GRAMMY®-nominated band The Choir’s Latest Album ‘Translucent’

"GRAMMY®-nominated band The Choir’s Latest Album ‘Translucent’"

“(Translucent) by Nashville-based alt-rockers The Choir is replete with beautiful droning sounds that float into space. Find whoever’s making a new Blade Runner project and offer the Vangelis-y “Plastic Swords” for the film’s opening crawl.”

– The Big Takeover

Translucent is GRAMMY®-nominated band The Choir’s new ambient instrumental album, a shimmering tapestry of sound that captures the essence of mood and serenity. The material by Nashville-based The Choir is replete with beautiful hypnotic sounds that float into space. Across 10 atmospheric tracks, the band weaves effect-laden guitars, evocative saxophone, Lyricon and win synthesizers along with electronic rhythms, bells and percussion into a true legacy project – a career triumph for the band. For fans of Sigur Rós, Hammock, Explosions In The Sky, Brian Eno and therapeutic music for meditation, mindfulness and calm.

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For over four decades, The Choir, originally from LA and now based in Nashville, has been a cornerstone of the indie, post-rock and ambient music scenes, crafting songs that blend atmospheric soundscapes and lyrics that emote a profound sense of longing and beauty. With a distinctive style marked by Derri Daugherty’s ethereal guitar work and hauntingly emotive voice, Steve Hindalong’s reflective lyrics, drums and percussion, and Dan Michaels’ evocative saxophone, Lyricon, and wind synthesizer playing, The Choir has cultivated a sound that is as innovative as it is timeless. Their music transcends genres, resonating deeply with fans who have remained fiercely loyal through the years.

Emerging in the 80s, The Choir quickly gained a reputation for their lush sounds, contemplative songwriting and captivating live shows. Throughout the 90s and 2000s, The Choir continued to evolve, releasing critically acclaimed albums like ‘Free Flying Soul’ and ‘Flap Your Wings’, a Grammy-nominated album celebrated for its soulful beauty and melodic richness.

In recent years, The Choir has embraced a DIY ethos, connecting directly with their audience through platforms like Patreon and crowdfunding. This approach has allowed the band to release new music consistently, including standout albums like ‘Bloodshot’ (2018) and ‘Deep Cuts’ (2021). In 2025, The Choir unveiled ‘Translucent’, an instrumental ambient album blending Daugherty’s shimmering guitars, Hindalong’s chimes and percussion, and Michaels’ atmospheric wind instrumentation. Many fans have hailed it as a moody and serene masterpiece, reflecting the band’s ability to innovate while staying grounded in their signature sound.

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Neil Tatar Releases Single ‘Bella’

"Neil Tatar Releases Single ‘Bella’"

The storyline for my composition “Bella” is quite interesting, and actually began in September, 1939 in Radom, Poland. This was when the Nazi’s invaded Poland. “We Were The Lucky Ones” is a book written by Georgia Hunter, and tells the story of a family’s World War II experiences trying to survive in Nazi Germany. I read this book a couple of years ago, and was mesmerized by the stories being told. Actually, I was struck by the similarities of these stories to those I heard from my own family when I was a child, having been born a few years after the end of the War.

The story features the “Kurk” family from Radom, Poland. One of the sons was Jakob Kurk, and he was married to a woman named “Bella”. They both are significant characters in the book. Bella’s experiences during the war are described along with those of the Kurk family, some of them quite disturbing. Of particular interest to me was a chapter describing Bella’s journey from Radom to Lvov, where Jakob had gone to fight with the Polish infantry. She travelled by horse-drawn wagon under cover of darkness, and ultimately on her hands and knees across meadows to avoid detection by the Nazi’s and to reach Lvov, where she hoped to reunite with Jakob.

As I was reading the book, it became apparent that there were references pointing directly to my own family, specifically to my grandfather, Fred Tatar. Upon further investigation, I discovered that “Bella” was actually my cousin. Her father, Henry Tatar, was my grandfather’s brother. My grandfather, Fred, was already living in the States at the time, but Henry was not so fortunate, and he was murdered in a concentration camp. After the war, my grandfather provided sponsorship to Bella and her family so they could relocate to the US. I was emotionally moved when I discovered this direct family connection, and I proceeded to create a guitar piece, aptly named “Bella”. I now understand why some of the stories mentioned in this book reminded me of those told when I was a young boy – because they were the same stories.

Note: By the end of the Holocaust, 90 percent of Poland’s three million Jews were annihilated; of the more than thirty thousand Jews who lived in Radom, fewer than three hundred survived. We can never take our freedom for granted.

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About Neil Tatar

Neil Tatar is an award winning composer, guitarist and pianist. An improviser and expressive musician by nature, his composing and performing reflect his meditative approach to music. Influenced by his many years of working with legendary cellist David Darling and guitarist Will Ackerman, his passionate expression is clearly heard in his approach to everything he plays. Neil’s music has been described as “peaceful, reflective instrumental music”, offering his listeners a meditative & healing experience.

Each of his albums have received international airplay and recognition, and have reached a #1 ranking worldwide on Zone Music Reporter’s radio airplay chart. In addition, Neil was voted Best New Artist by ZMR for his album ”Where Did The Time Go”, a collaboration with Grammy® Award-winning cellist David Darling released in 2013. Since then he has released “Learning To Fly” in 2015, and “After The Rain” in 2018, recording both at Imaginary Road Studios under the guidance of legendary producer and guitarist Will Ackerman.

Presently, Neil continues his improvisational approach to composing and recording his uniquely beautiful music, providing his listeners with some interesting new releases.

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Loren Evarts – Home Again

"Loren Evarts – Home Again"

Loren Evarts newest album  Home Again is the 6th original album, of this amazing contemporary pianist. It revisits several pieces previously recorded by Loren in the 1980’s, and eight new ones. It was produced by Grammy award winner Will Ackerman (Windham Hill Records) at his Imaginary Road studio in West River valley, Windham County, Vermont and was engineered by Tom Eaton.

Featuring Grammy-winning artists and Grammy-nominated Artists Eugene Friesen on cello (Paul Winter, Trio  Globo), Rhonda Larson on many types of flutes (Paul Winter, Ventus) and Jeff Haynes on percussion (Pat Metheny, Pete Seeger), bassist Tony Levin (Peter Gabriel and King Crimson).

Besides keyboards, Loren Evarts has been known to perform by singing, trombone, hammered dulcimer and organ.

Loren has performed professionally in the Connecticut area of USA in a variety of musical situations for over 40 years. He has been grateful to have been involved in performances with artists such as Dave Weckl (Chick Corea), Gerry Neiwood (Chuck  Mangione), Everett Silver (Chuck  Mangione), Mike Davis (Rolling Stones), Danny Stiles (Bill Watrous),  Fred Vigdor (Average White Band), Rhonda Larson (Paul Winter Consort).

Tracklisting: 

1. A  Day  on  the  Concord  River

2. Dugong  Dance

3. Far  and  Away

4. Ktaadn

5. Sunset  Island

6. Evensong

7. Home  Again

8. Outermost  House

9. Wedding  at  Sunrise

10. Baker  Lake

11. Nine  Mile  bridge

12. The  Good  Life

Links to music:

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Facebook: https://www.facebook.com/Loren-Evarts-381341318731960/

Offical: http://www.lorenevarts.com/