Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’
Steve Kilbey & Martin Kennedy follow up their acclaimed album Jupiter 13 with the epic ‘The Strange Life of Persephone Nimbus’, a sprawling Pink Floyd-ish concept album that shimmers with darkly beautiful musical undercurrents, oblique lyrics and spooky spoken word pieces. It is the second chapter of an eventual trilogy.
ALBUM REVIEWS
http://bigtakeover.com/recordings/KilbeyKennedyTheStrangeCaseofPersephoneNimbusFoghorn
The album was recorded in Tasmania overlooking the ocean, peaceful and crystal calm one day, dark and stormy the next, a dynamic that inevitably worked its way into the music and lyrics.
Returning to the mixing desk is Simon Polinski (Paul Kelly, The Church, David Bridie, Stephen Cummings, Underground Lovers) who skilfully brings the story of Persephone Nimbus to life.
Steve Kilbey writes: ‘Persephone Nimbus was just an ordinary woman living an ordinary life, with a promising job at Eternity Incorporated. Until one day she was kidnapped by the Plutocracy.
There she reigned for 6 months of the year, a sad cold queen of the dark webbed world. But for 6 months of the year she was allowed to ascend to the Overworld with its marvellous technological illusions, and it’s towers that pierced the very sky. But on the first day of every autumn she must take the long staircase back down, down into the Plutocracy, with their frozen lakes and above them, a sky of iron.’
In 1981 a teenage Martin Kennedy stumbled upon Steve Kilbey and The Church at Tanelorn, an oddball old world meets new world music festival, and fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.
Forty one years later Martin and Steve find themselves working together on their sixth studio album, the epic The Strange Life of Persephone Nimbus. As ever with these two, the deal is simple: Martin writes the music and Steve writes the words. No argument, no egos, just a matter of pressing the record button. The results are an effective balancing of Kennedy’s haunting and melodic tunes with Kilbey’s mysterious, witty and intelligent lyrics, melded together by his heavenly voice. Martin keeps his teenage love of The Church out of the equation in fear of it skewing his songwriting but it’s there if you listen closely.
“Sumptuous meeting of Australian soundscaper and the head Churchman…Apart from having a voice of characterful cool poise and an imaginative lyrical lexicon, Kilbey can make a strong melodic song out of simple elements.” (MOJO)
“Occasionally side projects can be something really spectacular. This isn’t an album where you pick favorite songs – you simply immerse yourself in the whole lush experience. The good news is they’re recording a follow up” (Reverb magazine 4.5/5).
OUT NOW – on Foghorn/MGM CD and Digital
Vinyl LP to come early 2023
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Steve Williams Releases New Album ‘Deja Vu’
The new album from Steve Williams (Wa Wa Nee, Matt Finish, Choirboys) ‘Deja Vu’ has songs ranging from Glam Rock, Funk and Blues. The tunes have something for everyone including an amazing dream romance story that actually came true, different perceptions of reality, persecution, inequality and some characters who have done jail time or simply gone bad.
All songs were written by Steve except ‘Pump’ with Pat Powell and ‘Ronnie’ with John Kenny. Steve played all instruments but with the help of a few very talented guests: Gus Fenwick, Nic MC, John Kenny, Pat Powell, Glen Muirhead, Ralph Franke, Raechel Summers, and Mac Johnson.
Steve Williams (Wa Wa Nee, Matt Finish, Choirboys) ‘Deja Vu’ has songs ranging from Glam Rock, Funk and Blues
The album was recorded entirely by Steve in his home studio which he has been refining for years.
Steve Williams came to prominence as the lead guitarist in the 80’s pop group Wa Wa Nee, who had top 5 hits and ARIA Nominations in Australia and chart action in Europe and the USA. Following Wa Wa Nee’s breakup Steve worked with prominent local artists, James Freud and Richard Clapton, before relocating to Europe.
In London, Steve built a successful career as a session guitarist working with Jon Lord from Deep Purple, Ray Parker Jr, Real Life and many more. He returned to Australia in 2005 and continued session and production work including musical theatre and television appearances playing with The Choir Boys, Matt Finish and others.
In 2020 Steve released the ‘Surry Road album’. All the tracks were co-written with musicians that he has worked with over his many years of touring and recording. Tracks feature guest vocals from Pat Powell (Melbourne Ska Orchestra and many more) and other well-known vocalists such as: John Kenny (Rockmelons), Tim Watson (Taxiride), Vince Contarino, Terry Slesser (UK), Louise Person as well up-coming Melbourne singer Nic MC.
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Steve Kilbey & Martin Kennedy Release Single ‘When Time Has Run Out’
With echoes of The Wall-era Pink Floyd, ‘When Time Has Run Out’ is the first single from Steve Kilbey & Martin Kennedy’s new album, ‘The Strange Life of Persephone Nimbus’. Steve Kilbey of psych rock legends The Church and writer of magical hit ‘Under The Milky Way’ once again joins forces with Martin Kennedy of atmospheric ambient stalwarts All India Radio for their seventh studio album.
“A sumptuous meeting of Australian soundscaper and the head Churchman… a voice of characterful cool poise and an imaginative lyrical lexicon, Kilbey can make a strong melodic song out of simple elements.” – MOJO
The first single from the new KK album begins with powerful guitars, keys and vocal layers before the drums and bass break in. Soaring electric guitars and strings layers drive this mid-tempo tune along while Kilbey’s iconic and instantly recognizable vocal. A must add to playlists.
In 1981 a teenage Martin Kennedy stumbled upon Steve Kilbey and The Church at Tanelorn, an oddball old world meets new world music festival, and fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.
Forty one years later Martin and Steve find themselves working together on their sixth studio album, the epic ‘The Strange Life of Persephone Nimbus.’ As ever with these two, the deal is simple: Martin writes the music and Steve writes the words. No argument, no egos, just a matter of pressing the record button. The results are an effective balancing of Kennedy’s haunting and melodic tunes with Kilbey’s mysterious, witty and intelligent lyrics, melded together by his heavenly voice. Martin keeps his teenage love of The Church out of the equation in fear of it skewing his songwriting but it’s there if you listen closely.
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Drawing Arrows Release EP ‘Pinch Me’
More great tunes from these guys destined for the soundslikecafe playlist
This is the second EP that Drawing Arrows have put together and it holds a lot of importance for the band.
The first track, ‘Pinch Me’, has been a work-in-progress since the boys first started playing together. Despite the fact that it changed format a number of times, it remained a favourite of Sidney’s. With its soulful lyrics and cool groove you can understand why.
‘Lights Out’ provides a little light chaos and fits in well with the energy you’d see in their live shows. The driving bass and drums keep the crowd going as the post-punk guitars keep them inspired.
‘Good Grief’ explores the ideas of dealing with things that you just can’t change. Instead of a melancholic ballad this track hits all the big notes. Another huge, live-sounding song.
Drawing Arrows is a love letter to rock music. Not one band, not one decade, but the whole effect. With multiple influences – from Australian rock’n’roll, US grunge and flamenco guitar to Britpop rock and amped-up punk.
With band members from Spain, the UK and right here in Australia, each member brings their own unique influences. Sidney (vocals) and David (bass/guitar) have previously worked on an experimental dubstep project (Milo Firewater). Drawing Arrows is a creative outlet – a way to channel all their experiences – not just musically. The aim – to create music that feels good to play and to listen too.
Powderfinger, Radiohead, Arctic Monkeys, Nothing But Thieves and Queens of the Stoneage all inspired an authentic live sound that sits as well on stage as it does in your headphones.
With influences of jazz, alternative rock, punk, Spanish flamenco and pop, Drawing Arrows stay focused on crafting music that makes you want to press rewind and listen again.
Song Descriptions
Pinch me
The most chilled of this 3-song offering from the boys. This is a mid-tempo cruise with clean guitars and a lighter touch on the drums. You can really hear the song writing skills of the band on this one, as well as some superb background vocals and guitar work throughout.
Lights Out
Drawing Arrows have come up with a modern up-tempo rock formula that really works on this tune. There’s plenty to like early on with a great ear catching intro, then Sid’s distinctive vocals and the snare popping chorus. A total winner.
Good Grief
Arpeggio electric guitars along with fast and furious drums and bass start this song off before the vocals kick in. Some very Radiohead sounds pervade this song in a great way. Up-tempo, hooky and technically challenging but the band get away with it no problems.
Daxton Releases New Album ‘50% Grit’
A long-time friend asked Daxton to produce a stripped back, raw but lively and psychedelic dirty blues song. ‘Just something I can really get into as I drink my bourbon to late at night please mate’.
Dax took on the job with gusto and was so engrossed that before he knew it 7 new tunes were born. The song, Rise Above, fulfilled the original request and opens the album. The rest of the tunes don’t disappoint and range from dirty, stompy, bluesy slide pieces to slightly more grungy but poppy tunes with some snare and percussion added in.
Song Descriptions
Rise Above
Dirty scratchy psychedelic harp and cigar box guitar feature in this mid-tempo track from Daxton’s new offering. Distorted, rough and ready vocals set the tone for the next six tracks on this mini album.
Nothing to lose
A more up-tempo blues tune. Bass, slide cigar box guitar and some simple drums flesh out this one with his life-worn vocals and lyrics filling in the story.
Right On time
Guitar riffs and electric slide stabs plus some nifty catchy vocal lines abound in this mid-tempo song. There’s some stomp box keeping time and enough changes and interesting sounds to keep you rocking all the way through.
Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.
Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.
Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound.
Daxton – 50% Grit is out NOW September 23rd
Foghorn/MGM
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Kalen Hogan Releases Debut Single ‘Help Me I’m Dying’
The latest addition to soundslikecafe is a young artist from NSW Kalen Hogan
A guitarist at heart, the process for Kalen is always the music first, layered secondly by the melody for the lyrics to lastly follow. The track has a dream-like quality, filled with melancholy, which sings of a knowing that not all can be saved. Kalen wrote the song after seeing a story of a young person dying in the arms of their parents. It’s a song about wanting to be saved but equally wanting to leave a pained broken body.
Kalen Hogan is a 17 year old solo guitarist singer songwriter, living a very chilled out life an hour north of Sydney, near Wamberal Beach.
Influenced by his musical uncle, Kalen started out jamming on a ukulele as a toddler, before advancing to his first acoustic guitar in primary school. Now in high school, Kalen is composing songs and recently recorded his first track at Damien Gerard Studios, in Gosford.
Kalen’s upcoming debut gig is planned for this summer at Wamberal Beach Surf Club. Kalen will be showcasing a couple of tracks he has recorded to release in 2022 and playing some of the new upcoming tunes, planned for future recording and distribution in early 2023.
Kalen Hogan – Help Me I’m Dying is out NOW (September 23rd)
Foghorn/MGM
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CJ Shaw – Lonely Road (Official Video)
Julie-Anne Marshall New Single ‘Mirror’
Soundslikecafe is proud to present ‘Mirror’ the new single from Julie-Anne Marshall
Melbourne-based independent singer-songwriter Julie-Anne Marshall has just released her 20th song ‘Mirror’. The song has an 80’s synth-pop ballad feel which uses haunting vocal harmonies to add to the reflective nature of the song’s lyrics.
Originally from Adelaide, Julie-Anne is now based in Melbourne. She is a multi-genre artist encompassing pop, rock, blues, soul, folk, alternative, ballads and smooth jazz – all sitting under the umbrella of Easy Listening. Her vocal style is earthy yet ethereal. Her songs melodic and lyric driven.
As a singer-songwriter Julie-Anne’s chosen instrument is the piano and it features in most of her songs released. Her first single ‘Bluebird’ was released in 2015, this was followed by a full album titled ‘Bluebird’ in 2016. To date, Julie-Anne has recorded and released 20 songs, her latest being ‘Mirror’, and she has a further two singles for release this year.
Whilst recording has been the focus for her over the last few years, Julie-Anne has previously performed live with bands around Adelaide and is now venturing back into live performing in Melbourne.
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CJ Shaw Releases Music Video for ‘Lonely Road’
The song was written as a parable for CJ’s experience of the music world and the sensation of falling short. Shot in the heart of winter on the Monaro Plains, south of Canberra, the Lonely Road music video clip sees CJ Shaw taking on the persona of a train guard, walking deserted railway carriages, waiting for passengers that never arrive. With the Canberra Railway Museum and the Michelago Railway Station in the backdrop, this beautifully crafted video clip visually plays on the haunting emotive nuances of the song, leading the audience on his journey of fulfilment.
The music video, directed by award-winning director/ producer Stackhat (Sampa The Great, L-Fresh The Lion), is simply breathtaking in its raw beauty, capturing the desolation of the song’s mood with mesmerising vision of Monaro Plains, south of Canberra, alongside vision of CJ as a train conductor filmed at the Canberra Railway Museum and Michelago Railway Station.
Watch the Video here via the Scenestr premiere
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