Jessie May Kitchen Offers New Single ‘Star Child’.

September 26, 2019 Leave a comment

On the heels of her debut single, Coffee Shop and the follow up Teen Love, Central Coast, NSW singer Jessie May Kitchen has recorded a new song called Star Child.-Out September 27

A sweet and ethereal up-tempo indie pop tune, Star Child is an otherworldly self-monologue, written as a letter from Jessie to the Cosmic Forces of the Universe. Jessie tries to capture the confusion in the meaning of human experience, feelings of isolation towards the physical plane and comfort of knowing that one day it will all make sense. Jessie says, “Every time I start to lose hope or stray from the path, the stars are always there to remind me of who I am and encourage me to never give up.”

[photo by Tony Mott]

Superb production from ARIA winner Peter Holz accompanies Jessie’s immediately likeable and familiar style.

Jessie-May Kitchen was born in Hobart and grew up on the NSW Central Coast. She started writing songs at five and performing arts became her escape from a tough family life.

Jessie May Kitchen – Star Child is out September 27 through Foghorn Records / MGM Distribution.

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Adam Jones Releases Third Album ‘The Dark Side Of The Earth’

September 26, 2019 Leave a comment

Melbourne folk-rock, alt-country and blues singer/songwriter/musician Adam Jones releases his third album The Dark Side Of The Earth on 27 September 2019.

Adam released an album of 12 diverse songs in 2017 called ‘Little Death’, and then an acoustic version of that album a year later. His catchy and interesting songs traverse many styles such as folk-rock, blues, alt-country and Australiana.

In November 2018 Adam started recording some new material at a local studio in Flowerdale, Victoria and those sessions finally wrapped up at the end of August. Two early singles from these sessions – ‘Cupid’ and ‘Shining Car’ – were well-received by radio, social media and local fans.

Adam explains his inspiration for the album title. “I wrote a song called The Dark Side of The Earth, protesting about, and expressing my sadness, with regard to how cruel humans can be. Later when it came to planning the album, I thought that it would make a great album title, especially as my favourite album of all time is Pink Floyd’s The Dark Side of The Moon! All songs on the album relate somehow to what I call ‘the dark side of humanity!”

Folk-rock album opener No Insurance examines risk in personal relationships, Knots in Our Hair is musically a nod to country artist John Prine whilst lyrically reflecting on the love, freedom and happiness that a relationship can provide.
The title track acts as a socio-political protest song, which Jones hopes will encourage listeners to “get up and make a real difference.”

Adam has been a serious music fan since he was very young. “My older brother left home when I was 10 and left behind his vinyl collection, my favourites including The Beatles, Neil Young and Led Zeppelin. I remember the first CD I bought was Dire Straits Brothers In Arms when CDs had only just become available in Australia. I loved the rock, blues and sweet melodies of Dire Straits music. Other early influences were some of the classics of 60’s and 70’s rock and folk, like Bob Dylan, Supertramp, Fleetwood Mac, Pink Floyd and Deep Purple. More recent music that inspires Adam are Manchester Orchestra and Kevin Devine “for their creativity and musicality.”

Although music has been a huge part of his life since then, it’s only in the last couple of years that he’s put some serious energy into his music. “I’ve been singing, writing songs, playing guitar, a bit of keyboard and percussion since I was a child. I decided to become a serious recording and performing artist late in life after a long-term relationship broke down in early 2017.”

Adam is an extremely prolific songwriter. “I write a lot, up to 150 songs per year – complete as far as lyrics and basic guitar parts go,” he explains. “I usually write the lyrics first and then straight away put some music to them and then finish the song and decide on the structure, rhythm, tempo, etc. Having time alone to sit and focus on my thoughts, experiences and feelings usually leads to me being creative. Sometimes I plan to write a particular song, others are very spontaneous. I try and change up what I write about a lot so that there is plenty of variety in my songs.”

Adam Jones – The Dark Side Of The Earth is out September 20 through Foghorn Records / MGM Distribution.

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The Blind Pilots release debut 3-track EP

August 29, 2019 Leave a comment

New on the soundslikecafe playlist this month is a track called Tell Me I’m Wrong, courtesy of an electrifying blues rock outfit from Sydney called The Blind Pilots.

When describing this band, it’s easy to say the same old things about being an explosive four piece Australian Roots, Rock and Blues outfit from the Northern Beaches. But the truth is all four members have known each other in previous successful bands, which gives them an advantage in the creative songwriting process. The four friends share a close rapport and have a laugh together every week. They say, “There’s never a dull moment in rehearsals!”

The band members’ camaraderie is largely based on the fact they grew up listening to the same music and share common influences like Muddy Waters, John Lee Hooker, Van Morrison, Jimmy Hendrix, Cat Stevens, Led Zepplin and Midnight Oil. Together they form a band making the most of dirty slide guitar, hard hitting drums, solid bass grooves, accompanied by a soulful vocal drenched in foot stompin’ harmonica riffs. “We all have an urge to push each other harder to get the best out of our muscianship and are driven to create those magic moments,” says lead guitarist and vocalist Owen.

In a live format, the band produce an energetic show full of intense commitment, whilst still maintaining a laid back vibe.

The lead track of their brand new EP is called Tell Me I’m Wrong, which offers frontman Owen’s perspective on the current political landscape. Accompanying tracks are Telephone – a hard-hitting blues rock tune about breakdowns in relationships, complete with dirty blues harp and riffing electric guitar. The swampy southern blues rock style of Howling at the Moon fits perfectly with the lyrical lament about longing and yearning.

Between them, their experiences have seen them performing at festivals including Byron Blues, Woodford Folk, Festival Of Sun, Echuca Blues Festival, Mud Run, Harley Days, Throttle Roll, Sydney Blues Festival and has found them on the Australian Blues charts. With new ideas consistently being brought to the table this group will continue to make inroads in the Blues and Roots World and be one to watch.

The Blind Pilots members are: Owen Mancell – Guitar/Vocals; Matt Hough – Drums; Ryan Stone – Harmonica; Daniel Changas – Bass/Vocals

“Owen brings the spark, Matt is the conductor and reconstructs, Changas adds the bottom end whilst Stony waves the magic which is the icing on the cake.”

The Blind Pilots EP is out on August 30.

Tell Me I’m Wrong is on the soundslikecafe playlist now.

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Apsara – Galatea EP

August 20, 2019 Leave a comment

Apsara is an original project of classical soprano Michaele Archer, exploring a sound palate that is rich and raw. Composed with Latin text from Virgil and Roman woman poet Sulpicia, Apsara’s debut EP Galatea intertwines ancient and new sounds.

Leading the Apsara project on harmonium and vocals, Archer is joined by cellist Rachel Whealy, violist Gabrielle Laura Steele and guitarist Giuseppe Zangari.

It been a journey bringing together the different layers for this project – Ancient Latin text, alto instruments and a vocal approach that blends opera and early music. “Once I had it the music came quickly. The songs almost wrote themselves. They came so fast in a matter of minutes recording on my phone.”

In addition to medieval vocals, ancient Latin text and deep analogue instruments, the flow of water and nature inspires Apsara. In Virgil’s Eclogue 7 there are references to Galatea, a water sprite and the name Apsara also translates as Indian water spirit.

Michaele has performed opera, song and oratorio in Australia and internationally and has featured in several world premieres of new works by Australian composers.

“Coming from an opera background and having a larger voice type my sound has always been full on opera”. Michaele has recently been performing and studying in Los Angeles with Robin de Haas, a leading voice coach in Europe and founder of a new performance and body work method called Breathing Coordination. Going ever deeper into anatomy and the science of breathing led Michaele to a new vocal style, blending Opera into medieval straight tone.

Discovering the poetry of Roman woman poet Sulpicia struck a deep chord. “The portrayal of women in opera is often two dimensional and I wanted to depart from that,” says Archer. Sulpicia was a woman who lived outside the stereotypes of Ancient Roman society in terms of being unmarried, writing poetry and writing explicitly about love. The feel and sound qualities of old Latin text and stories interpreted from a female perspective form a rich layer, built with instruments from the deeper harmonic spectrum.

“I’ve got a thing for the darker sounding instruments so combining the tone of the viola with cello and alto harmonium was a perfect fit.”

Cellist Rachel Whealy has been a muse since high school. The pair met in Year 12 Music class, where Michaele fell in love with Rachel’s playing and the mellow sob of the cello. There were quite a few maths lessons skipped to play Purcell on Balmoral Island with the waves. They have been performing, writing and recording together ever since. “We’ve created some beautiful original recordings, but I kept putting them aside. I hadn’t quite cracked the feel of the sound I knew I was looking for. I wanted to move slightly left of opera with an instrumental foundation that was real and textured.”

APSARA – GALATEA will be released on August 23 through MGM.

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REBECCA DANIEL AND FIONA JOY HAWKINS – THE LIGHTNESS OF DARK

August 2, 2019 Leave a comment

REBECCA DANIEL AND FIONA JOY HAWKINS JOIN FORCES TO CREATE THE LIGHTNESS OF DARK –A POWERFUL MUSICAL EXPLORATION OF LOSS, MOURNING AND FINDING BEAUTY AMIDST LIFE’S SADNESS

Blending New Age and Contemporary Classical Crossover Music, Daniel (Violin/Voice/Piano) and Hawkins (Piano/Voice) Will Be Supporting Their Cathartic and Healing 11 Track Album With A Tour in Fall 2019

Leonard Cohen once said, “There is a crack in everything, that’s how the light gets in.”

Australian instrumentalists Rebecca Daniel and Fiona Joy Hawkins place this insight on the back cover of The Lightness of Dark to illuminate their creative and spiritual vision behind the project –their first dual album after many years of live and studio collaborations. The two explore the many facets of life and loss, the search for something positive in the crippling shadows and the potential beauty that can emerge from mourning and sadness

The Lightness of Dark weaves its lush, cathartic narrative via music with varying instrumentation depending on the emotions the two are expressing. The opening track “Heavenly Voices” blends string quartet (featuring The Kanimbla Quartet)with organ, piano and vocals. Other tracks feature solo piano (“Ghosts, Insanity, Angels”), piano/violin duet (“Elegy”), piano with quartet pads (“Lake of Contemplation”), string quartet only (“Interwoven Threads of Chance”), string quartet featuring piano (“Empty Moments”) and other combinations uniquely fitted for the compositions they imbue.

“We believe our album will connect with everyone because we all experience loss in varying forms,” Fiona says. “It can be the loss of youth, a loved one, a pet, your health…Life changing events where we are left to mourn because of loss. People only face their own issues when you lead them to a safe place to do this.”

Rebecca and Fiona have enjoyed a long history of collaborations and are looking forward to working with renowned Australian Producer Llew Kiek. They have performed over 50 concerts together including at the Sydney Opera House for the 2012 MusicOz Awards, New Orleans for 2014 ZMR Awardsand 2017 Sydney Women’s International Jazz Festival-and Rebecca has appeared on nearly every one of Fiona’s solo albums. The two have played together as part of Fiona’s Blue Dream Ensemble, and Rebecca produced the group’s album Live at the Q.

Rebecca Daniel studied violin and chamber music with Emanuel Hurwitz and the Amadeus String Quartet at The Royal Academy of Music. She worked withTrevor Pinnock and Simon Standage, and The Australian Chamber Orchestra, and was Orchestra Leader for Les Misérables, Phantom of the Opera, The Sound of Music and Beauty and the Beast. She has recorded and performed with, John Denver, Bread, James Galway and the Chieftains, Will Ackerman, Shirley Bassey, Barbra Streisand, Men at Work and INXS.

Fiona Joy Hawkins, a Conservatorium-trained pianist, renowned for her romantic, melodic songs and lush arrangements, is a prolific composer who regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona’s song “Grace’ is on a 2014 Grammy Winning album, and in 2016 she won two Independent Music Awards at the Lincoln Centre in New York. She has several Best Piano Album ZMR Awards and has worked with Producer Will Ackerman (Founder Windham Hill Records and Cookie Marenco (Blue Coast Records) for hi-resolution audiophile recordings.

Soundslikecafe is proud to feature this brilliant album and the leading single Elegy appears on the July Playlist.

Checkout the entire album here

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John Kennedy and Kilbey & Koch Reign At The Top of July’s SoundsLikeCafe Charts

July 17, 2019 Leave a comment

Our cafe clientele can’t get enough of the recent collaboration between Australian music icon Steve Kilbey (The Church) and classical composer Gareth Koch.
The duo’s second single (following Broken Toys) is Lost At Sea and it’s the song getting the hottest response at the moment! Lost At Sea is sitting pretty at #1 on the SoundsLikeCafe Singles Chart this month, followed by Sydney blues-rockers Big Merino and their new single Sweet Little Angel, as well as local electronica producer Nick De La Hoyde’s Animals. For the full chart, follow the link here.

Meanwhile on the SoundsLikeCafe Albums Chart, John Kennedy’s Raining Treasure is so aptly named. His covers of classic tunes from the likes of Paul Kelly, The Scientists, The Go-Betweens, Le Hoodoo Gurus and many more is proving so popular in cafes that it’s hit the #1 spot this month. Sydney popsta The Insufferable Paul Scott is at #2 with his new album Surrender To Robots, while dance outfit CaliCisco are at #3 with their One Last Night release. For the full chart, follow the link here.

Steve Kilbey and Gareth Koch – Lost At Sea

July 12, 2019 Leave a comment

Steve Kilbey & Gareth Koch Release Second Single and Video ‘Lost At Sea’

July 10, 2019 Leave a comment

“I’m just a guy holding the pen” is the poignant opening line of the recent Steve Kilbey & Gareth Koch collaboration ‘Lost at Sea’.

The statement seems innocent enough at first glance, yet it elegantly addresses the mystery of creativity. How does art come into being, and is the creator just a filter or medium for the creative process?

The sentiment is even more interesting given the background of the two protagonists. Steve Kilbey, perhaps best known as the frontman of veteran rock band The Church, has a lifetime of esoteric lyrics to his credit. Kilbey’s themes pose questions and riddle-like answers. Perhaps this is why his lyrics continue to engage us. Gareth Koch on the other hand, a Viennese-trained guitarist/composer, has explored the nature of creativity head-on in his PhD thesis. Perhaps between the pair, Kilbey & Koch might have some answers.

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(Photo credit: Tony Mott)

These considerations aside, this collaboration has yielded a truly beautiful and timeless ballad. There is a wistful and haunting lilt to ‘Lost at Sea’, as it floats seamlessly through a narrative of stolen hearts, voyages into solitudeand roaming in no-man’s land. And to compliment these lyrics is a delicious instrumentation, weaving and wafting, ghostly and waif-like, present yet elusive.

This is possibly why this collaboration works so well. Kilbey & Koch are both masters of the esoteric form. As they step sideways from their respective genres this coming together highlights a close aesthetic connection.

Watch the new video, which was premiered on TheMusic.com.au here:

‘Lost At Sea’ is sure to follow in the footsteps of the first collaborative offering, Broken Toys, which last week was sitting pretty at #1 on the Radio Indie Alliance chart:

Lost At Sea is OUT NOW via MGM.

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Ninth Time Lucky – Take It Slow

July 6, 2019 Leave a comment

Ninth Time Lucky is the side project for Perth-based singer-songwriter Minky G. The singer/songwriter usually plays music in jazz/pop domain, but she also has a penchant for sweet and joyful ukulele tunes. Ninth Time Lucky is the outlet for these tunes, which Minky G describes as, “music for people to be happy to.”

Ninth Time Lucky have recorded an EP called Little Dreams, with the track Take It Slow featured on the soundslikecafe playlist this July!

A little bit Vance Joy plus a spoonful of sugar, it’s time to take a break and believe that things are going to work out all right. Ninth Time Lucky is all about songs that are sweet and kind, but sometimes, that’s exactly what we need.

Another stand-out tune is Half of Me, which was nominated for a WAM Award this year.

“What a little ray of sunshine! Minky G is a songbird we love to hear.”

– Guitar virtuoso Tommy Emmanuel

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Carlyle Christopherson – Follow Me

July 6, 2019 Leave a comment

Carlyle Christopherson is an Australian musician, originally from central Victoria, who now resides in Switzerland.

His remarkable journey from the corporate world to following his dreams as a musician and a lover of acoustic rock has seen him reconnect with his passion for music and performance.

His debut single Follow Me offers a definite Australian acoustic-rock flavour in his sparse instrumentation and storytelling lyric about hope and aspiration as we navigate through life’s great big journey.

It comes from his debut album, Here Comes History, which was produced and co-written alongside Things Of Stone And Wood frontman Greg Arnold. It is an album possessing a remarkable collection of fables, echoing Christopherson’s journey against some challenging yet eventually rewarding personal odds.

Carlyle’s love for Australian music is clear with influences including artists such as Paul Dempsey, Bernard Fanning, Paul Kelly, Olympia and Greg Arnold.

“I’ve loved working on the album, says Greg Arnold. “Carlyle has such a soulful and reflective lyrical perspective and his voice and songs are deeply evocative of an authentic 70s singer-songwriter.”

‘Here Comes History’ is out NOW.

Watch the official video for Follow Me at YouTube:

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