Monster Taxi Releases Single ‘A Walking Stranger’

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"Monster Taxi Releases Single ‘A Walking Stranger’"

“A Walking Stranger” captures a musical journey. All one needs to do is sit back and close your eyes and allow the music to take you to a place of bliss. Every scene is heightened with this dream state musical experience. Whatever chaos there is in one’s day, can be escaped by the emotional beauty of “A Walking Stranger”. Monster Taxi brings us musical sophistication that is transforming and allowing us all to step outside of our world, if only for a short time, and experience inner peace and tranquility while providing a path for our own self-discovery.

“From the onset of “A Walking Stranger” by Monster Taxi you get this feeling you are about to take an adventure in time. Its ethereal synths captivate your imagination while its steady percussive rhythm moves you into another dimension. The flute and air like vibes keep you floating steadily through your mind with ever changing thoughts. As I listen to its 3:36 length I feel like I’ve been all around the universe. This is a true gem, and I can’t wait to hear more from this artist. Bravo!”

– Bill Kelly, Co-founder of Winter Music Conference

“Jason Klein and I go back a ways to when I was sharpening my teeth in the dance music world. It’s refreshing to see him now crossing into a genre that’s been a part of my hemisphere for decades with a groovy electronic tune.”

– Nicholas Gunn

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About

Monster Taxi is the alter-ego of Miami music producer and keyboardist Jason Klein. Klein has worked on recordings for several major and indie artists including Mariah Carey, Ricky Martin, and Earth Wind & Fire.

From 1998-2001, he was partnered with famed Brazilian DJ Grego doing remixes and dance productions utilizing various Brazilian genres and latin house.

Before taking the moniker of Monster Taxi, Klein partnered with another Miami-based producer, Jason Wilkes, and opera singer, Kelly Alloco, as “Magic Sauce.” Magic Sauce remixed Franz Schubert’s “Ave Maria”, which charted on DJ Times and was featured in Billboard Magazine. After Ave Maria, Klein teamed with Manny Perez for the Don Manuel “Figaro” house music opera. His interest in classic music also led to his dance collaboration with Amy Barbera in releasing Amazing Grace.

In 2003, Klein produced the BMG US Latin/RCA Victor album, Beny Moré – The King of Son. The single, “Bonito y Sabrosa”, was a Latin radio and video hit, charting #1 on several stations. It made the Billboard chart on May 17, 2003 on the Tropical/Salsa airplay at #39, Klein’s first Billboard chart position.

He formed Monster Taxi and Toy Robot Records to license his own tracks to major labels. The Monster Taxi tunes, “Boogie Makes a Splash” and “Cosmic Love Juice”, were featured on a dance compilation for Ministry of Sound. He worked with Billboard charting dance singers such as Pepper Mashay (Cosmic Love Juice), Rachel Panay (Repeat Performance and Get Off), Jennifer Carbonell (Memory Wack), and Ray Guell (Love is the Answer).

Monster Taxi teamed up with members of the disco funk band, Foxy and re-recorded “Get Off”. The song featured original talk box guitars, funky bass lines, and Ish Ledesma on vocals. Mixes received heavy dance club play and airplay and it was even featured at sporting events.

Recent dance mixes from Monster Taxi include Miami Spice, Cluck Old Hen, Do the Hora, Motivate, Tank and the jazz song, Ocean Drive. In 2013, Klein remixed Universal Music Canada artists, Bet.e and Stef.  He continues to remix songs including releases by Eddie Amador & Ultra Nate and Jenevieve X.

He currently re-masters compilations for Sony Music and Fania Records, along with doing a voice-over production for the Simpsons cartoon on Fox. Many of these albums have charted in Billboard Magazine during 2013 and 2014.

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Burger Legs Joe Releases Single ‘I Feel Love’

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"Burger Legs Joe Releases Single ‘I Feel Love’"

We love this song. I know we always say that, but we only choose songs we love, and hopefully pay homage to them.

Originally released in 1977, performed by Donna Summer, and co-written with Giorgio Moroder and Pete Bellotte, for me this track was the birth of modern trance music.

I wanted to restomod ‘I Feel Love’ because it’s such a great dance track. But we weren’t sure if it would work, sung by a man, an octave below Donna Summers’ outstanding voice that we all know and love.

We did a test record and immediately knew we could bring something fresh to it, so I arranged it out from there. The whole song hangs on that repeating synth line, so all the other parts had to harmonise around that. We’re very happy with the result.

Russ T Rokk has again contributed his considerable talents to produce a mix that really slaps, and another Lo-fi, arty music video is in the pipeline.

We hope you enjoy listening, watching, and disco dancing to Burger Legs Joe featuring Andi’s take on ‘I Feel Love’.

The Bizarre World of Burger Legs Joe

In a world where people strive for a deep, meaningful, multidimensional existence, Burger Legs Joe stands for none of that. As shallow as his 2D appearance, staggering through life on legs of burger, too witless to realise how witless he is.

 The only child of Beefy Thighs Bill, and Betty Baguettes, they abandon their burger legged offspring at an early age outside a ‘specialist facility’, because “He just would not shut up!” Alas, thickness is a family trait, and after several weeks living in his pram in a McDonald’s car park, he became the poster boy of low res’ graphics, that for some reason, just won’t delete from your trash.

Adopted by the rich and famous, he studied music at a prestigious university, financed by his fancy benefactors. There he discovered his aptitude for breaking musical instruments, accidentally causing personal injury, and the spontaneous destruction of property. The University, low on playable instruments and high on medical pay outs, insisted Joe only use virtual instruments and graduated him early.

The avatar of an unidentified Music Producer, Burger Legs Joe is on a mission to restomod (restore and modernise) outstanding retro songs for your grooving pleasure.  Treasuring the essence of what makes each track so fabulous, they are re-energized to a modern perspective; weaving rhythms and melodies in BLJ’s distinctive ear grabbing style, that lingers in your head, and puts beats in your feet.

Mesmerised by the voice of friend and vocalist Andi Bracken; together they have set out on a journey to blow the dust off some of the great songs of the past.

 From bangers to ballads, and anything in between, Burger Legs Joe featuring Andi’s first restomod collection is The Love and Happiness Set Part 1, a quantum leap into reimagined retro joy. “We want to uplift our audience, so we naturally gravitate towards songs we love, that do that for us.”

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Jessie-May K with Miguel Cullen-Green Releases Single ‘My Type’

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"Jessie-May K with Miguel Cullen-Green Releases Single ‘My Type’"

Jessie-May K has never been one to follow the crowd, so it’s no surprise that conventional beauty standards hadn’t been implanted into their psyche, the same way they have affected the masses through media consumption and cliquish social paradigms.

My Type was inspired by the beauty Jessie sees in the unconventional and in support of the underdogs and nerdish types. They find themselves often discarded by society and labelled as unattractive and inadequate, when it comes to mankind’s idealisation of relationship partners and cultural paradigms.

The song was written in collaboration with Miguel Cullen-Green who is an excellent artist himself and a friend of Jessie’s. Although My Type is their first musical project together, Miguel is an actor as well as musician and has been featured in some of Jessie’s music videos.

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Jessie-May K is a young Singer, Songwriter, Director, Actor & Artist. Most successful as an internet personality, Jessie has released 4 Singles (2018-2021) & a collection of episodic works that accompany a 5 track EP titled ‘Zone Out’ in 2020.

Originally trained in Musical Theatre, Jessie transferred to music when they were 16. As they had been writing songs with lyrics and melody since they were 5 years old they taught themselves guitar off YouTube to elevate their musical ambitions.

Jessie is passionate about social justice and activism, often releasing music about movements that are important to them, raising awareness and sharing donation links in the hopes it will make a difference. Jessie is Neurodivergent & was born with ASD, ADHD, OCD and developed PTSD as a result of their early hardships and extreme childhood trauma. Jessie believes that the world thrives on diversity and that benign individuality is something to be celebrated and not feared.

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Burger Legs Joe Releases Single ‘Just Like Heaven’

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"Burger Legs Joe Releases Single ‘Just Like Heaven’"

The Bizarre World of Burger Legs Joe

In a world where people strive for a deep, meaningful, multidimensional existence, Burger Legs Joe stands for none of that. As shallow as his 2D appearance, staggering through life on legs of burger, too witless to realise how witless he is.

The only child of Beefy Thighs Bill, and Betty Baguettes, they abandon their burger legged offspring at an early age outside a ‘specialist facility’, because “He just would not shut up!” Alas, thickness is a family trait, and after several weeks living in his pram in a McDonald’s car park, he became the poster boy of low res’ graphics, that for some reason, just won’t delete from your trash.

Adopted by the rich and famous, he studied music at a prestigious university, financed by his fancy benefactors. There he discovered his aptitude for breaking musical instruments, accidentally causing personal injury, and the spontaneous destruction of property. The University, low on playable instruments and high on medical pay outs, insisted Joe only use virtual instruments and graduated him early.

The avatar of an unidentified Music Producer, Burger Legs Joe is on a mission to restomod (restore and modernise) outstanding retro songs for your grooving pleasure. Treasuring the essence of what makes each track so fabulous, they are re-energized to a modern perspective; weaving rhythms and melodies in BLJ’s distinctive ear grabbing style, that lingers in your head, and puts beats in your feet.

Mesmerised by the voice of friend and vocalist Andi Bracken; together they have set out on a journey to blow the dust off some of the great songs of the past.

From bangers to ballads, and anything in between, Burger Legs Joe featuring Andi’s first restomod collection is The Love and Happiness Set Part 1, a quantum leap into reimagined retro joy. “We want to uplift our audience, so we naturally gravitate towards songs we love, that do that for us.”

And so from The Love and Happiness Set Part 1, we present our first release, Just Like Heaven, adapted from The Cure. We hope you enjoy.

BURGER LEGS JOE - JUST LIKE HEAVEN VIDEO LAUNCH ARTIST IMAGE

About the Song

Just Like Heaven is one of our favourite retro classics, written by Robert Smith (The Cure) and originally released 1987. We love this song!

Actually, Andi snuck this song in. When he suggested it I said “Yea! I love that song”. It wasn’t until we were in production that I realised it’s actually the most upbeat song about screwing up your relationship that was ever written.

Rusty Pilling has created an absolute banger of a mix, and our arty, Lo-fi music video that brings Burger Legs Joe and Andi to life sets the whole thing off a treat.

We hope you enjoy listening, watching, and bopping around, as much as we have enjoyed producing Just Like Heaven.

This snappy up-tempo version of the classic Cure cover ticks all the boxes, including big keyboards and a compelling vocal track from ex-pat British singer now here in Oz. True to the original but with its own flavour, not to mention a stunning video to go with it.

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Celebrate Christmas with Gareth Koch’s Instrumental Guitar Album

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"Celebrate Christmas with Gareth Koch’s Instrumental Guitar Album"

Imagine timeless European Christmas music played instrumentally, as if upon a choir of lutes. Ancient & exquisite songs, deep within the human psyche, are now newly arranged by ARIA Award winning guitarist Gareth Koch. The interpretations reveal his signature blend of contemporary flair laced with medieval sensibilities.

The arrangements are both elegant & appealing, sidestepping any notion of commercialised Christmas clichés. Re-imagined as troubadour-like ballads or tender Austrian folk songs, each carol receives a unique treatment. The listener is invited into an array of soundworlds, ranging from the early medieval to English folk-revival.

The music of this album leads us away from the bustle of many modern realities. Instead, we are drawn into a gentler universe, filled with subtlety & nuance. In any year, at any time, this album presents a Christmas message we all need to hear.

Song Descriptions
Little Drummer Boy
This timeless mid-tempo classic Christmas carol is dealt with not just using multiple classical guitar parts but with hand percussion and rice shakers.

God Rest Ye Merry Gentlemen
A very old piece, dated to the 16th century and referred to in Charles Dickens ‘A Christmas Carol’. Gareth recreates the vocal melody perfectly and becomes a terrific hum along piece. Bass guitar rounds out the arrangement featuring multiple guitars: acoustic, nylon string and electric creating a lush sonic tapestry.

About Gareth Koch
Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing.
Gareth is involved with many cross genre projects. Over the past two years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).

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Julie-Anne Marshall Releases New Single ‘Beautiful Life’

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"Julie-Anne Marshall Releases New Single ‘Beautiful Life’"

‘Beautiful Life’ is the latest single release by singer-songwriter and multi-genre artist Julie-Anne Marshall.

Its already sitting in at #2 on the soundslikecafe spotify playlist.

The song is  an upbeat toe-tapper, wind-in-your-hair kind of song.
It has a hint of Nashville sound with guitar and piano supported by sweet and bright vocal harmonies. Julie-Anne continues to surprise us with her ability to move about genres – both in her songwriting and her vocals.
We’re sure this song will be perfect listening for those summer days.

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Originally from Adelaide, Julie-Anne is now based in Melbourne. She is a multi-genre artist encompassing pop, rock, blues, soul, folk, alternative, ballads and smooth jazz – all sitting under the umbrella of Easy Listening. Her vocal style is earthy yet ethereal. Her songs melodic and lyric driven.

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Halfway Homebuoy Release Single ‘1000 Others’

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"Halfway Homebuoy Release Single ‘1000 Others’"

This second single from the band’s forthcoming album, following on from the first single ‘Sheets’. This song was penned during lockdown by the Homebuoy writing team of Jack Davison (lead singer and rhythm guitarist) and Curtis leigh Murray (lead guitar).

It was recorded over a succession of sessions in and out of lockdown at Damien Gerard Studios on the NSW Central Coast which luckily is the band’s current home base. The studio’s in house producer/engineer Andrew Beck took the reins across those sessions and then the final recording was sent to long time Homebuoy ‘mix guy’ Russell Pilling now living in Tasmania who pulled it all together into the tight, cohesive and very rocking final tune. As Jack said: ‘Big Rusty knows us so well and always makes us sound like we know what we are doing’.

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About

It’s been a strange path for Halfway Homebuoy to finally end up as ‘based’ on the NSW Central Coast, an hour north of Sydney.  The band was formed almost 10 years ago on the ski slopes of Switzerland where all of the (then) members were working the season and playing shows at night.

With three Englishmen and one Aussie the band moved out here and were recommended to Foghorn Records where they quickly found a home. As things happen after a few years, the visas ran out, the Aussie moved back to Europe and the sole remaining member, principal writer and singer, Jack Davison, married an Aussie and stayed here. Unfortunately, he was left without a band.

Not to be deterred, Jack found local musicians, new songs were written, live shows booked, a new album released, the band continued on. Now based on the Coast and with a new record almost finished the guys are ready to reboot post lockdown into 2022.

Song Description

This sonically exciting single features striking and clear drum, bass, guitar and vocal parts. Jack’s brilliant vocals are offset by the multi layers of guitars supplied by Curtis, all highlighted by a great mix from Russell Pilling.

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US Band Blackfox Release Album ‘Embers’

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"US Band Blackfox Release Album ‘Embers’"

Featuring the songs of lead vocalist and guitarist Stacey Cargal, the album charts a muscular and atmospheric guitar-heavy course through dark Southern Gothic characters and lyrical landscapes.

A true ‘band album’, the tracks are buoyed by exquisite and far-ranging guitar work by Cargal and Ryan Taylor, tasty and musical drumming of Mitch Sosebee, melodic and funky bass of album producer Greg Wright, sonic seasonings and glue from keyboardist/synthesist Jim Combs, and vocal harmonies by Monica Arrington, Andy Gish, and Kendra Bentle Rainey.

“Blackfox play sludgy, guitar-driven rock rooted in a kind of grungy blues that’s dirty yet melodic…they hold their ground, keep the mood dark and eerie, and wait until just the right moment to unleash a blistering solo that’s just plain nasty.” – Latest Disgrace

“As original music gets more difficult to peg with the usual genre signifiers, the challenge to accurately describe what one is hearing gets a bit dicey. Blackfox, an Atlanta band comprised of veterans of the community, pretty much defies any specific labels, while touching on so many in unique ways. At times as sinister as black metal, but then shifting to more melodic and palatable tone, Blackfox maintains an edge that keeps the listener on edge, while providing an entertaining and satisfying experience.” – Creative Loafing

“With a sound reminiscent of early new wave bands (think U2, Simple Minds, and Modern English) performed with an understanding of the British blues bands before them, Blackfox have melded the two styles together to offer a contemporary and original sound.” – Tony Paris, Creative Loafing

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Song Descriptions

“What About You” roars out of the gate with a tale of personal darkness and human connection.

“Follow Me On Down” is a hook-ladened rumination on standing up to fears with a sort of Buffalo Springfield meets Eurythmics vibe.

“To Be Real” is a vocal tour de force in a Muscle Shoals vein about the power of two.

“From The Inside” slows things down and gets spooky ala tales of mystery and imagination.

“Strange Anymore” contemplates the aftermath of losing a friend.

“Ah Ah Ah” reconciles a broken relationship.

“Monsoon” drops us into a swampy lake of emotions and commitments.

“I Wonder” is a classic boy-meets-girl, girl-meets-boy song featuring Andy Gish on duet vocal.

“The Night Comes” is a cinematic romp through art rock territory with flanged drums, screaming guitar, and mellotron.

Title track “Embers” is a power ballad about bitter-sweet remembrances down by the river.

“I Need To Know” closes out the album with a simple song about the impact one person can have on another.

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Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’

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"Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’"

Steve Kilbey & Martin Kennedy follow up their acclaimed album Jupiter 13 with the epic ‘The Strange Life of Persephone Nimbus’, a sprawling Pink Floyd-ish concept album that shimmers with darkly beautiful musical undercurrents, oblique lyrics and spooky spoken word pieces. It is the second chapter of an eventual trilogy.

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The album was recorded in Tasmania overlooking the ocean, peaceful and crystal calm one day, dark and stormy the next, a dynamic that inevitably worked its way into the music and lyrics.

Returning to the mixing desk is Simon Polinski (Paul Kelly, The Church, David Bridie, Stephen Cummings, Underground Lovers) who skilfully brings the story of Persephone Nimbus to life.

Steve Kilbey writes: ‘Persephone Nimbus was just an ordinary woman living an ordinary life, with a promising job at Eternity Incorporated. Until one day she was kidnapped by the Plutocracy.
There she reigned for 6 months of the year, a sad cold queen of the dark webbed world. But for 6 months of the year she was allowed to ascend to the Overworld with its marvellous technological illusions, and it’s towers that pierced the very sky. But on the first day of every autumn she must take the long staircase back down, down into the Plutocracy, with their frozen lakes and above them, a sky of iron.’

In 1981 a teenage Martin Kennedy stumbled upon Steve Kilbey and The Church at Tanelorn, an oddball old world meets new world music festival, and fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.

Forty one years later Martin and Steve find themselves working together on their sixth studio album, the epic The Strange Life of Persephone Nimbus. As ever with these two, the deal is simple: Martin writes the music and Steve writes the words. No argument, no egos, just a matter of pressing the record button. The results are an effective balancing of Kennedy’s haunting and melodic tunes with Kilbey’s mysterious, witty and intelligent lyrics, melded together by his heavenly voice. Martin keeps his teenage love of The Church out of the equation in fear of it skewing his songwriting but it’s there if you listen closely.

“Sumptuous meeting of Australian soundscaper and the head Churchman…Apart from having a voice of characterful cool poise and an imaginative lyrical lexicon, Kilbey can make a strong melodic song out of simple elements.” (MOJO)

“Occasionally side projects can be something really spectacular. This isn’t an album where you pick favorite songs – you simply immerse yourself in the whole lush experience. The good news is they’re recording a follow up” (Reverb magazine 4.5/5).

OUT NOW – on Foghorn/MGM CD and Digital

Vinyl LP to come early 2023

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