Scott’s recent release EXTINCT (2025), continues his tradition of combining sharp, introspective lyrics with innovative soundscapes. His music is characterised by its melodic structures, layered instrumentation, and a penchant for exploring themes of modernity and human experience.
Describing himself with a series of tongue-in-cheek adjectives—“Inedible, Incorrigible, Indescribable…”—Scott embraces his “Insufferable” moniker with humour and self-awareness. His work continues to resonate with audiences seeking music that is both thought-provoking and sonically rich.
The Insufferable Paul Scott is a Sydney-based singer-songwriter and multi-instrumentalist known for his sharp wit, eclectic sound, and prolific output. Emerging from Australia’s indie scene, Scott has played bass and guitar for numerous acts, including The Likes of You, Montana, The Kingdom of Jones and Bad Machines, performing everywhere from community halls to the Sydney Opera House, from Australia and New Zealand to Europe and the USA.
In 2019, he launched his solo career with the debut album Surrender to Robots, a lo-fi, genre-blending collection that drew favourable comparisons to art rock acts such as Of Montreal and The Notwist. This was followed by a string of EPs and albums that showcased his evolving sound and lyrical prowess. Notable releases include Radio Station (2020), Tea and Medals (2021), and Dopamine Mining (2024).
Tea and Medals, recorded during the COVID-19 lockdowns, stands out as a 12-track album featuring collaborations with producers like Steve Melville (The Tea Party, Regurgitator) and Tim Powles (The Church). The album blends indie rock, synth-pop, and jangle pop, reflecting Scott’s diverse musical influences.
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