Fred Grenot – Unearthing

"Fred Grenot – Unearthing"

Reviewers have compared Grenot’s music to Brian Eno or Liquid Mind.

Now the feature track Unearthing from the new album “Respite, Music for Healing” is added to the soundslikecafe playlist

If you need healing you must listen to Unearthing! 

Fred Grenot welcomes the listener with a warm, vast, peaceful, heart-warming aural experience with his ambient music for healing.  Unearthing will hug the hearts of listeners and provide a soundscape for rest, relaxation, and reflection. After a long hiatus, Fred experienced healing through music while hospitalized and is back on the ambient music scene.  Fred aims to help others heal through music, just as he did, with his new single, Unearthing.

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Fred Grenot is deeply committed to empowering people to be physically, emotionally and spiritually well. His new album “Respite, Music for Healing” is the result of that commitment translated into the beautiful ambient music that Fred has created for this latest project. In 2014, Fred released the album “S.W.A.N” and “Beyond the Sun” in 2015 while working full time, being married and being a father to his two children.

“Since releasing my last album, I have done DEEP work on myself and looked at every part of my spiritual self. I have taken responsibility for my path and made peace with everything I have done and not done” says Grenot. The result is music that is filled with beauty, clarity and the kind of simplicity and confidence that only a master would take on in his craft and his self-expression. It is from this clarity that Fred hopes that listeners discover “healing” and a sonic oasis from which to find peace.”

Fellow recording artist and Emmy-Award winning composer Michael Whalen writes: “Fred was kind enough to let me hear ‘Respite’ before anyone else. I was just coming out of the hospital and I found this new album a wonderful way to relax and simply breathe as my body was healing and shedding pain after surgery. I know others will love it too...”

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“I cannot help feel at this juncture that surely someone must use Fred Grenot’s work in either television or film, it’s perfect for it, take a listen readers and listeners and see what you think.”Steve Sheppard – One World Music Radio

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Monster Taxi Releases Single ‘Reflect’

"Monster Taxi Releases Single ‘Reflect’"

Embark on an extraordinary auditory expedition with “Reflect” by Monster Taxi. This captivating track serves as your musical guide, inviting you to transcend the boundaries of the universe. Through gentle melodies, it creates a mental voyage through deserts, mountains, and beyond, resonating with your soul and sparking introspection. As the music unfolds, you find yourself immersed in a transformative experience, where reflection becomes a mirror to your inner self. Let the enchanting rhythms carry you to unexplored dimensions, as Monster Taxi accompanies you on a captivating journey through the landscapes of your mind.

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Monster Taxi is the alter-ego of Miami music producer and keyboardist Jason Klein. Klein has worked on recordings for several major and indie artists including Mariah Carey, Ricky Martin, and Earth Wind & Fire.

From 1998-2001, he was partnered with famed Brazilian DJ Grego doing remixes and dance productions utilizing various Brazilian genres and latin house.

Before taking the moniker of Monster Taxi, Klein partnered with another Miami-based producer, Jason Wilkes, and opera singer, Kelly Alloco, as “Magic Sauce.” Magic Sauce remixed Franz Schubert’s “Ave Maria”, which charted on DJ Times and was featured in Billboard Magazine. After Ave Maria, Klein teamed with Manny Perez for the Don Manuel “Figaro” house music opera. His interest in classic music also led to his dance collaboration with Amy Barbera in releasing Amazing Grace.

In 2003, Klein produced the BMG US Latin/RCA Victor album, Beny Moré – The King of Son. The single, “Bonito y Sabrosa”, was a Latin radio and video hit, charting #1 on several stations. It made the Billboard chart on May 17, 2003 on the Tropical/Salsa airplay at #39, Klein’s first Billboard chart position.

He formed Monster Taxi and Toy Robot Records to license his own tracks to major labels. The Monster Taxi tunes, “Boogie Makes a Splash” and “Cosmic Love Juice”, were featured on a dance compilation for Ministry of Sound. He worked with Billboard charting dance singers such as Pepper Mashay (Cosmic Love Juice), Rachel Panay (Repeat Performance and Get Off), Jennifer Carbonell (Memory Wack), and Ray Guell (Love is the Answer).

Monster Taxi teamed up with members of the disco funk band, Foxy and re-recorded “Get Off”. Song featured original talk box guitars, funky bass lines, and Ish Ledesma on vocals. Mixes received heavy dance club and airplay and was even featured at sporting events.

Recent dance mixes from Monster Taxi include Miami Spice, Cluck Old Hen, Do the Hora, Motivate, Tank and the jazz song, Ocean Drive. In 2013, Klein remixed Universal Music Canada artists, Bet.e and Stef. He continues to remix songs including releases by Eddie Amador & Ultra Nate and Jenevieve X.

He currently re-masters compilations for Sony Music and Fania Records, along with doing a voice-over production for the Simpsons cartoon on Fox. Many of these albums have charted in Billboard Magazine during 2013 and 2014.

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Jessie-May K Releases Single ‘Do What We Want’

"Jessie-May K Releases Single ‘Do What We Want’"

‘When I was little there was one thing I would always say. I’ve always clung to my independence like a badge of honour too precious to lose. So when others tried to reign authority over me or tell me what to do, my answer was always the same. “I can DO WHAT I WANT!”.

As one might have already suspected, this personal, inner fire was both good and bad depending on the situation. However, luckily as I grew, it was more often a positive trait and ended up saving me from a life of cycle repeating, bad decisions and abusive relationships. I’m very grateful that I kept such a strong connection to my inner compass and that I never lost that part of me. I made my own choices, I chose my own path.

Concealed inside the electronic, synthetic pop, is a mantra for individualism all can express. And I can only hope that if anyone out there relates, that they never forget, you can be whoever you choose to be, no matter what you’ve gone through, where you started, or who’s tried to tear you down. The only thing that is in charge of you is you. Live authentically, don’t be afraid to express yourself, stand up for what you believe in, this is YOUR life. Let’s do what we want.’

Another modern pop gem from young Central Coast singer Jessie -May K. The song has an intriguing telephone sound on the vocal chorus plus brilliant backing created by producers Dave Hunt (Sarah Blasko) and Andrew Beck (Steve Kilbey, Natalie Gauci). Mid tempo, great beats, hooks and plenty of lush vocals.

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About Jessie

Jessie-May K is a young, Singer, Songwriter, Director, Actor & Artist. Most successful as an internet personality, Jessie has released four singles and a collection of episodic works that accompanied their 5 track EP Zone Out (2020).

Originally trained in Musical Theatre, Jessie transferred to music when they were 16, teaching themselves guitar from YouTube to elevate their musical career, as they had been writing songs with lyrics and melody since they were 5 years old.

Jessie is passionate about social justice and activism, often releasing music about movements that are important to them, raising awareness and sharing donation links in the hopes it will make a difference. Jessie is Neurodivergent and was born with ASD, ADHD, OCD and developed PTSD as a result of their early hardships and extreme childhood trauma. Jessie believes that the world thrives on diversity and that benign individuality is something to be celebrated and not feared.

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Monster Taxi Releases Single ‘A Walking Stranger’

"Monster Taxi Releases Single ‘A Walking Stranger’"

“A Walking Stranger” captures a musical journey. All one needs to do is sit back and close your eyes and allow the music to take you to a place of bliss. Every scene is heightened with this dream state musical experience. Whatever chaos there is in one’s day, can be escaped by the emotional beauty of “A Walking Stranger”. Monster Taxi brings us musical sophistication that is transforming and allowing us all to step outside of our world, if only for a short time, and experience inner peace and tranquility while providing a path for our own self-discovery.

“From the onset of “A Walking Stranger” by Monster Taxi you get this feeling you are about to take an adventure in time. Its ethereal synths captivate your imagination while its steady percussive rhythm moves you into another dimension. The flute and air like vibes keep you floating steadily through your mind with ever changing thoughts. As I listen to its 3:36 length I feel like I’ve been all around the universe. This is a true gem, and I can’t wait to hear more from this artist. Bravo!”

– Bill Kelly, Co-founder of Winter Music Conference

“Jason Klein and I go back a ways to when I was sharpening my teeth in the dance music world. It’s refreshing to see him now crossing into a genre that’s been a part of my hemisphere for decades with a groovy electronic tune.”

– Nicholas Gunn

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About

Monster Taxi is the alter-ego of Miami music producer and keyboardist Jason Klein. Klein has worked on recordings for several major and indie artists including Mariah Carey, Ricky Martin, and Earth Wind & Fire.

From 1998-2001, he was partnered with famed Brazilian DJ Grego doing remixes and dance productions utilizing various Brazilian genres and latin house.

Before taking the moniker of Monster Taxi, Klein partnered with another Miami-based producer, Jason Wilkes, and opera singer, Kelly Alloco, as “Magic Sauce.” Magic Sauce remixed Franz Schubert’s “Ave Maria”, which charted on DJ Times and was featured in Billboard Magazine. After Ave Maria, Klein teamed with Manny Perez for the Don Manuel “Figaro” house music opera. His interest in classic music also led to his dance collaboration with Amy Barbera in releasing Amazing Grace.

In 2003, Klein produced the BMG US Latin/RCA Victor album, Beny Moré – The King of Son. The single, “Bonito y Sabrosa”, was a Latin radio and video hit, charting #1 on several stations. It made the Billboard chart on May 17, 2003 on the Tropical/Salsa airplay at #39, Klein’s first Billboard chart position.

He formed Monster Taxi and Toy Robot Records to license his own tracks to major labels. The Monster Taxi tunes, “Boogie Makes a Splash” and “Cosmic Love Juice”, were featured on a dance compilation for Ministry of Sound. He worked with Billboard charting dance singers such as Pepper Mashay (Cosmic Love Juice), Rachel Panay (Repeat Performance and Get Off), Jennifer Carbonell (Memory Wack), and Ray Guell (Love is the Answer).

Monster Taxi teamed up with members of the disco funk band, Foxy and re-recorded “Get Off”. The song featured original talk box guitars, funky bass lines, and Ish Ledesma on vocals. Mixes received heavy dance club play and airplay and it was even featured at sporting events.

Recent dance mixes from Monster Taxi include Miami Spice, Cluck Old Hen, Do the Hora, Motivate, Tank and the jazz song, Ocean Drive. In 2013, Klein remixed Universal Music Canada artists, Bet.e and Stef.  He continues to remix songs including releases by Eddie Amador & Ultra Nate and Jenevieve X.

He currently re-masters compilations for Sony Music and Fania Records, along with doing a voice-over production for the Simpsons cartoon on Fox. Many of these albums have charted in Billboard Magazine during 2013 and 2014.

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Burger Legs Joe Releases Single ‘I Feel Love’

"Burger Legs Joe Releases Single ‘I Feel Love’"

We love this song. I know we always say that, but we only choose songs we love, and hopefully pay homage to them.

Originally released in 1977, performed by Donna Summer, and co-written with Giorgio Moroder and Pete Bellotte, for me this track was the birth of modern trance music.

I wanted to restomod ‘I Feel Love’ because it’s such a great dance track. But we weren’t sure if it would work, sung by a man, an octave below Donna Summers’ outstanding voice that we all know and love.

We did a test record and immediately knew we could bring something fresh to it, so I arranged it out from there. The whole song hangs on that repeating synth line, so all the other parts had to harmonise around that. We’re very happy with the result.

Russ T Rokk has again contributed his considerable talents to produce a mix that really slaps, and another Lo-fi, arty music video is in the pipeline.

We hope you enjoy listening, watching, and disco dancing to Burger Legs Joe featuring Andi’s take on ‘I Feel Love’.

The Bizarre World of Burger Legs Joe

In a world where people strive for a deep, meaningful, multidimensional existence, Burger Legs Joe stands for none of that. As shallow as his 2D appearance, staggering through life on legs of burger, too witless to realise how witless he is.

 The only child of Beefy Thighs Bill, and Betty Baguettes, they abandon their burger legged offspring at an early age outside a ‘specialist facility’, because “He just would not shut up!” Alas, thickness is a family trait, and after several weeks living in his pram in a McDonald’s car park, he became the poster boy of low res’ graphics, that for some reason, just won’t delete from your trash.

Adopted by the rich and famous, he studied music at a prestigious university, financed by his fancy benefactors. There he discovered his aptitude for breaking musical instruments, accidentally causing personal injury, and the spontaneous destruction of property. The University, low on playable instruments and high on medical pay outs, insisted Joe only use virtual instruments and graduated him early.

The avatar of an unidentified Music Producer, Burger Legs Joe is on a mission to restomod (restore and modernise) outstanding retro songs for your grooving pleasure.  Treasuring the essence of what makes each track so fabulous, they are re-energized to a modern perspective; weaving rhythms and melodies in BLJ’s distinctive ear grabbing style, that lingers in your head, and puts beats in your feet.

Mesmerised by the voice of friend and vocalist Andi Bracken; together they have set out on a journey to blow the dust off some of the great songs of the past.

 From bangers to ballads, and anything in between, Burger Legs Joe featuring Andi’s first restomod collection is The Love and Happiness Set Part 1, a quantum leap into reimagined retro joy. “We want to uplift our audience, so we naturally gravitate towards songs we love, that do that for us.”

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Gareth Koch & Martin Kennedy Release Album ‘Music In The Afterlife’

"Gareth Koch & Martin Kennedy Release Album ‘Music In The Afterlife’"

“Brian Eno meets Massive Attack and classical guitarist John Williams”

The idea of an afterlife has fired imaginations across cultures for millennia and is one of the earliest belief systems in recorded history. It is fascinating to consider that a type of identity or stream of consciousness might exist in the absence of the physical body.
In ‘Music In The Afterlife,’ Gareth Koch & Martin Kennedy have created a sound world which seeks to convey a continued existence taking place in the spiritual realm, or otherworld. In mythology there are phases through which the consciousness passes before arriving at a reward in the afterlife. The Koch/Kennedy songs, or pieces, reflect imagined states in which the protagonist journeys through the stages of waiting, trance, drifting, resignation & Elysium.

In their debut collaboration Viennese-trained classical musician Gareth Koch & ambient music specialist Martin Kennedy have created a unique sound world. Their compositions weave acoustic & electronic realms into a seamless fabric in which medieval, folk & electronic influences are entwined. If this melange is beginning to sound like an unholy brew nothing could be further from the truth. The pieces are deft, intuitive & hypnotic, drawing the listener into a reflective & profound listening experience.

In what is termed classical music (perhaps more aptly described as western art music) the earliest notated plainchants of around CE930 were centred on spirituality & belief in the afterlife. From this point onwards classical music evolved with a connection to an otherworld or divine, often embracing various mythologies. Ambient music came of age in the twentieth century in the era of electronic synthesisers, but its origin’s date back to French classical music composer Erik Satie. Satie pioneered a genre of music which emphasised tone & atmosphere, providing the ideal sonic environment for contemplation & spiritual reflection.

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Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’

"Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’"

Steve Kilbey & Martin Kennedy follow up their acclaimed album Jupiter 13 with the epic ‘The Strange Life of Persephone Nimbus’, a sprawling Pink Floyd-ish concept album that shimmers with darkly beautiful musical undercurrents, oblique lyrics and spooky spoken word pieces. It is the second chapter of an eventual trilogy.

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The album was recorded in Tasmania overlooking the ocean, peaceful and crystal calm one day, dark and stormy the next, a dynamic that inevitably worked its way into the music and lyrics.

Returning to the mixing desk is Simon Polinski (Paul Kelly, The Church, David Bridie, Stephen Cummings, Underground Lovers) who skilfully brings the story of Persephone Nimbus to life.

Steve Kilbey writes: ‘Persephone Nimbus was just an ordinary woman living an ordinary life, with a promising job at Eternity Incorporated. Until one day she was kidnapped by the Plutocracy.
There she reigned for 6 months of the year, a sad cold queen of the dark webbed world. But for 6 months of the year she was allowed to ascend to the Overworld with its marvellous technological illusions, and it’s towers that pierced the very sky. But on the first day of every autumn she must take the long staircase back down, down into the Plutocracy, with their frozen lakes and above them, a sky of iron.’

In 1981 a teenage Martin Kennedy stumbled upon Steve Kilbey and The Church at Tanelorn, an oddball old world meets new world music festival, and fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.

Forty one years later Martin and Steve find themselves working together on their sixth studio album, the epic The Strange Life of Persephone Nimbus. As ever with these two, the deal is simple: Martin writes the music and Steve writes the words. No argument, no egos, just a matter of pressing the record button. The results are an effective balancing of Kennedy’s haunting and melodic tunes with Kilbey’s mysterious, witty and intelligent lyrics, melded together by his heavenly voice. Martin keeps his teenage love of The Church out of the equation in fear of it skewing his songwriting but it’s there if you listen closely.

“Sumptuous meeting of Australian soundscaper and the head Churchman…Apart from having a voice of characterful cool poise and an imaginative lyrical lexicon, Kilbey can make a strong melodic song out of simple elements.” (MOJO)

“Occasionally side projects can be something really spectacular. This isn’t an album where you pick favorite songs – you simply immerse yourself in the whole lush experience. The good news is they’re recording a follow up” (Reverb magazine 4.5/5).

OUT NOW – on Foghorn/MGM CD and Digital

Vinyl LP to come early 2023

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Throwing Shapes Releases Single ‘Into The Void’

"Throwing Shapes Releases Single ‘Into The Void’"

The track begins slowly and builds with a fat bass line and fast beat. There is a duality between the slower chords and melodies, and the busy drums, that makes this track interesting and a little unique. This track is about meditation, diving deep ‘Into The Void’ of your own mind and soul.

Some slow piano begins this track with an almost ambient flavour, but wait. Full arpeggio keys, drums and bass hit hard creating a dance floor smash. There’s a breakdown back to the chilled vibe before stretching back into the frenetic uptempo vibe that is Throwing Shapes’ signature.

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About Throwing Shapes 

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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Throwing Shapes Releases Single ‘Mind Filter’

"Throwing Shapes Releases Single ‘Mind Filter’"

An up-tempo drum & bass track with an edge. A heavier rock vibe to this track with soaring synth lead lines and pumping rhythms – a fusion of rock and dance music. It’s about how we tell ourselves certain stories about our own lives, which aren’t always true. Sometimes they become an observation of life through a tinted glass or a ‘Filter’ for the ‘Mind’, distorting our view of the world and preventing us from seeing the truth of our own lives.

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About Throwing Shapes

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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Throwing Shapes Releases New Single ‘The Moment’

"Throwing Shapes Releases New Single ‘The Moment’"

This song is about seizing the moment, because life is happening now. But it’s also about mindfulness and the importance of being in the moment. As we generally spend 50% of the time thinking about the past and future. We’re only truely paying attention to what we are doing in our lives, half of the time.

Frantic auto filtered drums begin this track along with thick keyboard arpeggios. This resolves into a fast up-tempo backing track layered with clean and big piano and synth lines. Some vocoder vocals and funky guitars and bass bring this track home and add some top line hooks.

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Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia. Unique and forward thinking electronic music. With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilations and won growing interest from community radio, with air play around the country and some US stations.

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‘The Moment’ is out NOW May 13
Foghorn/MGM

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