen to that album I am transported to walking Melbourne streets. I treasure it. Its my life and blood. Ill never love an album more.

  1. Tell us a little about what a crowd can expect at a live show?

Currently I do only live acoustic poetry sessions at some pretty cool restaurants and cafes. Some magical festivals. Expect music therapy. Expect to be relaxed. Expect to forget about your worries. Most report a deep sense of healing and restoration after my performances.

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‘Eldafyre’is a stylist acoustic poet. Sending out euphoric melancholia infused with the deep passion of love, from all things. Eldafyre grew up in Shepparton and now resides within the northern rivers of NSW or deep in the mountains near Melbourne. With four mastered studio albums we see a vast range of genres. The RAW album was 3 years in the making. Eldafyre wrote every song in one evening. Recreating the same lyrical stories to a dark jazz smokey noir band. Hand selected and collaborated with some of the best session musicians available in Australia. After three years absorbing the creation, a remix was made with an intention to finalize the work of art. Filtered organically with all ego and unwanted material omitted. With influences from Patti Smith, Rodriguez and Melanie Safka. Eldafyre thinks of himself as a storyteller. Telling this story as a studio musician.

Check what it’s all about now-

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Eldafyre New Album RAW

"Eldafyre New Album RAW"

Introducing Eldafyre and his new album RAW, our latest feature artist and album on Soundslikecafe

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‘Eldafyre’is a stylist acoustic poet. Sending out euphoric melancholia infused with the deep passion of love, from all things. Eldafyre grew up in Shepparton and now resides within the northern rivers of NSW or deep in the mountains near Melbourne. With four mastered studio albums we see a vast range of genres. The one you have in your hands was 3 years in the making. Eldafyre wrote every song in one evening. Recreating the same lyrical stories to a dark jazz smokey noir band. Hand selected and collaborated with some of the best session musicians available in Australia. After three years absorbing the creation, a remix was made with an intention to finalize the work of art. Filtered organically with all ego and unwanted material omitted. With influences from Patti Smith, Rodriguez and Melanie Safka. Eldafyre thinks of himself as a storyteller. Telling this story as a studio musician.

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Eldafyre on  his music and live performance – “Expect music therapy. Expect to be relaxed. Expect to forget about your worries. Most report a deep sense of healing and restoration after my performances.”

We think you will be impressed with this record too, and its just the first of more to come from this exciting new artist…

The RAW album has been described as  “DARK JAZZ SMOKEY NOIR”

The Tracklist includes

1- welcome around

2- another wholesome night

3 the evening came together

4 where connection bonds-(checkout the feature video below)

5- what lies down

6 long pause

7 a last goodbye

Check it out now-

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