Gareth Koch Releases New Solo Album ‘Saladin’s Dream’

July 9, 2021 Leave a comment

Soundslikecafe is proud to present this brilliant new Instrumental World Music/Classical album as our latest feature release

Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing. He has appeared at major festivals within Australia, Europe, Asia and North America.
Gareth is involved with many cross genre projects. Over the past two years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church). Earlier this year a third collaboration with Steve saw the release of ‘The Hall of Counterfeits’.

On his new solo project, ‘Saladin’s Dream’, Gareth explores the fanciful notion of Saladin’s dreamworld – his unconscious desires and wishes.  Saladin (1137-1193) was a warrior/sultan & ruler of Egypt, best known for his war against Christian Crusaders and the capture of Jerusalem.
Dreams and their significance in waking life are an enduring source of mystery.  On this album Saladin is visited nightly by ancient gods, bringing with them their harps & music of the underworld.  He then spirals into the mayhem of dark assignations with a succubus before veering into the chaos of an Egyptian bazaar. In his free-flowing dreams Saladin embarks on a surreal journey into the future, encountering Macbeth’s witches and their cats.
The album meanders effortlessly through a landscape of goatherds, ancient cities and other worlds.  Saladin’s Dream can be seen as a synthesis of Gareth’s musical journeys, ranging from classical, flamenco, medieval, folk & rock, flowing seamlessly into the realm of free experimentation & creativity.

Tracklist

Song Descriptions
Bazaar
This soundscape like track takes you to the Middle Eastern Markets of The Silk Road in ancient times. With oud’s, guitars, hand percussion, even some calls to prayer like wailing this truly evokes a time and place – think The Arabian Knights put to music.

Saladin’s Dream
The title track to this new album by Gareth Koch, exactly half down the track order it creates a neat bridge from some of the more eastern sounds into what we may term more classical ones. Some beautiful guitar melodies layered onto backing that includes resonating vocal textures.

The Nefarious Goatherd
Belying the tongue in cheek title this song moves along at a good pace and includes some solid bass and low-end percussion that keeps up the pace nicely. With similar instrumentation to the album – background vocal layers, stringed instruments over the bass and percussion elements.

Saladin’s Dream is OUT TODAY July 9th – via MGM
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Sensitive Chaos Releases New Album ‘Closer to Home’

May 7, 2021 Leave a comment

Soundsliekcafe Proudly presents this brilliant set of tunes for our new feature album all the way from the USA

Sensitive Chaos is the solo project of composer/synthesist/producer Jim Combs, a collaborative music project with ambient, world, electronic, jazz, found sound, and down-tempo chillout vibes.

Sensitive Chaos compositions use live looping improvisation, and most songs have their genesis in live performances or from live recordings.

Building on a massively successful 15-year run of worldwide airplay, live concerts, and festival appearances – as well as multiple award considerations from Zone Music Reporter and One World Music Radio to the Grammys – Sensitive Chaos proudly presents its 11th release: Closer to Home.

A selection of the tracks from this new release were chosen for cafe play,

from mid-tempo jazzy beat instrumental to more ambient sounds:

Some videos to checkout below

Fauna Funk Fusion – (click below to watch video)

Snow Laughing Matter(click below to watch video)

Fast Driving Open Road(click below to watch video)

Watching Embers Glow(click below to watch video

As Night Unfolds(click below to watch video)

Official site: https://sensitivechaos.com

GARETH KOCH feat. SHEYANA New Single I ONLY WANNA BE WITH YOU

February 10, 2021 Leave a comment

FOG536 Gareth Koch Only Wanna Be With You 3000px

Great songs tend to resurface on a regular basis. Composed by Mike Hawker & Ivor Raymonde, ‘I Only Want to Be with You’ was the debut solo single released in 1964 by British singer Dusty Springfield.

Since then the song has been the subject of countless remakes, usually up-tempo versions, used seemingly as a vehicle to break emerging artists into the music industry. It’s an old trick but a good one to use a successful song in this manner.

Gareth Koch & Sheyana have adopted a completely different approach in their interpretation. The central idea was to delve into the core sentiment of the song & to reveal what might lie within. Simmering under the surface of what is generally considered an up-beat pop song lurked something more profound. This recording reveals a poignantly heartfelt, almost bluesy interpretation, laced with classical guitars combined with plaintive dobro/slide guitar.

The companion piece is Gareth’s instrumental version of Steve Kilbey’s ‘Think of You’. Released originally in 2020 on Steve’s ‘Eleven Women’ album (featuring Gareth on keyboard, bass & classical guitar), the depth of writing lends itself to a non-vocal version. Similar instrumentation is used on both tracks: National Baritone Guitar, Classical Guitar & Hofner Bass Guitar.

Featuring the vocals of Shey from The Sheyana Band, this beautiful acoustic version of the timeless classic melds the classical influences of Koch’s guitar with Shey’s striking voice. Think Tuck and Patti.

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Throwing Shapes EP Tranquility Base review

July 30, 2020 Leave a comment

Tranquility Base

(reviewed by Adam Jones (July 2020))

At its base we find tranquil synths, but as a whole our ears are assaulted with the addition of some enchanting bass and drum electronic grooves. The fourth EP (since 2013) ‘Tranquility Base’ from Throwing Shapes, the innovative and progressive Perth dance music duo – Fox Shannon and Matt Huxtable – delivers some frenetic beats over melodic stylings using piano, bass and some powerful synthesised sounds.

This instrumental dance outfit are known for their energetic and captivating live shows as they garner more interest and entries in dance music compilation albums and Spotify Playlists. From the opening title track through to the moody closer, Throwing Shapes are ‘Defiant, Yet At Your Mercy’, with five solid tracks given some cool titles, such as ‘Wonders To Behold’, ‘Demons Run’ and ‘Marauder’!

These guys are to electronic dance music today what Pink Floyd was to progressive rock back in the late 60s and 70s, providing some creative, moving and beautiful melodic sounds over some of the best bass’n’drum electronic beats you will ever hope to find.

Whether you want to indulge your aural senses at home, in the car, or down the club, with some superior quality dance music, go no further than Throwing Shapes and their latest offering. It will be worth it!

Listen NOW!!

Fiona Joy Hawkins New Album Moving Through Worlds

July 15, 2020 Leave a comment

Fiona Joy Hawkin’s Presents New Album and Video
Moving Through Worlds

As the Australian Bushfires crept toward her rural home, Fiona Joy Hawkins turned to her Stuart & Sons piano to do what has always bought her solace: writing music. After crafting 4 songs that she later marketed as fundraisers for firefighters and wildlife rescue – and which are included on this album – she began final preparations on Moving Through Worlds.

Although she began recording and conceptualizing the album three years ago, one could say it is an album 44-years in the making. One of the more classical-crossover pieces is “For the Roses” which a 12-year-old Fiona wrote for her Grandmother’s funeral.

Fiona says, “I believe music is a gift from another world, from ancestors of the past communicating to inspire and give us hope. Music is a universal language that connects us without prejudice, it speaks to us all equally, yet is received with great variation. My wish is to open a few more hearts to the power of music. Now more than ever we need the connection to our past to find the pathway to our future.”

The 14-track album was beautifully produced by Will Ackerman (Founder Windham Hill Records) and Tom Eaton. As per her usual style, Fiona defies genre by bringing Classical, Contemporary Piano, and New Age instrumentals together to create something uniquely her own, and reflective of all the worlds that she has moved through so elegantly while this powerful music gathered in her soul.

Fiona Joy Hawkins is an Australian Pianist, Composer and Singer who enjoys and regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona Joy Hawkins is best known for her romantic, melodic songs and lush arrangements. A prolific composer, she has always been interested in creating music that evokes images, emotions and tells stories.

Fiona Joy is known for ‘Grace’, her song on a Grammy Winning album in 2014 and for her extensive catalogue produced by Will Ackerman (Founder Windham Hill Records). In 2016 she won two categories of the Independent Music Awards at the Lincoln Centre in New York and has been awarded Best Piano Album by International Radio (ZMR Awards) for several of her albums. Nominated alongside Pete Seeger for Best LIVE Performance Album in the Independent Music Awards,Fiona was an ARIA Finalist in Australia in 2008. Fiona works with Australian piano maker Stuart and Sons, and has several albums with Blue Coast Records (content partners with Sony Music for hi-resolution releases).

Watch the Video (Premiered on Scenstr) for Calling County Clare here

In the case of Fiona Joy Hawkins’ latest collection Moving Through Worlds, there are glorious exceptions where it’s not hyperbole in any sense and fits today, tomorrow and for all…let’s just say I can’t imagine there ever being a time in the future when listening to this deeply personal, socially conscious, stylistically expansive 14-track musical narrative would grip me any less than it does today, in the midst of world gone mad 2020. – Jonathan Widran, JWVibe

“Moving Through Worlds” is OUT NOW (July 7) via Little Hartley Music.

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Fiona Joy Hawkins’ New Single and Video

June 29, 2020 Leave a comment

Fiona Joy Hawkin’s Presents New Single and Video
Calling County Clare

Music for this moment… A piano journey that finds joy. Calling County Clare is the first track on Fiona Joy’s upcoming album Moving Through Worlds due out 7 July. Calling County Clare is a Celtic dance and joyful celebration featuring piano with Irish Whistle, guitars, accordion and rhythm. In the video Fiona is standing on the shores of Town Beach at Port Macquarie and calling to the shores of Ireland. There’s some really beautiful drone footage of the Irish coast throughout the video shot specifically for the clip.

Watch the Video (Premiered last week on Scenstr) for Calling County Clare here

Blue Coast owner/producer Cookie Marenco says, “Fiona’s melodic solo piano and masterful performances are the perfect music to debut the kind of clarity double DSD audio brings to the home listener,”

“One of the brightest lights in contemporary instrumental music, Fiona Joy is poised to move into stardom,” -Will Ackerman, Founder of Windham Hill Records

“Calling County Clare” is OUT NOW via FOGHORN/MGM.

Streaming “Calling County Clare”
Stream on Spotify
Stream on Bandcamp
Stream on Apple Music

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For further information, Files, CD and Interview Requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

Fiona Joy Hawkins – Calling County Clare(Official)

June 24, 2020 Leave a comment

Tim Walker’s New Album Bridge of Angels

April 3, 2020 Leave a comment

Ex-Sydney singer-songwriter Tim Walker moved back to his hometown of Adelaide earlier this year and immediately began recording this new album, his first for a while.

The album was inspired by a recent trip to Europe, where Tim was struck by a culture saturated with centuries of spiritual and religious symbols, strivings and sentiments. The new album has more universal themes than his first (Fellow Traveller), which was very Sydney-oriented.

Beginning in folk, he went into a country rock act, and now is a prolific soloist, doing gigs around Adelaide. He was a regular on the Sydney live circuit and played at several NSW festivals. He found a SA recording studio in Grange this year, and immediately began laying down tracks according to a careful plan, devised over many months.

Track list with Descriptions:

On The Bridge (a prelude): This is a crossroad, of civilisation, of history, the course of your own life, a juncture, a leap. The “bridge” refers to Rome’s Bridge of Angels of the album’s title, which is lined with 10 angels and overlooked by a castle, on the River Tiber. A short classical piece, it provides the thematic underpinning of the entire album – a beautiful, floating spark of hope and redemption for a world in flux.
The Loving Arms (those we love): The race is on from the day you are born as time and love play off against each other, and the kindness of strangers. The real currency of life, more valuable than gold or silver, never to be taken for granted.
Every Story Tells a Picture (the plague): With 7.8 billion people on Earth and millions more being added every year, we are running out of everything, including our humanity and our judgement.
Mirror of Love (a reflection):A photograph can lie, but love cannot lie. It is the ultimate mirror.
Red Velvet Chair (a friend in need): When you sit in this chair you tell the truth, and the truth is told to you. It’s the advice of a friend, the helping hand. But hey, you can have some fun with it too!
Streets of Rome (eyes are opened): The ancient capital was no stranger to the album’s themes. Without the benefit of science, its original citizensinvented their own answers to life, preserved today with respect and awe, embedded in every stone of the city. And they had to deal with the same spiritual questions as us. Rome was therefore the accidental epicentre of the album.
The Bolshie Swing (the dance): Time for a break. This track started off as a playful riff and expanded into a mini-orchestra, was left on the shelf for a while, then rushed into action as track 7. It was the understudy.
Face Without a Name (stare inside): Ultimately we are just one of the crowd. It’s a big world and that crowd is made up of billions. Not often can we roar; more often at most we can squeak. Not invisible -but maybe only a “hill of beans”, as Bogart said in one of his films.
Fly into the Sunrise (flying home): You have been away, seen many things. Now you wing your way on a long flight home, from the nighttime behind (the past) to the sunrise ahead (the future). The huge jet streams past, its passengers look out and simultaneously look in, through half-asleep eyes; the moment is sublime.
Star (inspiration): Maybe it’s love at first sight; maybe it’s the inspiration that keeps alive a distant flame. Perhaps it’s fate.

Listen on your favourite platform:

New March Playlist

March 23, 2020 Leave a comment

Our new additions and playlist changes for March include new releases from Karissa, Fiona joy and Throwing Shapes as well as tunes lifted from current albums by Graham Gouldman, The Mezcaltones, Steve Kilbey, Gareth Koch and more.

Steve Kilbey / Gareth Koch – ‘Stay Where You are’ (from the album Chryse Planitia)
Big Merino – ‘I Lay Me Down (2020 Remix)’ (remix single from the album Sweet Little Angel)
Graham Gouldman – ‘Standing Next To Me’ (from the album Modesty Forbids)
Karissa – ‘Utopian Coma’ (from the album Light at the End of Darkness)
Park Haven – ‘Take Cover’ (single)
Fiona Joy Hawkins – ‘Bushfire Moon’ (single)
The Mezcaltones – ‘Shango’s Surfwaxxx’ (from the album Mexican Hillbilly Surf Music)
Throwing Shapes – ‘Tranquility Base’ (from the album Tranquility Base)

Have a listen to all these songs on Our Soundslikecafe Digital Playlist On Spotify: https://open.spotify.com/playlist/5r0hsdTsV5N3aZAXUWt6r2?si=FcW9kDa4RcCWwF980x2Iaw

REBECCA DANIEL AND FIONA JOY HAWKINS – THE LIGHTNESS OF DARK

August 2, 2019 Leave a comment

REBECCA DANIEL AND FIONA JOY HAWKINS JOIN FORCES TO CREATE THE LIGHTNESS OF DARK –A POWERFUL MUSICAL EXPLORATION OF LOSS, MOURNING AND FINDING BEAUTY AMIDST LIFE’S SADNESS

Blending New Age and Contemporary Classical Crossover Music, Daniel (Violin/Voice/Piano) and Hawkins (Piano/Voice) Will Be Supporting Their Cathartic and Healing 11 Track Album With A Tour in Fall 2019

Leonard Cohen once said, “There is a crack in everything, that’s how the light gets in.”

Australian instrumentalists Rebecca Daniel and Fiona Joy Hawkins place this insight on the back cover of The Lightness of Dark to illuminate their creative and spiritual vision behind the project –their first dual album after many years of live and studio collaborations. The two explore the many facets of life and loss, the search for something positive in the crippling shadows and the potential beauty that can emerge from mourning and sadness

The Lightness of Dark weaves its lush, cathartic narrative via music with varying instrumentation depending on the emotions the two are expressing. The opening track “Heavenly Voices” blends string quartet (featuring The Kanimbla Quartet)with organ, piano and vocals. Other tracks feature solo piano (“Ghosts, Insanity, Angels”), piano/violin duet (“Elegy”), piano with quartet pads (“Lake of Contemplation”), string quartet only (“Interwoven Threads of Chance”), string quartet featuring piano (“Empty Moments”) and other combinations uniquely fitted for the compositions they imbue.

“We believe our album will connect with everyone because we all experience loss in varying forms,” Fiona says. “It can be the loss of youth, a loved one, a pet, your health…Life changing events where we are left to mourn because of loss. People only face their own issues when you lead them to a safe place to do this.”

Rebecca and Fiona have enjoyed a long history of collaborations and are looking forward to working with renowned Australian Producer Llew Kiek. They have performed over 50 concerts together including at the Sydney Opera House for the 2012 MusicOz Awards, New Orleans for 2014 ZMR Awardsand 2017 Sydney Women’s International Jazz Festival-and Rebecca has appeared on nearly every one of Fiona’s solo albums. The two have played together as part of Fiona’s Blue Dream Ensemble, and Rebecca produced the group’s album Live at the Q.

Rebecca Daniel studied violin and chamber music with Emanuel Hurwitz and the Amadeus String Quartet at The Royal Academy of Music. She worked withTrevor Pinnock and Simon Standage, and The Australian Chamber Orchestra, and was Orchestra Leader for Les Misérables, Phantom of the Opera, The Sound of Music and Beauty and the Beast. She has recorded and performed with, John Denver, Bread, James Galway and the Chieftains, Will Ackerman, Shirley Bassey, Barbra Streisand, Men at Work and INXS.

Fiona Joy Hawkins, a Conservatorium-trained pianist, renowned for her romantic, melodic songs and lush arrangements, is a prolific composer who regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona’s song “Grace’ is on a 2014 Grammy Winning album, and in 2016 she won two Independent Music Awards at the Lincoln Centre in New York. She has several Best Piano Album ZMR Awards and has worked with Producer Will Ackerman (Founder Windham Hill Records and Cookie Marenco (Blue Coast Records) for hi-resolution audiophile recordings.

Soundslikecafe is proud to feature this brilliant album and the leading single Elegy appears on the July Playlist.

Checkout the entire album here

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