Adam Blacksmith – I Hope i’m Wrong New Single

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"Adam Blacksmith – I Hope i’m Wrong New Single"

A great new single from Adam his first from the forthcoming album on the soundslikecafe playlist

A casual loan of a classic Fender Jaguar Guitar inspires this heartfelt new single from Sydney Songman Adam Blacksmith

Adam Blacksmith is a thought provoking songwriter from Sydney, Australia.  He is a talented wordsmith and a storyteller.  He draws his influences from far and wide, from his contemporaries Augie March and the Drones to his workplace, Long Bay Gaol in Sydney where he works as a Special Education teacher.  Blacksmith’s music doesn’t fall neatly into any conventional category although musically, he gives folk and blues an indie make-over resulting in a refreshing and unique sound.

 

Photo: Matt Weddis www.instagram.com/mattweddis
Photo: Matt Weddis www.instagram.com/mattweddis

The story behind ‘I Hope I’m wrong’
“Just prior to leaving, a friend of mine asked me to help him sell some of his guitars while he was away and gave me a white Fender Jaguar as a show of thanks. I thought this was a little over the top so I accepted and vowed to store them for him for when he returned. I have not heard from him for a few years now and I am extremely worried. (I hope I’m wrong)
This song reflects my emotions oscillating between fear, anger, sorrow and hope in relation my friend.”

Stream the new single here:

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Fiona Joy Hawkins New Album Moving Through Worlds

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"Fiona Joy Hawkins New Album Moving Through Worlds"

Fiona Joy Hawkin’s Presents New Album and Video
Moving Through Worlds

As the Australian Bushfires crept toward her rural home, Fiona Joy Hawkins turned to her Stuart & Sons piano to do what has always bought her solace: writing music. After crafting 4 songs that she later marketed as fundraisers for firefighters and wildlife rescue – and which are included on this album – she began final preparations on Moving Through Worlds.

Although she began recording and conceptualizing the album three years ago, one could say it is an album 44-years in the making. One of the more classical-crossover pieces is “For the Roses” which a 12-year-old Fiona wrote for her Grandmother’s funeral.

Fiona says, “I believe music is a gift from another world, from ancestors of the past communicating to inspire and give us hope. Music is a universal language that connects us without prejudice, it speaks to us all equally, yet is received with great variation. My wish is to open a few more hearts to the power of music. Now more than ever we need the connection to our past to find the pathway to our future.”

The 14-track album was beautifully produced by Will Ackerman (Founder Windham Hill Records) and Tom Eaton. As per her usual style, Fiona defies genre by bringing Classical, Contemporary Piano, and New Age instrumentals together to create something uniquely her own, and reflective of all the worlds that she has moved through so elegantly while this powerful music gathered in her soul.

Fiona Joy Hawkins is an Australian Pianist, Composer and Singer who enjoys and regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona Joy Hawkins is best known for her romantic, melodic songs and lush arrangements. A prolific composer, she has always been interested in creating music that evokes images, emotions and tells stories.

Fiona Joy is known for ‘Grace’, her song on a Grammy Winning album in 2014 and for her extensive catalogue produced by Will Ackerman (Founder Windham Hill Records). In 2016 she won two categories of the Independent Music Awards at the Lincoln Centre in New York and has been awarded Best Piano Album by International Radio (ZMR Awards) for several of her albums. Nominated alongside Pete Seeger for Best LIVE Performance Album in the Independent Music Awards,Fiona was an ARIA Finalist in Australia in 2008. Fiona works with Australian piano maker Stuart and Sons, and has several albums with Blue Coast Records (content partners with Sony Music for hi-resolution releases).

Watch the Video (Premiered on Scenstr) for Calling County Clare here

In the case of Fiona Joy Hawkins’ latest collection Moving Through Worlds, there are glorious exceptions where it’s not hyperbole in any sense and fits today, tomorrow and for all…let’s just say I can’t imagine there ever being a time in the future when listening to this deeply personal, socially conscious, stylistically expansive 14-track musical narrative would grip me any less than it does today, in the midst of world gone mad 2020. – Jonathan Widran, JWVibe

“Moving Through Worlds” is OUT NOW (July 7) via Little Hartley Music. 

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STEVE KILBEY AND GARETH KOCH NEW ALBUM SONGS FROM ANOTHER LIFE: MUSIC OF ANTIQUITY

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"STEVE KILBEY AND GARETH KOCH NEW ALBUM SONGS FROM ANOTHER LIFE: MUSIC OF ANTIQUITY"

Soundslikecafe is very proud to present this exceptional, spacious, fresh and different album from two of Australia’s most interesting ARIA Award winning artists joining together once again ……

Songs from Another Life (Music of Antiquity) is the second collaborative album by Steve Kilbey and Gareth Koch. It follows their successful debut Chryse Planitia earlier this year.

These two artisans have produced a unique musical creation – an esoteric masterpiece which is difficult to define. It is an entirely new body of work, evoking a living connection to the past which resonates with us all.

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It is tantalising to reflect on how music of the ‘ancients’ might have sounded. Our clues lie in the iconography and artistic representations of the pre-Christian era, and within specific types of folk music which have a living tradition.  This continuum provides a valuable framework for the attempt at reconstructing ancient music. Indian folk music and flamenco for example create an interesting template, since both these traditions merged and are further coloured by the Moorish invasions of Andalucia.

It is significant therefore that the earliest form of notation was created in Babylonia, probably in about 1400BC. The instructions are fragmentary, but the cuneiform tablets suggest that the music was composed using scales, harmonies and gestures not altogether unfamiliar to today’s listener.

In Steve’s words on the liner notes to the LP he says:

“Working with language scholars and local musicians, we have attempted to bring these ancient songs alive. They have rendered the songs in a manner that is comprehensible to the modern listener. The songs and recordings represent the thoughts and sounds of a distant antiquity. Here then is the past – and now the past is here.”

Stream it here

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Graham Gouldman Album Modesty Forbids New Review

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"Graham Gouldman Album Modesty Forbids New Review"

Review

By Michael Smith

Imagine being invited to play with one of the guys who inspired you to become a musician. For Eric Stewart, that became a reality for a few productive years when he joined Paul McCartney, not only playing guitar for but cowriting songs with him for his Tug Of War, Pipes Of Peace, Give My Regards to Broadway and the unfortunate Press to Play albums. For Graham Gouldman, Stewart’s one-time partner in 10CC, it came with a call to join Ringo Starr on a tour. Well, he was never going to get a call from Paul was he, being a bass player? Gouldman may be getting on a bit but as the opening track of his third solo album, ‘Standing Next To Me’, makes clear, Gouldman remains as youthfully starry-eyed about having had the chance to play with a Beatle, who adds his drums to this most Beatleish of tunes, as he would have been when he first heard The Beatles as an aspiring 17 year old playing in bands around Salford and Birmingham back in 1963.

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Within a year, Gouldman was churning out songs that matched his obvious inspiration, McCartney, that were being recorded by everyone from The Yardbirds – ‘For Your Love’ and ‘Heart Full of Soul’ – to Herman’s Hermits – ‘No Milk Today’ – to The Hollies – ‘Bus Stop’, even if his own band The Mockingbirds never quite managed to break through. From 1970 on, Gouldman seemed happy to submerge his gifts within 10CC, cowriting within the initial four-piece then, after the split in 1977, with Eric Stewart, until he too stepped away. Across the 11 songs on Modesty Forbids, it’s obvious we’re in the presence of a master – and versatile – songsmith who, as it happens, has proven himself far more consistent in terms of quality control than McCartney, who obviously remains an unmistakeable influence, Gouldman’s bass lines often as stylishly melodic and unexpected as anything by the Fab One. There’s even a touch of the George Harrison’s not only in the lyric and melody of ‘What Time Won’t Heal’, but in Gouldman’s voice! It’s also not just silly love songs – Gouldman still has something to say, in ‘All Around the World’, cowritten with Beth Neilson Chapman, and the melodically very 10CC ‘Hangin’ by a Thread’ joining the call to face the reality of climate change. Modesty Forbids is the album McCartney fans have been hoping their man might make for years – a pretty bold statement, I know, but really, ‘Waiting All My Life for You’ is pure McCartney. Altogether, this is a truly quality album in the classic sense.

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SLC May Playlist Additions

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"SLC May Playlist Additions"

Our May Playlist Additions include some varied tunes from new releases to keep you chilled during these strange times. We hope you enjoy, just click the images to listen to individual tracks or the actual playlist.

SLC Digital Expresso Playlist

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The songs are;

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Code Blue by Gareth Koch(from the EP)

This is jaunty & upbeat featuring full band backing, Koch’s Aria Award Winning signature guitar and tongue-in-cheek lyrics, but there are clues to an underlying seriousness.

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Crossfire by Julie-Anne Marshall (from the new single)

Julie-Anne’s latest song release ‘Crossfire’ has her stepping into the dream pop genre. With her vocals taking on a whisper pop vibe in this song, she still remains true to her lyric driven evocative songwriting style. This diverse songwriter is showing that not only can she write across genre’s but her vocals are more than able to traverse the genre divide.

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Dancin’ by The Mezcaltones(from the album Hillbilly Surf Rock Music)

A song who’s vintage tones and grooves lends itself to a time when lyrics had to be subtle but you still get the meaning. Another killer radio friendly tune from whats shaping up to be the bands best album yet.

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Mirror of Love by Tim Walker(from the album Bridge of Angels)

Tim’s songwriting has truly come of age on this album and theres just so may good songs – this is another uptempo, hooky, and fun tune which even features an old school ragtime piano break.

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Prayer for Rain by Fiona Joy Hawkins and Rebecca Daniel (from the single)

Impressionistic neo-classical piano with ethereal layered vocals featuring vocals from both of the girls. The alto from Fiona and Rebecca is the Soprano. All proceeds from this song go to bushfire affected wildlife via the Billabong Zoo Koala Hospital.

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The Fatal Hour by Steve Kilbey and Gareth Koch (from the album Chryse Planitia)

Another deep and vibrant tune from this acclaimed album.

A much more laid back tune showing the other possibilities on the album this song starts with only guitar and voice, drawing the listener into the Kilbey/Koch world. When the drums and bass do kick in the whole thing moves up a notch and theres some great choral ear candy featured as well.

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Wonders To Behold by Throwing Shapes(from the EP Tranquility Base)

The second playlist addition for this prolific WA Electronica Act. This tune will keep your interest and feet tapping throughout.

 

Gareth Koch-New EP Code Blue

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"Gareth Koch-New EP Code Blue"

Proudly featuring this one on SLC for your listening pleasure

“How does an artwork or song come into being and take form where once nothing existed?

The answer has layers of complexity, and varies from artist to artist, but there are partial explanations. Usually there is some type of catalyst, a half-remembered whisper, idea or a musical phrase which forms a point of creative departure. Sometimes though, an actual event might spark inspiration.”

The song Code Blue is jaunty & upbeat with tongue-in-cheek lyrics, but these provide clues to an underlying seriousness:

‘code blue runnin outa time,…show a vital sign,… in emergency ICU…o honey i’d die for you….’

A ‘code blue’ is a hospital crisis situation in which the patient is in cardiopulmonary arrest, requiring a team to rush to the specific location and begin rescue efforts.
The narrative of the song draws on a sudden medical emergency in which Gareth was saved by the skill of medical staff.

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Both the song Code Blue and EP are dedicated with love and gratitude to the wonderful medical professionals across the world.

The other songs on the EP Include

Come Heavy Sleep is a type of re-imagined Elizabethan ballad, so you hear Gareth’s Nylon string classical guitars prominently, harking back to his roots in the classical world, but overlaid with drums/percussion and a calming sleeplike vocal delivery.

The Flame is a more rock track with electric guitars and a rhythm section and has a certain echo of the great Blue Oyster Cult.

 ‘Am I Ever Gonna See Your Face Again’. In this rendering Koch re-invents the song as a sensitive ballad, laced with classical guitars and a very different vocal to the original

Check out the video premiere for Code Blue

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Tim Walker’s New Album Bridge of Angels

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"Tim Walker’s New Album Bridge of Angels"

Ex-Sydney singer-songwriter Tim Walker moved back to his hometown of Adelaide earlier this year and immediately began recording this new album, his first for a while.

The album was inspired by a recent trip to Europe, where Tim was struck by a culture saturated with centuries of spiritual and religious symbols, strivings and sentiments. The new album has more universal themes than his first (Fellow Traveller), which was very Sydney-oriented.

Beginning in folk, he went into a country rock act, and now is a prolific soloist, doing gigs around Adelaide. He was a regular on the Sydney live circuit and played at several NSW festivals. He found a SA recording studio in Grange this year, and immediately began laying down tracks according to a careful plan, devised over many months.

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Track list with Descriptions:
  1. On The Bridge (a prelude): This is a crossroad, of civilisation, of history, the course of your own life, a juncture, a leap. The “bridge” refers to Rome’s Bridge of Angels of the album’s title, which is lined with 10 angels and overlooked by a castle, on the River Tiber. A short classical piece, it provides the thematic underpinning of the entire album – a beautiful, floating spark of hope and redemption for a world in flux.
  2. The Loving Arms (those we love): The race is on from the day you are born as time and love play off against each other, and the kindness of strangers. The real currency of life, more valuable than gold or silver, never to be taken for granted.
  3. Every Story Tells a Picture (the plague): With 7.8 billion people on Earth and millions more being added every year, we are running out of everything, including our humanity and our judgement.
  4. Mirror of Love (a reflection):A photograph can lie, but love cannot lie. It is the ultimate mirror.
  5. Red Velvet Chair (a friend in need): When you sit in this chair you tell the truth, and the truth is told to you. It’s the advice of a friend, the helping hand. But hey, you can have some fun with it too!
  6. Streets of Rome (eyes are opened): The ancient capital was no stranger to the album’s themes. Without the benefit of science, its original citizensinvented their own answers to life, preserved today with respect and awe, embedded in every stone of the city. And they had to deal with the same spiritual questions as us. Rome was therefore the accidental epicentre of the album.
  7. The Bolshie Swing (the dance): Time for a break. This track started off as a playful riff and expanded into a mini-orchestra, was left on the shelf for a while, then rushed into action as track 7. It was the understudy.
  8. Face Without a Name (stare inside): Ultimately we are just one of the crowd. It’s a big world and that crowd is made up of billions. Not often can we roar; more often at most we can squeak. Not invisible -but maybe only a “hill of beans”, as Bogart said in one of his films.
  9. Fly into the Sunrise (flying home): You have been away, seen many things. Now you wing your way on a long flight home, from the nighttime behind (the past) to the sunrise ahead (the future). The huge jet streams past, its passengers look out and simultaneously look in, through half-asleep eyes; the moment is sublime.
  10. Star (inspiration): Maybe it’s love at first sight; maybe it’s the inspiration that keeps alive a distant flame. Perhaps it’s fate.

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Listen on your favourite platform:

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Throwing Shapes Feature Album Tranquillity Base

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"Throwing Shapes Feature Album Tranquillity Base"

Throwing Shapes Feature Album Tranquillity Base

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Throwing Shapes is Fox Shannon. An electronic and Drum and Bass producer from Perth, Western Australia. Unique and forward-thinking electronic music. With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5 and Slumber Jack.  

His energetic performances and catchy dance floor hooks have won him growing interest from community radio, with airplay around the country. And seen him feature on numerous compilation albums. And secure billing at local underground dance events, such as ‘Reawakening’. 

Throwing Shapes latest release,the EP ‘Tranquility Base’ is now available on Spotify, Apple Music and most other streaming services. 

 

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(Tim Fox Shannon)

Track descriptions:

Tranquility Base – (Mid to up tempo) The title track, is up lifting and euphoric. A truly majestic feeling to this track. Angelic choir pads floating over a rolling rhythm section. With synth leads in the chorus that lift you higher and higher. The song is about the beauty and fascination of creativity and fantasy, that we all possess.  

Demons Run – (Mid tempo vibe). A slightly deeper, introspective type track. The verses lend themselves to a sort of fantasy world that then drops away into a large space with a dominating bass synth, in the chorus. Gradually opening up to the more ambient, introspective sections of synth chords and leads. The title is taken from a Doctor Who episode called ‘Demons Run, When A Good Man Goes To War’. 

Wonders To Behold – (Mid to up tempo) Beautiful piano chords that build to a catchy lead synth line in the chorus, with a positive and up lifting vibe but also somehow defiant and proud. It ends with a sort of marching beat. A triumphant feeling of overcoming struggle, on this track. 

Marauder –  (Up tempo) Is probably the heaviest track on the EP but it’s also got the most funk and groove. A rolling, funky rhythm based verse which drops into a dark chorus of fat driving bass synths. The song gradually opens up to more melodic sections with a positive vibe and different chord changes, as synth lines and ambience builds the track to it’s crescendo. All the songs on this EP gradually develop and evolve throughout course of the song and take you on a journey. And this track is no exception. 

Defiant, Yet At Your Mercy – (Down tempo) Is the mellow track with the deepest vibes on this EP. It begins with slow ambient choir pads, chimes and some atmospheric ear candy that builds and drops into sort of swing’ing beat and wide synth chords, that have a slightly sad, introspective feeling followed by a lead bass synth line that drives that feeling home even more. The song evolves further and you’re introduced to a piano lead section which caries the main melody of the song and is a highlight of this release. 

Stream / Connect with Throwing Shapes

 

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