‘Nothing Left To Say’ is about the fear and uncertainty of moving to a new place and leaving behind all of your established friends, creative, and professional support networks. It’s about loneliness, emptiness, and the challenges of establishing a new identity and presence. It also touches on the often foolish (and sometimes futile) attempts to integrate into existing social groups, only to realise they’re not your people anyway.
Musically, we had a lot of fun with this one in the studio. The groove is tight and sparse which allows the vocals to soar during the choruses and provides a solid backdrop for the guitar, keys and saxophone to engage in some playful banter during the outro.
The DK Effect are an original 9-piece soul, funk and RnB band known for their four powerhouse vocalists, rich storytelling, melodic harmonies, and the passionate, polyrhythmic ‘call and response’ vocal synchronicity inspired by gospel music.
Their debut album, ‘Moving Time’, showcased their diverse repertoire. The album spent two months in the TOP 10 of the Australian Blues and Roots Airplay Charts.
Recording at the iconic Frying Pan Studio was a unique and amazing experience for the band. The studio offers stunning views of Berriedale Bay and Kunanyi (Mount Wellington), creating a relaxing and inspiring environment. There is a viewing window into the studio, allowing museum visitors to watch and listen (via headphones) to the recording process. For the band, it was fun being an ‘exhibition / performance artist’ during the recording process – almost like a live recording.
The band has performed at numerous Tasmanian venues such as MONA (Museum of Old and New Art), Altar, The Moonah Arts Centre, Kickstart Arts, Salamanca Arts Centre, The Clarence Jazz Festival, The Playhouse Theatre, The Taste of Tasmania Festival, Rektango, the Uni Bar, Street Eats Franko, and the Republic Bar.
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