Composed in the aftermath of the rejection of the Voice Referendum, the song reflects on the dispossession of Australia’s indigenous people. The vote seems an attempt to deny the truth, the theft of land and resources. Alex “To me, the referendum was a gentle request for respect and inclusion. The fact that it failed demonstrates how far we have to travel as a nation and asks the question, how long will that process will take? Going on past experience, I would say it’s going to take a long time.”
Alex worked doing photos on APY lands some years ago. The cover image, taken during those sessions, is of a church in Indulkana. The hometown of the famous portraitist, Vincent Namatjira: Archibald Prize Winner and Gina Rinehart’s least favourite artist. In the recording the band tried to get a sense of space using acoustic instruments to reflect the feeling of the vastness of those places.
About
Formed in 2017, Big Merino play original music that blurs the lines between country, blues, roots, rock and pop. Despite an obvious passion for what’s often called ‘Americana’ their songs somehow manage to be very personal and quintessentially Australian – the words and sound shaped by the landscape and their own stories.
Their live sound is a classic combination of acoustic and electric guitars, vocals, bass and drums. Their recordings are fleshed out with multiple guitar layers, gospel style harmonies, Hammond organ, piano, horns and percussion.
In 2018 the band released their debut album ‘Suburban Wildlife’, made two cinematic film clips with director Alan Harca, and performed all around Sydney. The band has done numerous Interviews & live-to-air performances including ABC 702 & RN, 2SER Dirt Music, Radio Skid Row, Eastside Radio, Aussie Music Weekly and 2BBB. The single ‘Black Cockatoos’ was top 10 on AMRAP Metro and Regional playlists.
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