STEVE KILBEY AND GARETH KOCH NEW ALBUM CHRYSE PLANITIA

February 3, 2020 Leave a comment

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What unites the musical spheres of an Australian rock icon and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns, fatal hours, and enchanted gardens. To complement the poignant lyrics is delicious instrumentation, weaving and wafting, ghostly and waif-like, alternately brimming with rhythmic drive, present yet somehow elusive.

Hot on the heels of two critically acclaimed singles, the debut album Chryse Planitiapulses with a strong and immediately recognisable musical identity. Kilbey and Koch have forged an entirely new sound characterised by a fluid and elegant movement across genres. Their partnership draws inspiration from medieval music to post-modern psychedelia, as if it were the most natural thing in the world, with every imaginable influence in between.

(photo credit: Tony Mott)

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers. Kilbey’s words evoke a succession of images, half-remembered whisperings at the edge of our consciousness. He is a poet-master of unsaid things whose writing arouses the dreamer within us.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12^thcentury.

Expertly mixed by Russell Pilling of Damien Gerard Studios and superbly mastered by Grammy Award-winning King Willy Sound, Chryse Planitia is a feast for the ears.

Release Dates February 7 (Foghorn/MGM) Digital Platforms and CD Instore, April/May Vinyl LP

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Nick De La Hoyde – A Beautiful Mess Debut Album

January 31, 2020 Leave a comment

Soundslikecafe is proud to present this brilliant young aussie kicking goals both here and overseas with his modern positive sounding tunes and lyrics –

Growingup in a multi-cultural home with a Syrian mother and British father, Sydney based, singer songwriter Nick de la Hoyde was exposed to many global influences that he now weaves into his music. Melding his love of hip hop, pop and R&B with introspective lyrics that chronicles a young musician’s journey to adulthood, overcoming life and artistic challenges along the path, Nick and his long-time producer/collaborator/older brother Joseph (ZUZU) de la Hoyde, have together crafted a sound that is simultaneously intimate, expansive and engaging. Having penned confessional, real life anthems, such as High,Ghost, Animals, California,Mirror Mirror, Hold Me Close, and Love Takes Time,that oscillate between moody, textured R&B, anthemic synth laden future-pop and hip hop, combined with a lyrical earnestness that speaks directly to today’s younger generation. Nick has quickly made a name for himself, cultivating a large and dedicated on-line following and is establishing himself a powerful voice for self empowerment and positivity.

Check it out NOW !!

Connect with Nick

Official Site

Eldafyre New Album RAW

January 19, 2020 Leave a comment

Introducing Eldafyre and his new album RAW, our latest feature artist and album on Soundslikecafe

‘Eldafyre’is a stylist acoustic poet. Sending out euphoric melancholia infused with the deep passion of love, from all things. Eldafyre grew up in Shepparton and now resides within the northern rivers of NSW or deep in the mountains near Melbourne. With four mastered studio albums we see a vast range of genres. The one you have in your hands was 3 years in the making. Eldafyre wrote every song in one evening. Recreating the same lyrical stories to a dark jazz smokey noir band. Hand selected and collaborated with some of the best session musicians available in Australia. After three years absorbing the creation, a remix was made with an intention to finalize the work of art. Filtered organically with all ego and unwanted material omitted. With influences from Patti Smith, Rodriguez and Melanie Safka. Eldafyre thinks of himself as a storyteller. Telling this story as a studio musician.

Eldafyre on his music and live performance – “Expect music therapy. Expect to be relaxed. Expect to forget about your worries. Most report a deep sense of healing and restoration after my performances.”

We think you will be impressed with this record too, and its just the first of more to come from this exciting new artist…

The RAW album has been described as “DARK JAZZ SMOKEY NOIR”

The Tracklist includes

1- welcome around

2- another wholesome night

3 the evening came together

4 where connection bonds-(checkout the feature video below)

5- what lies down

6 long pause

7 a last goodbye

Check it out now-

Sydney’s blues-rock-rockabilly act Toadvine release new EP

October 25, 2019 Leave a comment

Toadvine are a five-piece blues-rock outfit hailing from Sydney, Australia, who dish up a unique blend of blues-tinged rock’n’roll with generous lashings of rockabilly, country and fuzzed-out garage sounds. Their new five-track EP is called Love Is A Dangerous Game.

The five track EP Love Is A Dangerous Game is set for release on 25 October 2019.

TRACK BY TRACK:

Stones and Bones – The EP opener is a rip snorting bluesy garage rock tale about love gone wrong and revenge, featuring a blues harp solo courtesy of Celia Curtis.

Dead Man’s Clothes – cool country Johnny Cash vibe

Dirty Lies – garage rock with a peppering of country roots

More Than Anyone – fun bar-room classic about boy meets girl

Black Naomi – a blues tinged rockabilly sound with the swagger of the Stray Cats

Toadvine will launch the EP at Moshpit Bar, 642A King Street, Newtown on Saturday November 9.

Download or stream from October 25:

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Adam Jones Releases Third Album ‘The Dark Side Of The Earth’

September 26, 2019 Leave a comment

Melbourne folk-rock, alt-country and blues singer/songwriter/musician Adam Jones releases his third album The Dark Side Of The Earth on 27 September 2019.

Adam released an album of 12 diverse songs in 2017 called ‘Little Death’, and then an acoustic version of that album a year later. His catchy and interesting songs traverse many styles such as folk-rock, blues, alt-country and Australiana.

In November 2018 Adam started recording some new material at a local studio in Flowerdale, Victoria and those sessions finally wrapped up at the end of August. Two early singles from these sessions – ‘Cupid’ and ‘Shining Car’ – were well-received by radio, social media and local fans.

Adam explains his inspiration for the album title. “I wrote a song called The Dark Side of The Earth, protesting about, and expressing my sadness, with regard to how cruel humans can be. Later when it came to planning the album, I thought that it would make a great album title, especially as my favourite album of all time is Pink Floyd’s The Dark Side of The Moon! All songs on the album relate somehow to what I call ‘the dark side of humanity!”

Folk-rock album opener No Insurance examines risk in personal relationships, Knots in Our Hair is musically a nod to country artist John Prine whilst lyrically reflecting on the love, freedom and happiness that a relationship can provide.
The title track acts as a socio-political protest song, which Jones hopes will encourage listeners to “get up and make a real difference.”

Adam has been a serious music fan since he was very young. “My older brother left home when I was 10 and left behind his vinyl collection, my favourites including The Beatles, Neil Young and Led Zeppelin. I remember the first CD I bought was Dire Straits Brothers In Arms when CDs had only just become available in Australia. I loved the rock, blues and sweet melodies of Dire Straits music. Other early influences were some of the classics of 60’s and 70’s rock and folk, like Bob Dylan, Supertramp, Fleetwood Mac, Pink Floyd and Deep Purple. More recent music that inspires Adam are Manchester Orchestra and Kevin Devine “for their creativity and musicality.”

Although music has been a huge part of his life since then, it’s only in the last couple of years that he’s put some serious energy into his music. “I’ve been singing, writing songs, playing guitar, a bit of keyboard and percussion since I was a child. I decided to become a serious recording and performing artist late in life after a long-term relationship broke down in early 2017.”

Adam is an extremely prolific songwriter. “I write a lot, up to 150 songs per year – complete as far as lyrics and basic guitar parts go,” he explains. “I usually write the lyrics first and then straight away put some music to them and then finish the song and decide on the structure, rhythm, tempo, etc. Having time alone to sit and focus on my thoughts, experiences and feelings usually leads to me being creative. Sometimes I plan to write a particular song, others are very spontaneous. I try and change up what I write about a lot so that there is plenty of variety in my songs.”

Adam Jones – The Dark Side Of The Earth is out September 20 through Foghorn Records / MGM Distribution.

Download or stream:

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The Blind Pilots release debut 3-track EP

August 29, 2019 Leave a comment

New on the soundslikecafe playlist this month is a track called Tell Me I’m Wrong, courtesy of an electrifying blues rock outfit from Sydney called The Blind Pilots.

When describing this band, it’s easy to say the same old things about being an explosive four piece Australian Roots, Rock and Blues outfit from the Northern Beaches. But the truth is all four members have known each other in previous successful bands, which gives them an advantage in the creative songwriting process. The four friends share a close rapport and have a laugh together every week. They say, “There’s never a dull moment in rehearsals!”

The band members’ camaraderie is largely based on the fact they grew up listening to the same music and share common influences like Muddy Waters, John Lee Hooker, Van Morrison, Jimmy Hendrix, Cat Stevens, Led Zepplin and Midnight Oil. Together they form a band making the most of dirty slide guitar, hard hitting drums, solid bass grooves, accompanied by a soulful vocal drenched in foot stompin’ harmonica riffs. “We all have an urge to push each other harder to get the best out of our muscianship and are driven to create those magic moments,” says lead guitarist and vocalist Owen.

In a live format, the band produce an energetic show full of intense commitment, whilst still maintaining a laid back vibe.

The lead track of their brand new EP is called Tell Me I’m Wrong, which offers frontman Owen’s perspective on the current political landscape. Accompanying tracks are Telephone – a hard-hitting blues rock tune about breakdowns in relationships, complete with dirty blues harp and riffing electric guitar. The swampy southern blues rock style of Howling at the Moon fits perfectly with the lyrical lament about longing and yearning.

Between them, their experiences have seen them performing at festivals including Byron Blues, Woodford Folk, Festival Of Sun, Echuca Blues Festival, Mud Run, Harley Days, Throttle Roll, Sydney Blues Festival and has found them on the Australian Blues charts. With new ideas consistently being brought to the table this group will continue to make inroads in the Blues and Roots World and be one to watch.

The Blind Pilots members are: Owen Mancell – Guitar/Vocals; Matt Hough – Drums; Ryan Stone – Harmonica; Daniel Changas – Bass/Vocals

“Owen brings the spark, Matt is the conductor and reconstructs, Changas adds the bottom end whilst Stony waves the magic which is the icing on the cake.”

The Blind Pilots EP is out on August 30.

Tell Me I’m Wrong is on the soundslikecafe playlist now.

Download or stream from August 30:

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Apsara – Galatea EP

August 20, 2019 Leave a comment

Apsara is an original project of classical soprano Michaele Archer, exploring a sound palate that is rich and raw. Composed with Latin text from Virgil and Roman woman poet Sulpicia, Apsara’s debut EP Galatea intertwines ancient and new sounds.

Leading the Apsara project on harmonium and vocals, Archer is joined by cellist Rachel Whealy, violist Gabrielle Laura Steele and guitarist Giuseppe Zangari.

It been a journey bringing together the different layers for this project – Ancient Latin text, alto instruments and a vocal approach that blends opera and early music. “Once I had it the music came quickly. The songs almost wrote themselves. They came so fast in a matter of minutes recording on my phone.”

In addition to medieval vocals, ancient Latin text and deep analogue instruments, the flow of water and nature inspires Apsara. In Virgil’s Eclogue 7 there are references to Galatea, a water sprite and the name Apsara also translates as Indian water spirit.

Michaele has performed opera, song and oratorio in Australia and internationally and has featured in several world premieres of new works by Australian composers.

“Coming from an opera background and having a larger voice type my sound has always been full on opera”. Michaele has recently been performing and studying in Los Angeles with Robin de Haas, a leading voice coach in Europe and founder of a new performance and body work method called Breathing Coordination. Going ever deeper into anatomy and the science of breathing led Michaele to a new vocal style, blending Opera into medieval straight tone.

Discovering the poetry of Roman woman poet Sulpicia struck a deep chord. “The portrayal of women in opera is often two dimensional and I wanted to depart from that,” says Archer. Sulpicia was a woman who lived outside the stereotypes of Ancient Roman society in terms of being unmarried, writing poetry and writing explicitly about love. The feel and sound qualities of old Latin text and stories interpreted from a female perspective form a rich layer, built with instruments from the deeper harmonic spectrum.

“I’ve got a thing for the darker sounding instruments so combining the tone of the viola with cello and alto harmonium was a perfect fit.”

Cellist Rachel Whealy has been a muse since high school. The pair met in Year 12 Music class, where Michaele fell in love with Rachel’s playing and the mellow sob of the cello. There were quite a few maths lessons skipped to play Purcell on Balmoral Island with the waves. They have been performing, writing and recording together ever since. “We’ve created some beautiful original recordings, but I kept putting them aside. I hadn’t quite cracked the feel of the sound I knew I was looking for. I wanted to move slightly left of opera with an instrumental foundation that was real and textured.”

APSARA – GALATEA will be released on August 23 through MGM.

Download or stream from August 23:

Connect with Michaele:

REBECCA DANIEL AND FIONA JOY HAWKINS – THE LIGHTNESS OF DARK

August 2, 2019 Leave a comment

REBECCA DANIEL AND FIONA JOY HAWKINS JOIN FORCES TO CREATE THE LIGHTNESS OF DARK –A POWERFUL MUSICAL EXPLORATION OF LOSS, MOURNING AND FINDING BEAUTY AMIDST LIFE’S SADNESS

Blending New Age and Contemporary Classical Crossover Music, Daniel (Violin/Voice/Piano) and Hawkins (Piano/Voice) Will Be Supporting Their Cathartic and Healing 11 Track Album With A Tour in Fall 2019

Leonard Cohen once said, “There is a crack in everything, that’s how the light gets in.”

Australian instrumentalists Rebecca Daniel and Fiona Joy Hawkins place this insight on the back cover of The Lightness of Dark to illuminate their creative and spiritual vision behind the project –their first dual album after many years of live and studio collaborations. The two explore the many facets of life and loss, the search for something positive in the crippling shadows and the potential beauty that can emerge from mourning and sadness

The Lightness of Dark weaves its lush, cathartic narrative via music with varying instrumentation depending on the emotions the two are expressing. The opening track “Heavenly Voices” blends string quartet (featuring The Kanimbla Quartet)with organ, piano and vocals. Other tracks feature solo piano (“Ghosts, Insanity, Angels”), piano/violin duet (“Elegy”), piano with quartet pads (“Lake of Contemplation”), string quartet only (“Interwoven Threads of Chance”), string quartet featuring piano (“Empty Moments”) and other combinations uniquely fitted for the compositions they imbue.

“We believe our album will connect with everyone because we all experience loss in varying forms,” Fiona says. “It can be the loss of youth, a loved one, a pet, your health…Life changing events where we are left to mourn because of loss. People only face their own issues when you lead them to a safe place to do this.”

Rebecca and Fiona have enjoyed a long history of collaborations and are looking forward to working with renowned Australian Producer Llew Kiek. They have performed over 50 concerts together including at the Sydney Opera House for the 2012 MusicOz Awards, New Orleans for 2014 ZMR Awardsand 2017 Sydney Women’s International Jazz Festival-and Rebecca has appeared on nearly every one of Fiona’s solo albums. The two have played together as part of Fiona’s Blue Dream Ensemble, and Rebecca produced the group’s album Live at the Q.

Rebecca Daniel studied violin and chamber music with Emanuel Hurwitz and the Amadeus String Quartet at The Royal Academy of Music. She worked withTrevor Pinnock and Simon Standage, and The Australian Chamber Orchestra, and was Orchestra Leader for Les Misérables, Phantom of the Opera, The Sound of Music and Beauty and the Beast. She has recorded and performed with, John Denver, Bread, James Galway and the Chieftains, Will Ackerman, Shirley Bassey, Barbra Streisand, Men at Work and INXS.

Fiona Joy Hawkins, a Conservatorium-trained pianist, renowned for her romantic, melodic songs and lush arrangements, is a prolific composer who regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona’s song “Grace’ is on a 2014 Grammy Winning album, and in 2016 she won two Independent Music Awards at the Lincoln Centre in New York. She has several Best Piano Album ZMR Awards and has worked with Producer Will Ackerman (Founder Windham Hill Records and Cookie Marenco (Blue Coast Records) for hi-resolution audiophile recordings.

Soundslikecafe is proud to feature this brilliant album and the leading single Elegy appears on the July Playlist.

Checkout the entire album here

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Big Merino Release Second Album ‘Sweet Little Angel’

June 21, 2019 Leave a comment

Big Merino have put the finishing touches on their second album at Damien Gerard Studios in Sydney.

The first single to be lifted from Sweet Little Angel is the balladesque title track, while it’s B-side accompaniment is a cover of the politically-charged protest song of 1970, ‘Ohio’. Penned by Neil Young and recorded with his band Crosby Stills Nash and Young, the song is a guitar-led melodic track that will be familiar to most music lovers.

The Album is OUT NOW Via Foghorn/MGM and we are proud to Feature it to our Cafes.

Tracklisting for the album is:

Sweet Little Angel
I Watched The Light
I Lay Me Down
Mama’s Gonna Fall
Satellite
Ohio
This Song
Hard Lesson
Living In The Past
Day Without You
Hummingbird

Guest musicians on the record are:

Alice Papademetriou & Lisa Spence : additional vocals
John Gauci, Mike Gubb : Keyboards
James Greening : Horns
Jess Ciampa : percussion

Watch a behind the scenes video by clicking on the YouTube link below:

And you can see the video for the single on our featured video footer just scroll down…

UPCOMING SHOW DATES ARE:

Following a highly successful launch at Marrickville Bowlo last weekend the next time to catch the lads will be –

Sunday August 25 @ Smith’s Alternative, Canberra

Big Merino is a genre-busting band featuring Stuart Davis (lead vocals/guitar), Alex Craig (lead guitar), Peter Richardson (bass) and Colin Sevitt (drums).

Their songs blur the lines between rock, country, blues, soul and pop. Despite an obvious passion for Americana (blues, country and Gospel) their music somehow also sounds quintessentially Australian, shaped by our landscape and their own stories.

“Great songs, great songwriting and best of all – full of a real sincerity and commitment”

Michael Smith – Rhythms

The album will be released on July 27 on Foghorn Records through MGM.

Stream or Download Big Merino’s music:

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CaliCisco – One Last Night EP

June 13, 2019 Leave a comment

CaliCisco is the name of the new musical project of songwriter Joel Leffler. The name was inspired by his love of the Western part of the USA – a conglomeration of the names San Francisco & California.

The ‘One Last Night’ EP follows the story of a couple who had parted ways, leaving one of the parties to deal with different stages of grief.

‘Smoke Clouds’ is the first single to radio from the EP featuring a tight snappy verse structure & a four-on-the-floor disco beat chorus complete with Bee Gees style falsetto vocals. ‘Smoke Clouds’ lyrically touches on flavours of a love that can be so inundating it can literally leave you feeling high.

The EP features elements of mellow piano, funk guitar & punchy synth throughout the 5 tracks, underpinned by dance beats &catchy loops that all enhance the lyrical melody. Songwriter/Producer Joel Leffler set out to create an EP that represented both elements of his songwriting world with tracks like ‘Smoke Clouds’ & ‘Got It Good’ heavy in synth and pop guitar whilst ‘One Last Night’ tells a story through an honest lyrical delivery.

‘Feeling Like’ introduces itself in simplistic fashion with record player static, a piano loop and a close raw vocal. Before you know it the song is in full flight with Synth risers leading into a catchy vocal driven chorus. A strong beat accompanied by a vocal synth melody perfectly illustrates the new sound direction from songwriter Leffler.

‘My Heart’ begins its journey with an earthy assortment of piano, lead guitar and a mellow bass line creating the foundations for a raw honest vocal to enter. When the chorus hits, a bouncy synth bass & keys lead the charge with the return of the lead guitar melody. ‘My Heart’ follows the story of a man who leaves a trail of self-sabotage in love, where he fails to protect his heart while wearing it openly on his sleeve.

‘Got It Good’ starts with an upbeat pop arrangement, settling itself into a beat-driven verse reprieve. A repetitive lyrical hook in the chorus is accompanied by multiple synth melody lines that completes a contemporary electronic/pop sound. ‘Got It Good’ is a story about a female who lives the high life of travel, booze & disposable income.

‘One Last Night’, the title track of the EP & the stand-out storytelling song, is led by sustained grand piano chords & a close vocal that makes you feel like you are sitting in the same room as the singer. The chorus features swelling orchestral strings, harmonising back up vocals, synth keys & a strong drum beat while lyrically the song depicts a couple sharing one last night of passion together even though they both know it’s over.

Download CaliCisco – One Last Night now:

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