Some Christmas / Holiday tunes just in time to celebrate the season.
A great ‘Crooner’ selection from this new and versatile young artist with an ear for timeless songs.
Australian music artist Anirban Jee just released his brand new single Mayday on 10th November 2020 which is a contemporary R&B track with an intimately universal lyric and stirring chorus hook. Mayday is a song that explores frayed human connection, relatable imagery and poetic persuasiveness. But it is also a track that encompasses positivity, with the warning call, the mayday, conjuring a sense of hope and reparation. The track is produced by Simon Cohen from Studios 301 in Sydney. The track is getting picked up by several national radio networks and is currently available for downloads and streaming via iTunes, Spotify and all popular online stores.
This new single follows Anirban’s previous releases, Deep Down feat. Mary Ann Van Der Horst(X-Factor artist)in 2016 and Undecided feat. Judd Fieldin 2014. Both tracks received airplay on commercial and community stations and garnered ecstatic media attention. This success sits alongside Anirban’s numerous awards and achievements collected recently, including Songwriter of the Year 2018 (Australian Songwriting Contest) and Songwriter of the Year 2017 (SongsAlive Australia).
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Heres a great new tune from Julie Anne Marshall
Julie-Anne Marshall is a singer-songwriter hailing from Adelaide but currently residing in Melbourne. This artist keeps surprising us with her ability to move between genre’s as a songwriter and a performer. Heart and Soul is her latest release and differs in style to her previous release Rich Woman (a pop 40’s song with rap). Heart and Soul is a song of reflection with lyrics and vocals that are deep, raw and powerful. Julie-Anne has kept the recording of this song in it’s purest form, allowing the emotive vocals and lyrics to stand front and centre – vulnerable, raw and exposed with no where to hide.
Adam Blacksmith is a thought provoking songwriter from Sydney, Australia. He is a talented wordsmith and a storyteller. He draws his influences from far and wide, from his contemporaries Augie March and the Drones to his workplace, Long Bay Gaol in Sydney where he works as a Special Education teacher. Blacksmith’s music doesn’t fall neatly into any conventional category although musically, he gives folk and blues an indie make-over resulting in a refreshing and unique sound.
Adam describes the moment he decided to become a singer:
“I was driving in my car In 1999 when I heard, “Asleep in Perfection” by Augie March on JJJ. I had to stop the car to take it all in. I had loved folk music for years but had lost faith in the radio to play bands with the lyrical substance of Dylan, Joni and The Tea Party until that moment. Hearing it renewed my faith in radio and music at the same time and it gave me the hope that I could transform my poetry into music. All of friends at the time were in metal bands and were very supportive of my direction and my family felt the same, however, If I am honest, I don’t think they believed I’d stick with it.”
Like so many other songs, the catalyst for “Sometimes I miss you” was a break-up, however that’s where the similarities end. This is not a song about heartbreak or pining over future loves, nor is it a declaration that “I’ll never love again” … That’s all been said.
“Sometimes I miss you” is no ordinary break-up song, but a penned commitment to giving aspirations their deserved priority, shaking old habits, facing hard truths and resisting the urge to self-sabotage when things finally go my way. It’s, a farewell to Codependancy, being the perpetual roadie and giving flowers to those with allergies.
Musically, this song combines folk inspired verses with a souped-up Fuzz guitar chorus, a howling Hammond Organ and distorted vocals to augment the refrain “I Don’t miss who I am when I’m with you”.
Production: Jordan Ellery (Dulwich Hill Sydney)
Mixing: Jordan Ellery (Dulwich Hill Sydney)
Mastering: Don Bartley (Blue Mountains, NSW)
Stream the new single here
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Levi-X is a young singer/saxophonist (12 yo), based in Queensland. Levi has been performing at several markets in North Brisbane with his father since he was 11 years old, entertaining crowds with his saxophone and singing. He plays all genres of music but has a style that is rooted in light Jazz improvisation. His debut song, Amazing Grace (Grace Amazing) was recorded when he was 12 years old and is the first of a number of songs he is working on.
MrHarvey New Ep It’s Kool to Be Kind
Release Date: October 23 (Foghorn/MGM) ALL Digital Platforms
MrHarvey is the stage name of singer-songwriter Nathan Harvey. Having only picked up a guitar in 2015 at 44 years old, his music is as interesting and diverse as his life! A blend of blues, folk, country and rock, Nathan’s music is very lyrics focused as he draws on a myriad of musical and life experiences.
Former Channel V host and media personality in the 90’s, Nathan retreated from the spotlight leaving his hometown of Sydney for the Gold Coast working as a show announcer and FOH mixer at SeaWorld. It was here that he literally learnt the ropes from scratch after befriending the Ski Captain to become a professional water skier.
In 2010 a near fatal water-skiing accident in Canada whilst skiing with old SeaWorld buddies saw Nathan return to Sydney with a titanium plate and 4 screws holding his neck together. Always loving music and being a drummer in his teens, Nathan played in a fun “pisstake” band during his V days called “The Velvet Underpants” alongside Ken Stewart from Mr Blonde and Anthony Ousback former MTV host. His debut single “Brand New Day” was played nationally on the Triple M / Austereo Network and reached No 3 on the overall Triple J Unearthed Charts.
Arranged and produced by Nathan Harvey with Magnus as co-producer the EP features Nathan on vocals, guitar, some keyboards and various other instruments, Magnus on Clarinet, BVs and lead keyboards along with Catrina Bargwanna, Tara Resch on Violin / BVs, Alex Gresley on lead and bass guitar, Luke Spies on drums and Brett Chapman on Harmonica.
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Here’s a feature tune just added to our playlist to checkout-
The new single Headache from Melbourne’s ‘The Plant Society’
Dealing with Covid19 lockdown, they did what all good artists do when locked away- write and record.
Melbourne based band, The Plant Society makes Lo-fi supersonik elektronik synth unpop music and music videos clips. Consisting of 3 member, Hanson on guitar, Aravind on bass/vocals and Teo on keys/vocals, playing original songs and cover songs. This band has been created during the pandemic and the group connected via the music app Vampr. The group is creating a demo catalogue of tracks right now, to be able to perform live once restrictions are over, but in the mean time they will have a few virtual shows online.
Checkout the Song
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Melbourne one-man-band Releases his New Album – The Entirely Unremarkable World of The Jimmy C
The Jimmy C returns with an album that surprised even himself. Despite featuring a few guest contributions from Jamie’s Lava Fangs bandmates: Wesley Fahey and Andrew Horne, and Stu Thomas (The Stu Thomas Paradox, Kim Salmon/Surrealists, Dave Graney), the vast majority of instruments on the record, as always, are performed by Jamie.
Step into “The Entirely Unremarkable World of The Jimmy C” – a fantasy land of catchy pop songs, self-deprecation, and the struggle for normalcy in a world gone completely bonkers.
Jamie Coghill is a musician and songwriter based in Melbourne, Australia, who has been recording solo under the moniker of ‘The Jimmy C’ since 2005. A multi-instrumentalist, The Jimmy C is Jamie’s primary creative outlet, in which he writes, records, engineers, produces, mixes and masters everything himself in his home studio, Casa de Kensington. Originally recording to four-track tape, and gradually moving to digital, Jamie’s ability to make his lo-fi gear produce hi-fi quality sound is part of The Jimmy C’s charm.
Playing primarily as a drummer in The Devilrock Four, Fez Perez and Luxedo prior to 2005, The Jimmy C was Jamie’s opportunity to showcase his unique style and abilities, and quickly became his main musical project. While still touring with Devilrock, including a tour of Europe in 2008, Jamie was working on what would end up being 2009’s Glamour and Fame. Recorded over two years “in lunch breaks and on weekends”, Glamour and Fame was a sprawling 20 track loose concept album, which established Jamie’s talent – as well as his penchant for genre hopping and very short songs.
The Jimmy C has since released three albums: 2014’s Orbital Debris, 2016’s Un Homme Orchestra (released as three EPs but spiritually one record) and 2018’s Songs For The Species; as well as recording original music for two American web series: The Adventures of Superseven and The Sandra West Diaries; and a feature film. He also released several EPs, a Christmas single, and produced a live album with The Jimmy C Group, out of which formed his latest side project: Lava Fangs.
2020 is shaping up to be a huge year for Jamie, with The Jimmy C releasing his latest album, The Entirely Unremarkable World of The Jimmy C, as well as Lava Fangs releasing their debut, self-titled long player.
As Melbourne headed into lockdown in early 2020, Jamie found himself stuck at home: which conveniently also houses his home studio. With the studio becoming a place of therapy, “The Entirely Unremarkable World of The Jimmy C” became an album borne out of boredom. Continuing the DIY journey started with “Project E.G.O.” in 2005, “The Entirely Unremarkable World of The Jimmy C” is The Jimmy C’s most accomplished and fastest finished album to date with Stage 3 Coronavirus restrictions unexpectedly giving Jamie much more time to spend working on new songs.
While The Jimmy C’s previous releases have all spanned genres, “The Entirely Unremarkable World of The Jimmy C” showcases Jamie’s creativity and musical diversity on another level. No stranger to straight up rock’n’roll, he delivers that on ‘Standing in Doorways’, a track written for and about the Coghill family’s cats and kittens, while ‘Where Was She’ is perhaps the most straightforward pop jangle on any The Jimmy C record to date and melancholy album closer ‘Kings of the Earth’ departs from Jamie’s usual wheelhouse and introduces strings and a trumpet to The Jimmy C’s ever-expanding sound palate.
The Entirely Unremarkable World of The Jimmy C is out now on Foghorn/MGM.
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Andrew Barnum is a singer-songwriter, whose music is a modern take on folk-blues based alt-rock. He has been recording and releasing his own original songs as a solo artist in Australia since the 1990s. With long-time collaborator Boris Hunt, they’ve now produced 8 albums. Their sound is a blend of the acoustic and electronic arcane – forgotten analogue technologies, merging with digital interfaces and an array of musicians. Boris and Andrew call it ‘Homefolktronics.’
The song-writing-performance duo of Andrew & Lissa Barnum, aka Vitabeats, had a national hit with ‘Boom Box’ (Hot/EMI) in 1985. This was followed by singles ‘Audrey’ and ‘Build it Right’ from the album ‘Spot the Spanner.’ YouTube clips: https://bit.ly/2Ctb1qo. The band stopped recording and touring in 1988. Andrew has never stopped writing, recording and performing his own songs since then.
Dear Ancestor is a letter to our past, asking for directions for the future. The songs have a dark smoky quality to them, musically they speak volumes, and have a sense of longing, lingering and meandering that is full of romance. There is a continual dark, menacing feel to the tracks that really captures the zeitgeist of today’s isolation.
The tracks were recorded live at Black Rabbit Big Room in Kanimbla NSW, Australia with Boris, Lucius Culliton (drums), Andy Gordon (bass) and Andrew (vocals guitar). Boris added more bass, keyboards and pedal steel, Andrew recorded the final vocals at home on the South Coast of NSW. 27 tracks were recorded, 11 made the cut, 9 released.
This album is part of a continuum of albums that began between Andrew and Boris starting in 1993. Dear Ancestor is their 8th album. The unique process required recording the initial 27 songs over 2 days. The final version of the album was mixed by Boris and mastered by Nat Love. Recorded before the Australian bushfires and then finalized during the arrival of the Pandemic.