Monster Taxi Releases Single ‘A Walking Stranger’

March 24, 2023

“A Walking Stranger” captures a musical journey. All one needs to do is sit back and close your eyes and allow the music to take you to a place of bliss. Every scene is heightened with this dream state musical experience. Whatever chaos there is in one’s day, can be escaped by the emotional beauty of “A Walking Stranger”. Monster Taxi brings us musical sophistication that is transforming and allowing us all to step outside of our world, if only for a short time, and experience inner peace and tranquility while providing a path for our own self-discovery.

“From the onset of “A Walking Stranger” by Monster Taxi you get this feeling you are about to take an adventure in time. Its ethereal synths captivate your imagination while its steady percussive rhythm moves you into another dimension. The flute and air like vibes keep you floating steadily through your mind with ever changing thoughts. As I listen to its 3:36 length I feel like I’ve been all around the universe. This is a true gem, and I can’t wait to hear more from this artist. Bravo!”

– Bill Kelly, Co-founder of Winter Music Conference

“Jason Klein and I go back a ways to when I was sharpening my teeth in the dance music world. It’s refreshing to see him now crossing into a genre that’s been a part of my hemisphere for decades with a groovy electronic tune.”

– Nicholas Gunn

About

Monster Taxi is the alter-ego of Miami music producer and keyboardist Jason Klein. Klein has worked on recordings for several major and indie artists including Mariah Carey, Ricky Martin, and Earth Wind & Fire.

From 1998-2001, he was partnered with famed Brazilian DJ Grego doing remixes and dance productions utilizing various Brazilian genres and latin house.

Before taking the moniker of Monster Taxi, Klein partnered with another Miami-based producer, Jason Wilkes, and opera singer, Kelly Alloco, as “Magic Sauce.” Magic Sauce remixed Franz Schubert’s “Ave Maria”, which charted on DJ Times and was featured in Billboard Magazine. After Ave Maria, Klein teamed with Manny Perez for the Don Manuel “Figaro” house music opera. His interest in classic music also led to his dance collaboration with Amy Barbera in releasing Amazing Grace.

In 2003, Klein produced the BMG US Latin/RCA Victor album, Beny Moré – The King of Son. The single, “Bonito y Sabrosa”, was a Latin radio and video hit, charting #1 on several stations. It made the Billboard chart on May 17, 2003 on the Tropical/Salsa airplay at #39, Klein’s first Billboard chart position.

He formed Monster Taxi and Toy Robot Records to license his own tracks to major labels. The Monster Taxi tunes, “Boogie Makes a Splash” and “Cosmic Love Juice”, were featured on a dance compilation for Ministry of Sound. He worked with Billboard charting dance singers such as Pepper Mashay (Cosmic Love Juice), Rachel Panay (Repeat Performance and Get Off), Jennifer Carbonell (Memory Wack), and Ray Guell (Love is the Answer).

Monster Taxi teamed up with members of the disco funk band, Foxy and re-recorded “Get Off”. The song featured original talk box guitars, funky bass lines, and Ish Ledesma on vocals. Mixes received heavy dance club play and airplay and it was even featured at sporting events.

Recent dance mixes from Monster Taxi include Miami Spice, Cluck Old Hen, Do the Hora, Motivate, Tank and the jazz song, Ocean Drive. In 2013, Klein remixed Universal Music Canada artists, Bet.e and Stef. He continues to remix songs including releases by Eddie Amador & Ultra Nate and Jenevieve X.

He currently re-masters compilations for Sony Music and Fania Records, along with doing a voice-over production for the Simpsons cartoon on Fox. Many of these albums have charted in Billboard Magazine during 2013 and 2014.

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Burger Legs Joe Releases Single ‘I Feel Love’

March 17, 2023

We love this song. I know we always say that, but we only choose songs we love, and hopefully pay homage to them.

Originally released in 1977, performed by Donna Summer, and co-written with Giorgio Moroder and Pete Bellotte, for me this track was the birth of modern trance music.

I wanted to restomod ‘I Feel Love’ because it’s such a great dance track. But we weren’t sure if it would work, sung by a man, an octave below Donna Summers’ outstanding voice that we all know and love.

We did a test record and immediately knew we could bring something fresh to it, so I arranged it out from there. The whole song hangs on that repeating synth line, so all the other parts had to harmonise around that. We’re very happy with the result.

Russ T Rokk has again contributed his considerable talents to produce a mix that really slaps, and another Lo-fi, arty music video is in the pipeline.

We hope you enjoy listening, watching, and disco dancing to Burger Legs Joe featuring Andi’s take on ‘I Feel Love’.

The Bizarre World of Burger Legs Joe

In a world where people strive for a deep, meaningful, multidimensional existence, Burger Legs Joe stands for none of that. As shallow as his 2D appearance, staggering through life on legs of burger, too witless to realise how witless he is.

The only child of Beefy Thighs Bill, and Betty Baguettes, they abandon their burger legged offspring at an early age outside a ‘specialist facility’, because “He just would not shut up!” Alas, thickness is a family trait, and after several weeks living in his pram in a McDonald’s car park, he became the poster boy of low res’ graphics, that for some reason, just won’t delete from your trash.

Adopted by the rich and famous, he studied music at a prestigious university, financed by his fancy benefactors. There he discovered his aptitude for breaking musical instruments, accidentally causing personal injury, and the spontaneous destruction of property. The University, low on playable instruments and high on medical pay outs, insisted Joe only use virtual instruments and graduated him early.

The avatar of an unidentified Music Producer, Burger Legs Joe is on a mission to restomod (restore and modernise) outstanding retro songs for your grooving pleasure. Treasuring the essence of what makes each track so fabulous, they are re-energized to a modern perspective; weaving rhythms and melodies in BLJ’s distinctive ear grabbing style, that lingers in your head, and puts beats in your feet.

Mesmerised by the voice of friend and vocalist Andi Bracken; together they have set out on a journey to blow the dust off some of the great songs of the past.

From bangers to ballads, and anything in between, Burger Legs Joe featuring Andi’s first restomod collection is The Love and Happiness Set Part 1, a quantum leap into reimagined retro joy. “We want to uplift our audience, so we naturally gravitate towards songs we love, that do that for us.”

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Gareth Koch & Martin Kennedy Release Album ‘Music In The Afterlife’

February 3, 2023

“Brian Eno meets Massive Attack and classical guitarist John Williams”

The idea of an afterlife has fired imaginations across cultures for millennia and is one of the earliest belief systems in recorded history. It is fascinating to consider that a type of identity or stream of consciousness might exist in the absence of the physical body.
In ‘Music In The Afterlife,’ Gareth Koch & Martin Kennedy have created a sound world which seeks to convey a continued existence taking place in the spiritual realm, or otherworld. In mythology there are phases through which the consciousness passes before arriving at a reward in the afterlife. The Koch/Kennedy songs, or pieces, reflect imagined states in which the protagonist journeys through the stages of waiting, trance, drifting, resignation & Elysium.

In their debut collaboration Viennese-trained classical musician Gareth Koch & ambient music specialist Martin Kennedy have created a unique sound world. Their compositions weave acoustic & electronic realms into a seamless fabric in which medieval, folk & electronic influences are entwined. If this melange is beginning to sound like an unholy brew nothing could be further from the truth. The pieces are deft, intuitive & hypnotic, drawing the listener into a reflective & profound listening experience.

In what is termed classical music (perhaps more aptly described as western art music) the earliest notated plainchants of around CE930 were centred on spirituality & belief in the afterlife. From this point onwards classical music evolved with a connection to an otherworld or divine, often embracing various mythologies. Ambient music came of age in the twentieth century in the era of electronic synthesisers, but its origin’s date back to French classical music composer Erik Satie. Satie pioneered a genre of music which emphasised tone & atmosphere, providing the ideal sonic environment for contemplation & spiritual reflection.

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Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’

October 27, 2022

Steve Kilbey & Martin Kennedy follow up their acclaimed album Jupiter 13 with the epic ‘The Strange Life of Persephone Nimbus’, a sprawling Pink Floyd-ish concept album that shimmers with darkly beautiful musical undercurrents, oblique lyrics and spooky spoken word pieces. It is the second chapter of an eventual trilogy.

ALBUM REVIEWS
http://bigtakeover.com/recordings/KilbeyKennedyTheStrangeCaseofPersephoneNimbusFoghorn

https://www.backseatmafia.com/album-review-steve-kilbey-the-church-and-martin-kennedy-all-india-radio-are-kilbey-kennedy-and-they-combine-forces-again-to-weave-their-aesthetically-jaw-dropping-sci-fi-sonic-magic/

The album was recorded in Tasmania overlooking the ocean, peaceful and crystal calm one day, dark and stormy the next, a dynamic that inevitably worked its way into the music and lyrics.

Returning to the mixing desk is Simon Polinski (Paul Kelly, The Church, David Bridie, Stephen Cummings, Underground Lovers) who skilfully brings the story of Persephone Nimbus to life.

Steve Kilbey writes: ‘Persephone Nimbus was just an ordinary woman living an ordinary life, with a promising job at Eternity Incorporated. Until one day she was kidnapped by the Plutocracy.
There she reigned for 6 months of the year, a sad cold queen of the dark webbed world. But for 6 months of the year she was allowed to ascend to the Overworld with its marvellous technological illusions, and it’s towers that pierced the very sky. But on the first day of every autumn she must take the long staircase back down, down into the Plutocracy, with their frozen lakes and above them, a sky of iron.’

In 1981 a teenage Martin Kennedy stumbled upon Steve Kilbey and The Church at Tanelorn, an oddball old world meets new world music festival, and fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.

Forty one years later Martin and Steve find themselves working together on their sixth studio album, the epic The Strange Life of Persephone Nimbus. As ever with these two, the deal is simple: Martin writes the music and Steve writes the words. No argument, no egos, just a matter of pressing the record button. The results are an effective balancing of Kennedy’s haunting and melodic tunes with Kilbey’s mysterious, witty and intelligent lyrics, melded together by his heavenly voice. Martin keeps his teenage love of The Church out of the equation in fear of it skewing his songwriting but it’s there if you listen closely.

“Sumptuous meeting of Australian soundscaper and the head Churchman…Apart from having a voice of characterful cool poise and an imaginative lyrical lexicon, Kilbey can make a strong melodic song out of simple elements.” (MOJO)

“Occasionally side projects can be something really spectacular. This isn’t an album where you pick favorite songs – you simply immerse yourself in the whole lush experience. The good news is they’re recording a follow up” (Reverb magazine 4.5/5).

OUT NOW – on Foghorn/MGM CD and Digital

Vinyl LP to come early 2023

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Throwing Shapes Releases Single ‘Into The Void’

July 29, 2022

The track begins slowly and builds with a fat bass line and fast beat. There is a duality between the slower chords and melodies, and the busy drums, that makes this track interesting and a little unique. This track is about meditation, diving deep ‘Into The Void’ of your own mind and soul.

Some slow piano begins this track with an almost ambient flavour, but wait. Full arpeggio keys, drums and bass hit hard creating a dance floor smash. There’s a breakdown back to the chilled vibe before stretching back into the frenetic uptempo vibe that is Throwing Shapes’ signature.

About Throwing Shapes

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia. Unique and forward thinking electronic music. With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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Throwing Shapes Releases Single ‘Mind Filter’

June 24, 2022

An up-tempo drum & bass track with an edge. A heavier rock vibe to this track with soaring synth lead lines and pumping rhythms – a fusion of rock and dance music. It’s about how we tell ourselves certain stories about our own lives, which aren’t always true. Sometimes they become an observation of life through a tinted glass or a ‘Filter’ for the ‘Mind’, distorting our view of the world and preventing us from seeing the truth of our own lives.

About Throwing Shapes

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Throwing Shapes Releases New Single ‘The Moment’

May 13, 2022

This song is about seizing the moment, because life is happening now. But it’s also about mindfulness and the importance of being in the moment. As we generally spend 50% of the time thinking about the past and future. We’re only truely paying attention to what we are doing in our lives, half of the time.

Frantic auto filtered drums begin this track along with thick keyboard arpeggios. This resolves into a fast up-tempo backing track layered with clean and big piano and synth lines. Some vocoder vocals and funky guitars and bass bring this track home and add some top line hooks.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilations and won growing interest from community radio, with air play around the country and some US stations.

‘The Moment’ is out NOW May 13
Foghorn/MGM

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Throwing Shapes Releases New Single ‘Repeating Patterns’

March 17, 2022 Leave a comment

It’s about the ‘Repeating Patterns’ of thinking and behaviour, that dominate our lives and determine how we feel, and the direction of our life. Sometimes we need to change those patterns in order to move forward and progress.

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia. Unique and forward thinking electronic music.With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilations and won growing interest from community radio, with air play around the country and some US stations.

Song Description

Repeating Patterns

Hi-energy EDM blasts into 2022 for Throwing Shapes new single, the first in a series. Classic beats, keys and bass synth combine with some hooky top line keys and there’s a bit of vocoder for good measure. The mix really pumps along and will get the dance floor jumping.

‘Repeating Patterns’ is out NOW March 4th
Foghorn/MGM

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The Insufferable Paul Scott – Tea and Medals

October 29, 2021 Leave a comment

Paul Scott unleashes his ‘Insufferable’ Persona on the airwaves once again this time with a long play album Tea and Medals created in and out of the 2 big Aussie lockdowns

When we asked the ‘Insufferable’ Paul Scott to send us an update to his bio below we got some straight to the point words such as: “Well it is simple really I am Inedible, Incorrigible , Indescribable , Incredible, Incoherent , Indigestible, Intellectual , Indistinguishable , Intractable.”

And when asked to comment on the new album he said – “you can take the album any way you like but to me it’s Inscrutable , Insoluble , International , Incorruptible, Inspirational , Instructional, Industrial ,Invaluable, Intangible and Individual”

Working with a host of collaborators/producers and mixers including: Steve Melville (The Tea Party, Paolo Nutini, Regurgitator), Tim Powles (The Church), a team based in Los Angeles and many others ‘Tea and Medals’ was born from a set of home demo’s written during lockdown in 2020. With the brief hiatus between the two NSW lockdowns, studio time was booked at various facilities including Damien Gerard’s on the Central Coast where a specific Re Amp procedure was added to some of tracks prior to final mixing. The overall finished album was then mastered by Grammy Winner William Bowden (Gotye, You Am I) at his hi-end luxury suite in Tasmania.

Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. More recently Scott has released ‘Surrender to Robots’ also under his ‘Insufferable’ moniker which found wide response and positive reviews which led to the creation of the new album Tea and Medals.
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The Insufferable Paul Scott – Tea and Medals is out NOW

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Jessie-May Kitchen releases new single Quirky

July 30, 2021 Leave a comment

Imagine being born one day on another planet.
Everybody on this planet was given detailed instructions and knowledge of how to speak the language and how the world works. The entire planet is designed for everybody’s relaxation, socialisation, and comfortability.
Everyone but yours.

Growing up it felt like I was ostracised by the entire world. I felt like I was a literal alien and didn’t belong. The loneliness that never leaves you, leads to years of questioning the why. Am I the protagonist of a movie to be mocked by an invisible audience? Am I the butt of some cosmic joke? This is the life of a neurodivergent child. This is me. A pop single written with my entire heart from the perspective of a neurodivergent individual trying to navigate a neurotypical world.

I was called many things when I was young – freak, loner, weirdo. It never truly stopped, but the language did shift as I got older, once difference became more socially acceptable. Instead of calling me a weirdo on the playground, I would always get the sceptical phrase, “haha… you are.. QUIRKY… Aren’t you…?”

The relief and confidence I felt when discovering I’m okay, I’m not broken – my brain just works differently, was life changing! I hope Quirky can bring representation, comfort and celebration to the wonderful neurodivergent community. Branching further into the pop genre is something I’ve always wanted to do and Quirky was the perfect chance to do it!

Quirky contains fast paced electronic beats, funky bass, whacky harmonies and the message – it never hurt to be Quirky! I want to thank Jordan for the electronic instrumentals, Russel Pilling and Andrew Beck for recording, mixing and mastering this project and of course Marshall Cullen for producing and always believing in me.

Song Description
This is a new more pop direction for Jessie May Kitchen. Up-tempo, programmed backing, ‘quirky’ keys, bass and guitar and some very ‘now’ vocal fx all go together to make this song a real winner for pop radio.

Jessie May Kitchen – Quirky is out NOW through Foghorn/MGM

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Tag: Electronic