Fiona Joy Hawkins New Album Moving Through Worlds

July 15, 2020 Leave a comment

Fiona Joy Hawkin’s Presents New Album and Video
Moving Through Worlds

As the Australian Bushfires crept toward her rural home, Fiona Joy Hawkins turned to her Stuart & Sons piano to do what has always bought her solace: writing music. After crafting 4 songs that she later marketed as fundraisers for firefighters and wildlife rescue – and which are included on this album – she began final preparations on Moving Through Worlds.

Although she began recording and conceptualizing the album three years ago, one could say it is an album 44-years in the making. One of the more classical-crossover pieces is “For the Roses” which a 12-year-old Fiona wrote for her Grandmother’s funeral.

Fiona says, “I believe music is a gift from another world, from ancestors of the past communicating to inspire and give us hope. Music is a universal language that connects us without prejudice, it speaks to us all equally, yet is received with great variation. My wish is to open a few more hearts to the power of music. Now more than ever we need the connection to our past to find the pathway to our future.”

The 14-track album was beautifully produced by Will Ackerman (Founder Windham Hill Records) and Tom Eaton. As per her usual style, Fiona defies genre by bringing Classical, Contemporary Piano, and New Age instrumentals together to create something uniquely her own, and reflective of all the worlds that she has moved through so elegantly while this powerful music gathered in her soul.

Fiona Joy Hawkins is an Australian Pianist, Composer and Singer who enjoys and regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona Joy Hawkins is best known for her romantic, melodic songs and lush arrangements. A prolific composer, she has always been interested in creating music that evokes images, emotions and tells stories.

Fiona Joy is known for ‘Grace’, her song on a Grammy Winning album in 2014 and for her extensive catalogue produced by Will Ackerman (Founder Windham Hill Records). In 2016 she won two categories of the Independent Music Awards at the Lincoln Centre in New York and has been awarded Best Piano Album by International Radio (ZMR Awards) for several of her albums. Nominated alongside Pete Seeger for Best LIVE Performance Album in the Independent Music Awards,Fiona was an ARIA Finalist in Australia in 2008. Fiona works with Australian piano maker Stuart and Sons, and has several albums with Blue Coast Records (content partners with Sony Music for hi-resolution releases).

Watch the Video (Premiered on Scenstr) for Calling County Clare here

In the case of Fiona Joy Hawkins’ latest collection Moving Through Worlds, there are glorious exceptions where it’s not hyperbole in any sense and fits today, tomorrow and for all…let’s just say I can’t imagine there ever being a time in the future when listening to this deeply personal, socially conscious, stylistically expansive 14-track musical narrative would grip me any less than it does today, in the midst of world gone mad 2020. – Jonathan Widran, JWVibe

“Moving Through Worlds” is OUT NOW (July 7) via Little Hartley Music.

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Fiona Joy Hawkins’ New Single and Video

June 29, 2020 Leave a comment

Fiona Joy Hawkin’s Presents New Single and Video
Calling County Clare

Music for this moment… A piano journey that finds joy. Calling County Clare is the first track on Fiona Joy’s upcoming album Moving Through Worlds due out 7 July. Calling County Clare is a Celtic dance and joyful celebration featuring piano with Irish Whistle, guitars, accordion and rhythm. In the video Fiona is standing on the shores of Town Beach at Port Macquarie and calling to the shores of Ireland. There’s some really beautiful drone footage of the Irish coast throughout the video shot specifically for the clip.

Watch the Video (Premiered last week on Scenstr) for Calling County Clare here

Blue Coast owner/producer Cookie Marenco says, “Fiona’s melodic solo piano and masterful performances are the perfect music to debut the kind of clarity double DSD audio brings to the home listener,”

“One of the brightest lights in contemporary instrumental music, Fiona Joy is poised to move into stardom,” -Will Ackerman, Founder of Windham Hill Records

“Calling County Clare” is OUT NOW via FOGHORN/MGM.

Streaming “Calling County Clare”
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For further information, Files, CD and Interview Requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

Fiona Joy Hawkins – Calling County Clare(Official)

June 24, 2020 Leave a comment

Tim Walker’s New Album Bridge of Angels

April 3, 2020 Leave a comment

Ex-Sydney singer-songwriter Tim Walker moved back to his hometown of Adelaide earlier this year and immediately began recording this new album, his first for a while.

The album was inspired by a recent trip to Europe, where Tim was struck by a culture saturated with centuries of spiritual and religious symbols, strivings and sentiments. The new album has more universal themes than his first (Fellow Traveller), which was very Sydney-oriented.

Beginning in folk, he went into a country rock act, and now is a prolific soloist, doing gigs around Adelaide. He was a regular on the Sydney live circuit and played at several NSW festivals. He found a SA recording studio in Grange this year, and immediately began laying down tracks according to a careful plan, devised over many months.

Track list with Descriptions:

On The Bridge (a prelude): This is a crossroad, of civilisation, of history, the course of your own life, a juncture, a leap. The “bridge” refers to Rome’s Bridge of Angels of the album’s title, which is lined with 10 angels and overlooked by a castle, on the River Tiber. A short classical piece, it provides the thematic underpinning of the entire album – a beautiful, floating spark of hope and redemption for a world in flux.
The Loving Arms (those we love): The race is on from the day you are born as time and love play off against each other, and the kindness of strangers. The real currency of life, more valuable than gold or silver, never to be taken for granted.
Every Story Tells a Picture (the plague): With 7.8 billion people on Earth and millions more being added every year, we are running out of everything, including our humanity and our judgement.
Mirror of Love (a reflection):A photograph can lie, but love cannot lie. It is the ultimate mirror.
Red Velvet Chair (a friend in need): When you sit in this chair you tell the truth, and the truth is told to you. It’s the advice of a friend, the helping hand. But hey, you can have some fun with it too!
Streets of Rome (eyes are opened): The ancient capital was no stranger to the album’s themes. Without the benefit of science, its original citizensinvented their own answers to life, preserved today with respect and awe, embedded in every stone of the city. And they had to deal with the same spiritual questions as us. Rome was therefore the accidental epicentre of the album.
The Bolshie Swing (the dance): Time for a break. This track started off as a playful riff and expanded into a mini-orchestra, was left on the shelf for a while, then rushed into action as track 7. It was the understudy.
Face Without a Name (stare inside): Ultimately we are just one of the crowd. It’s a big world and that crowd is made up of billions. Not often can we roar; more often at most we can squeak. Not invisible -but maybe only a “hill of beans”, as Bogart said in one of his films.
Fly into the Sunrise (flying home): You have been away, seen many things. Now you wing your way on a long flight home, from the nighttime behind (the past) to the sunrise ahead (the future). The huge jet streams past, its passengers look out and simultaneously look in, through half-asleep eyes; the moment is sublime.
Star (inspiration): Maybe it’s love at first sight; maybe it’s the inspiration that keeps alive a distant flame. Perhaps it’s fate.

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New March Playlist

March 23, 2020 Leave a comment

Our new additions and playlist changes for March include new releases from Karissa, Fiona joy and Throwing Shapes as well as tunes lifted from current albums by Graham Gouldman, The Mezcaltones, Steve Kilbey, Gareth Koch and more.

Steve Kilbey / Gareth Koch – ‘Stay Where You are’ (from the album Chryse Planitia)
Big Merino – ‘I Lay Me Down (2020 Remix)’ (remix single from the album Sweet Little Angel)
Graham Gouldman – ‘Standing Next To Me’ (from the album Modesty Forbids)
Karissa – ‘Utopian Coma’ (from the album Light at the End of Darkness)
Park Haven – ‘Take Cover’ (single)
Fiona Joy Hawkins – ‘Bushfire Moon’ (single)
The Mezcaltones – ‘Shango’s Surfwaxxx’ (from the album Mexican Hillbilly Surf Music)
Throwing Shapes – ‘Tranquility Base’ (from the album Tranquility Base)

Have a listen to all these songs on Our Soundslikecafe Digital Playlist On Spotify: https://open.spotify.com/playlist/5r0hsdTsV5N3aZAXUWt6r2?si=FcW9kDa4RcCWwF980x2Iaw

REBECCA DANIEL AND FIONA JOY HAWKINS – THE LIGHTNESS OF DARK

August 2, 2019 Leave a comment

REBECCA DANIEL AND FIONA JOY HAWKINS JOIN FORCES TO CREATE THE LIGHTNESS OF DARK –A POWERFUL MUSICAL EXPLORATION OF LOSS, MOURNING AND FINDING BEAUTY AMIDST LIFE’S SADNESS

Blending New Age and Contemporary Classical Crossover Music, Daniel (Violin/Voice/Piano) and Hawkins (Piano/Voice) Will Be Supporting Their Cathartic and Healing 11 Track Album With A Tour in Fall 2019

Leonard Cohen once said, “There is a crack in everything, that’s how the light gets in.”

Australian instrumentalists Rebecca Daniel and Fiona Joy Hawkins place this insight on the back cover of The Lightness of Dark to illuminate their creative and spiritual vision behind the project –their first dual album after many years of live and studio collaborations. The two explore the many facets of life and loss, the search for something positive in the crippling shadows and the potential beauty that can emerge from mourning and sadness

The Lightness of Dark weaves its lush, cathartic narrative via music with varying instrumentation depending on the emotions the two are expressing. The opening track “Heavenly Voices” blends string quartet (featuring The Kanimbla Quartet)with organ, piano and vocals. Other tracks feature solo piano (“Ghosts, Insanity, Angels”), piano/violin duet (“Elegy”), piano with quartet pads (“Lake of Contemplation”), string quartet only (“Interwoven Threads of Chance”), string quartet featuring piano (“Empty Moments”) and other combinations uniquely fitted for the compositions they imbue.

“We believe our album will connect with everyone because we all experience loss in varying forms,” Fiona says. “It can be the loss of youth, a loved one, a pet, your health…Life changing events where we are left to mourn because of loss. People only face their own issues when you lead them to a safe place to do this.”

Rebecca and Fiona have enjoyed a long history of collaborations and are looking forward to working with renowned Australian Producer Llew Kiek. They have performed over 50 concerts together including at the Sydney Opera House for the 2012 MusicOz Awards, New Orleans for 2014 ZMR Awardsand 2017 Sydney Women’s International Jazz Festival-and Rebecca has appeared on nearly every one of Fiona’s solo albums. The two have played together as part of Fiona’s Blue Dream Ensemble, and Rebecca produced the group’s album Live at the Q.

Rebecca Daniel studied violin and chamber music with Emanuel Hurwitz and the Amadeus String Quartet at The Royal Academy of Music. She worked withTrevor Pinnock and Simon Standage, and The Australian Chamber Orchestra, and was Orchestra Leader for Les Misérables, Phantom of the Opera, The Sound of Music and Beauty and the Beast. She has recorded and performed with, John Denver, Bread, James Galway and the Chieftains, Will Ackerman, Shirley Bassey, Barbra Streisand, Men at Work and INXS.

Fiona Joy Hawkins, a Conservatorium-trained pianist, renowned for her romantic, melodic songs and lush arrangements, is a prolific composer who regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona’s song “Grace’ is on a 2014 Grammy Winning album, and in 2016 she won two Independent Music Awards at the Lincoln Centre in New York. She has several Best Piano Album ZMR Awards and has worked with Producer Will Ackerman (Founder Windham Hill Records and Cookie Marenco (Blue Coast Records) for hi-resolution audiophile recordings.

Soundslikecafe is proud to feature this brilliant album and the leading single Elegy appears on the July Playlist.

Checkout the entire album here

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Inside the Secretly Lucrative World of Solo Piano Music – from Rolling Stone

November 8, 2018 Leave a comment

Thanks to streaming, a small cadre of independent solo pianists are making a killing.

By ELIAS LEIGHT

On October 3rd, Michele McLaughlin got some exciting news: Her music has been streamed over one billion times.

Young artists in popular genres are racking up streams like crazy these days — presumably McLaughlin is an ascendant rapper releasing 90-second battering rams through SoundCloud? Or maybe she’s the guest vocalist on the latest reggaeton posse cut to rule YouTube?

Nope: McLaughlin is an independent artist in her forties who makes contemporary instrumental solo piano music. She’s a star in her field — to the point where another pianist says, “I’m not quite doing Michele McLaughlin numbers” — reportedly making around $250,000 a year. And she’s not alone. “We have a large group of solo piano players that are making a killing, making $7,000 to $10,000 a month,” says Kevin Breuner, VP of Marketing for CDBaby, which touts itself as “the largest global digital distributor of independent music.”

“Some of them are making far more money from their music than the artists than you see on major labels that sell OK but are not crossing the threshold of really having an income stream for years to come,” Breuner continues. “These piano players have cracked that.”

That’s thanks to the rise of streaming services and an accompanying shift in listening habits. “It used to be that, to get signed, it had to be something that somebody thought they could sell to a mass market,” Breuner explains. “But now, music gets used in so many different ways. When we dug a little deeper, this particular genre group and a lot of other genres that tend to be mellow and instrumental perform really well on streaming — there are a lot of dentist offices, a lot of work-office environments where people are putting on quiet, soothing music in the background and just letting it play.”

“I had someone ask me the other day, ‘Are you OK with being known as sleepy music?’” says Chad Lawson, another successful solo pianist. “I think he was trying to take a jab in a roundabout way. But I said, ‘Yeah, I really am.’ I have a running joke: Don’t listen to my music while you’re driving. It needs to have a warning sticker: Do not operate heavy machinery while listening to this.”

Read the rest of the article here at Rolling Stone.

and be sure to check out some of the stellar solo piano albums on our featured page from artists such as Fiona Joy Hawkins, Rachel Lafond, Andy Iorio and Loren Evarts.

Tailor Birds – WHERE WILL WE GO TO BREAK FREE FROM THE CROWS

October 2, 2018 Leave a comment

tailor birds-crows-Artwork high resnewWEB

To be released Friday October 5 Soundslikecafe is proud to feature this excellent new album from Tailor Birds

WHERE WILL WE GO TO BREAK FREE FROM THE CROWS

Australian Release October 5
and tour dates to follow

Sophie Kinston is Tailor Birds.
Tailor Birds newest album is music that soothes the soul, warms the spirit, and ignites your passion.
Even though the content is 6 songs they are each a 7-10 minute ‘Piece’ forming an album length body of work. Following the success of the previous work ‘Stilts on the Water’ (a single 40 minute piece) this release explores further electro/folk/world territory with more instrumentation such as Piano and Flute added to the already lush soundscape. Recorded in various studios throughout Europe while on tour and mixed and mastered at Damien Gerard Studios Sydney the sonic quality is exceptional.

In Sophie’s own words“Tailor Birds combines electronic violin, live looping, foley art, percussion, and rich harmonised vocals, to create a sound like no other. A sound that is all about the vibe and positive energy, building an audience that is as diverse as much as it is one, you could say that Sophie is a traveling troubadour. She believes that music should not just be about playing one gig after another with just the music making an impact, but is also o about connecting people to something good again, in a world that is constantly changing. Music needs to inspire and placing Tailor Birds in a space that can do just that, it makes an impact greater than you could ever imagine.”

Checkout Sophie’s Toyota Hi Ace Rebuild to a touring home and stage now at 775 000 views

Tailor Birds is currently touring through Australia and Europe

“Faint echoes of Kate Bush here, Enya there but really like neither and often much spookier”
–Michael Smith – Rhythms Magazine

Tailor Birds’ key influences are Sigur Ros, the Kronos Quartet, Bear’s Den, Chet Faker and more.
-=Sophie Kinston

Connect with Tailor Birds
Website
http://www.tailorbirdsmusic.com/

Facebook
www.facebook.com/tailorbirdsmusic

Twitter
twitter.com/tailor_birds

Hear The Album

Fiona Joy (Hawkins) – New Single – Grace Chill Remix – Out Now

September 17, 2018 Leave a comment

Fiona Joy (Hawkins) – New Single – Grace Chill Remix – Out Now

Soundslikecafe is proud to feature this International Tune on the new September 2018 playlist

“I originally wrote Grace as a piano instrumental and it ended up on a Grammy winning album in 2014. I wanted to add words and record my own singer/songwriter version as I really connected with the message in the song “To be with Grace, To live with Grace, Always with Grace’. A slower acoustic recording was followed by a chill mix which featured on the first Say Yes To Love album in support of marriage equality. This current remix of Grace is punchier Dream-Pop.
The track features Tony Levin (Peter Gabriel) playing NS Bass, Marc Shulman (Jewel & Suzanne Vega) playing Electric guitar with a little Beat-Box by my son Nick Hawkins.
The song has genre hopped from World to New Age to Pop and it’s been covered by a number of other artists including Flutist Sherry Finzer and Grammy winners Ricky Kej and Wouter Kellerman.