Daxton Releases New Album ‘50% Grit’

"Daxton Releases New Album ‘50% Grit’"

A long-time friend asked Daxton to produce a stripped back, raw but lively and psychedelic dirty blues song. ‘Just something I can really get into as I drink my bourbon to late at night please mate’.

Dax took on the job with gusto and was so engrossed that before he knew it 7 new tunes were born. The song, Rise Above, fulfilled the original request and opens the album. The rest of the tunes don’t disappoint and range from dirty, stompy, bluesy slide pieces to slightly more grungy but poppy tunes with some snare and percussion added in.

Song Descriptions
Rise Above
Dirty scratchy psychedelic harp and cigar box guitar feature in this mid-tempo track from Daxton’s new offering.  Distorted, rough and ready vocals set the tone for the next six tracks on this mini album.

Nothing to lose
A more up-tempo blues tune. Bass, slide cigar box guitar and some simple drums flesh out this one with his life-worn vocals and lyrics filling in the story.

Right On time
Guitar riffs and electric slide stabs plus some nifty catchy vocal lines abound in this mid-tempo song. There’s some stomp box keeping time and enough changes and interesting sounds to keep you rocking all the way through.

Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.

Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound.

Daxton – 50% Grit is out NOW September 23rd
Foghorn/MGM

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Luke Escombe Releases New Album ‘Whale Beach Road’

"Luke Escombe Releases New Album ‘Whale Beach Road’"

Finally out on all digital platforms here is Luke’s latest album, an ode to brilliant songwriting and musicianship all wound up in family stories.
Luke says –

“I genuinely believe that Whale Beach Road is the best album of “adult music” I’ve made, and it’s very special to me because of all the family history written into the songs.

Whale Beach Road is the first full studio album I’ve made solely under my own name. I started writing the songs in early 2020, towards the end of the fires and before the first lockdown. Initially, I was working on a memoir but then the stories started turning into songs instead.

At first, I was hesitant to apply for Jobkeeper in 2020, as I felt like other people needed it more than me, but then I realised it would give me the funds to go and employ all of the amazing musicians on this album, like drummer Evan Mannell, bassist Zoe Hauptmann, Aaron Flower on guitar and Clayton Doley on Hammond organ. There was even enough to get string and backing vocal arrangements for most of the songs, which gives it that luxurious 70’s soul vibe I was after while still sounding modern and clean. I could have been a hermit and lived off beans and rice, but instead Jobkeeper enabled me to keep creating and collaborating with my community.

Whale Beach Road is a very personal album, but I think there’s also something very universal there in that the songs are all about searching for love and hope in an uncertain world. It was all written and tracked between the Northern Beaches of Sydney and the Central Coast, and I think those beautiful locations feed into the sound. Hopefully the album takes listeners to a good place.”

Family – On Feature Track ‘Max and Melanie’

“While I was writing Max and Melanie I had the idea that it would make a good 70th birthday present for my Mum, a way of paying tribute to her family and where she came from. I’d never actually realised it before, but she was a political refugee, an asylum seeker in her own country. I carried on her story in another song on the album – “Lady Sunlight” – and then started to think about my own story, and all the events and circumstances that had led me to the exact place I found myself at the time of writing these songs: a house on Whale Beach Road. That’s how the album found its narrative, and its title. It’s about people trying to hold on to love and hope while confronting the powerful tide of history. To paraphrase the chorus of Max and Melanie, history makes plans for us, but we can still make plans for ourselves. I find that idea very hopeful.”

“Luke Escombe is a rock-soul singer, raconteur, blistering blues guitarist, comedian and songwriter, and very good at them all” – Sydney Morning Herald

Luke Escombe is an ARIA-nominated singer-songwriter who combines his blues, rock and soul influences with subversive humour, poetic lyrics and heartfelt storytelling. He is the creator of the internationally acclaimed one-man show “Chronic” and the writer and front man of multi award-winning Aussie kids band The Vegetable Plot.

Luke has released numerous albums and EPs with his band Luke Escombe and the Corporation and one album solely under his own name, 2017’s Skeleton Blues. The album was recorded direct to tape in a three-hour session at Damien Gerard Studios, featuring his smoky-voiced cover of Bob Dylan’s “Man in the Long Black Coat” alongside distinctive originals like Punctuation Blues and The Lipsi. This new Luke Escombe studio album, Whale Beach Road, was recorded in between lockdowns with some of Sydney’s most in-demand session players.

Luke received his early musical education in London, where his father’s job in the rock and roll industry enabled him to see hundreds of legendary performances by artists like Freddie Mercury, Prince and Bruce Springsteen while he was just a boy. When he’s not channelling his childhood idols, Luke is an ambassador for a number of health charities, a member of the NSW Arts Advisory Panel, a teaching artist with the Sydney Opera House’s Creative Leadership in Learning Program. He is also a song writing mentor with the Sydney Children’s Hospital’s Chronic Illness Peer Support program [ChIPS] with whom he wrote and recorded the track “Wake up Call” in 2021. He believes strongly that music and storytelling can play a transformative role in health, education and society. Among his more obscure awards is the title of “Sydney’s Sexiest man voice”, which he won in a competition on a once-popular Sydney radio station.

Luke Escombe – Whale Beach Road (Foghorn/MGM) August 19

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Slide Milligan Releases Debut Album ‘Blood Red River’

"Slide Milligan Releases Debut Album ‘Blood Red River’"

Slide Milligan’s musical journey has been half a life in the making but sounds as exciting as the latest Australian Rock & Roll export being paraded around the world. After years and years of playing in bands through the late 80’s/90s, Dave “Slide” Milligan gave up his musical dreams to pursue a trade in rural fencing and woodworking. To unwind after working all day in the paddocks of rural Australia and his sawmill, Dave built himself a lap steel guitar.

Over the years he started to write a collection of exceptional songs that weren’t your usual “roots” music fare, mixing his hard rock background and his ability to tap into that authentic Australian sound. Despair and dread mixed with sunshine and water, and he caught the ear of local producers and with some help with production from Indie impresario Andy Clockwise (he was working on a fence on Clockwise’s farm when he was back from LA and the two lit a bonfire in the paddock), “Slide” has produced a psychedelic slide guitar masterpiece called “Blood Red River”. A pastiche of outlaw country, psychedelic post-punk & a different approach to the slide guitar. This music sounds familiar yet fresh in the current musical landscape. At the ripe old age of 52, this new artist is sure to make a splash in the country-indie-rock crossover here and abroad.

Song Descriptions
Feelin’ Fine
The track is an undeniable summer anthem in the vein of the Sunny Boys, Australian Crawl & The Church, and features vocals by Slide’s daughter Lani. The up-tempo “Australiana Classic” song rolls along with infectious melody and nostalgic production. Sure to resonate with fans of Classic Australian Pub Rock, Pink Floyd & Waylon Jennings.

Gasoline
Up-tempo drums begin this blues rock/indie tune. Produced by Andy Clockwise, who also did a brilliant job on the kit, this song is peppered with modern sounds but maintains a retro feel. Think Black Keys, Jack White and adding it to your list you can’t go wrong.

Slide Milligan – Blood Red River is out NOW (May 6th)
Foghorn/MGM

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John Kennedy Releases Raining Treasure Vol. 2

"John Kennedy Releases Raining Treasure Vol. 2"

Volume 2 of Raining Treasure from John Kennedy – iconic Aussie Indie Covers from the golden age – Physco, Shivers, The Nips are Getting Bigger to name a few

John Kennedy’s 2019 album Raining Treasure Vol.1 celebrated the golden era of Australian independent music from the late ‘70’s and the 80’s. This album, Raining Treasure Vol.2, goes both deeper and wider into the world of Australian indie music. Kennedy compiled a list of classic indie songs (and some obscurities) from that era and with his band, John Kennedy’s 68 Comeback Special, has covered songs from Radio Birdman, The Riptides, The Cruel Sea and more.

Some selections covered are likely to create controversy with indie music diehards. The Sports and Mental As Anything? Indie? Really? The Mentals released their records on Regular Records, the Sports on Mushroom; both Australian independent labels. The Angels ?!?! They were on pioneering Australian independent label Albert Productions. Weddings, Parties, Anything (WPA) were on major label WEA. What defines these songs as indie for Kennedy is the independent spirit of the music and the bands who originally recorded them.

JFK RT PR

An enthusiastic young music journalist once described John Kennedy as a humble genius. Kennedy is neither a genius nor particularly humble. He is the writer and performer of many fine songs, some of which have found a place in the hearts of music fans of the golden era of Australian independent music. Kennedy started his music career in Brisbane in the ‘80’s with his band JFK and the Cuban Crisis. The band moved to Sydney and after establishing itself on the indie music scene, broke up, leaving Kennedy to pursue a solo career with his band vehicle, John Kennedy’s Love Gone Wrong.

Despite numerous indie hits, commercial crossover proved to be elusive leading to his decision to leave Australia.  Kennedy spent the ‘90’s living and playing music in Berlin, Hong Kong and London before returning to Sydney’s Inner West in 2000. He formed a new band, John Kennedy’s 68 Comeback Special and continues to perform and produce independent releases.

Over the years Kennedy has shared stages with many of the acts covered on this new album. His band members have come from or gone on to The Triffids, the Go-Betweens, Pop Mechanix and the Lime Spiders. The current line up of the band boasts its own fine indie pedigree. Long time drummer, Peter Timmerman was an original Love Gone Wrong member before moving on to the Widdershins.

Bassist Phil Hall played with Sardine v and the Dropbears. Guitarist Murray Cook started out with indie hopefuls Finger Guns before going on to form what is probably Australia’s most successful independent band, the Wiggles. Together with Kennedy they have created versions of these Australian indie classics, reinterpreting some, expanding some and celebrating them all.

The tracklist is:

JFK CARTOON

The Album Launch Show is on the 6th of May @8pm
At the Petersham Bowling Club

Raining Treasure (Australian Indie Gold Covers Vol.2) is out now 22 April 2022,
on Foghorn Records through MGM. 

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Daxton Releases New Album ‘Electric Satellite’

"Daxton Releases New Album ‘Electric Satellite’"

Long Awaited New Electric Blues album from slide and blues man Daxton out today February 18 and featuring on soundslikecafe

Daxton releases his new album ‘Electric Satellite’, a twelve-track slide blues album with up-tempo spacious songs produced by Pat Dow and Marshall Cullen. Daxton has worked with Pat on many projects – someone who has a keen ear for Daxton’s rustic blues mixed with psychedelic pop/rock sounds.

The new album is Daxton’s seventh following the release in 2018 of ‘In Verses’ which features songs covering his favourite themes: life and death, the yin and yang of life, love and loss, while still keeping his always positive and up-tempo vibe.

Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.

Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. The new album ‘Electric Satellite is a heavy, rustic blues rock album with psychedelic pop/rock sounds scheduled for release in 2022.

pr maybeharp and guitar

Song Descriptions

Electric Satellite
The title track to the new album is a frenetic up-tempo post punk folk blues anthem. A full band and all the rocking bells and whistles to make it work.

High As A Kite
Bluesy slide guitar starts this classic Daxton tune. Catchy backing vocal ‘ooh ahs’ and full band including the classic Hammond organ, complete this mid-tempo tune.

Bad Tmes 
Down and dirty blues from Daxton, featuring blues harp, slide guitar. Mid-tempo drums and bass, snappy guitar licks and riffs and the whole thing comes in at a rockin’ 2mins 47seconds.

Daxton – Electric Satellite is out NOW February 18th
Foghorn/MGM

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Featured Artist Interview – Peter Sterling

"Featured Artist Interview – Peter Sterling"

We scored a QnA interview with this fascinating artist from the USA who spent time in Byron Bay busking and selling cassettes when first starting out

  1. Tell us about the moment you decided to become an artist. What did your family/friends have to say about it?

“I discovered my music while living in the outback canyons of sedona in the early 90’s. I lived in my VW van for 3 years and spent much time meditating in the silence of this ancient land scape. I heard the music in the silence and then I sensed angels around me who eventually made themselves known. They told me my life purpose and mission was to play the harp and bring thru special music for thistle of the dawning of the golden age. At first no one could believe my incredible story. My family thought I had gone off the deep end.I was in my early 30’s and music had not been a large part of my life up to that moment. But eventually everyone realized I was very serious about this. I got a small harp and made my first recording Harp Magic only 10 months later with no formal lessons. Harp Magic went on to be nominated for String Album of the year in the NAIRD Indie awards.

2. What is the first record you bought and why? 

I can’t remember the first record I bought it was sooo long ago. My record buying started in high school.I listened to Genesis, Yes, Steve Hillage, and George Benson!! I had a super nice vinyl record collection with all albums protected by plastic sleeves!!

 

3.Tell us a little about what a crowd can expect at a live show?

My performances are called A Evening of Harp Magic with Peter Sterling. I create a magical atmosphere with atmospheric sounds. Long reverbs and delays. I use colored light s and lasers to create a mood that is dreamy and fantasy .

4 Who are your early influences and Favourite artists of all time ?

Andreas Vollenwieder, Hillary Stagg and Loreena McKennit

Beatles, Genesis. Yes, Grateful Dead.

5.Tell us a little about your writing process, how does a song come along?

All my music is born thru improvisation. Every time I sit at the harp it takes me on a journey of discovery. My award winning 2021 album Sanctuary of Light was a complete improv from start to finish. I sit at the harp, press record and began to play the music for the first time

6.What are your future plans for 2022/2023.

Releasing my new album  Visions and Dreams spring 2022. Coming soon 🙂

 

Peter Sterling HarpMagic Music http://www.harpmagic.com https://www.youtube.com/user/harpmagic1 https://www.facebook.com/harpmagic1

When he is asked, “What is the best part of being a musician?” Peter answers, “Creating music that touches the heart and soul of listeners… bringing peace and healing to people all over the world. I love receiving letters about how my music has touched peoples’ lives.” Peter looks back at his path to the present now and humbled at his worldwide success. Back when he was recording his first 8-track compositions on a cassette tape in Byron Bay, Australia, and then marketing it by going door-to-door to Sedona’s stores, he could scarcely imagine that one day his music would reach people across the planet through international airplay (Pandora, SiriusXM, Soundscapes) as well as on major airlines (United and American).

Checkout Peter’s latest Release The Winding Way

Composed & produced by Peter Sterling for Harp Magic Music (BMI)
Peter Plays a custom made Lyon and Healy electric Troubador, keyboards, vocals, percussion, freenote chimes, G-Dov Gertzweig/violin, Richard Hardy silver and bamboo flutes, Hans Christian Cello

Mastered by Eric Boulanger, The Bakery Sony studios Culver City

“I worked on this record for over one year during the time of the global pandemic and lock down. Tucked away from the world in my home studio, these songs came forth from my heart and soul during this difficult time for all of us. As in music so in life says the back cover. I have found as many others have that our life is not a trek from point A to point B, but rather a meandering journey down the Winding Way with many unexpected twists and turns along the path to the destination of our hopes and dreams. My wish is that this music will uplift and bring joy to your heart and soul as you journey forth.” PETER STERLING

The Winding Way is OUT NOW (Harp Magic Music)

Spotify album link:

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Peter Sterling’s Latest Album ‘The Winding Way’

"Peter Sterling’s Latest Album ‘The Winding Way’"

I worked on this record for over one year during the time of the global pandemic and lock down. Tucked away from the world in my home studio, these songs came forth from my heart and soul during this difficult time for all of us. As in music so in life says the back cover. I have found as many others have that our life is not a trek from point A to point B, but rather a meandering journey down the Winding Way with many unexpected twists and turns along the path to the destination of our hopes and dreams. My wish is that this music will uplift and bring joy to your heart and soul as you journey forth. Peter Sterling

About Peter Sterling
Born in Santa Monica, Peter began playing the piano at 6 years old, first accompanying his brother who was practicing violin. When he was 33 Peter moved to Sedona, Arizona, drawn to its energy vortices, its natural beauty, and its powerful connection to a higher purpose in life. It was in Sedona that Peter discovered his affinity for, or more accurately, his mystical connection with the Celtic harp. It was 1993 and he took to the instrument, without any formal training or lessons, like the proverbial fish to water.

His career as a recording artist began in 1994 with his first album, Harp Magic, released on the World Disc label. Success came almost immediately as the recording was nominated for the Best Instrumental Album award by NAIRD (now A2IM), an organization for independent musicians. His acclaim continued and grew exponentially in the 2000s with multiple nominations from the prestigious website New Age Reporter/Zone Music Reporter, including several nominations for Album of the Year. His albums consistently charted high up in their top 100, including grabbing the #1 spot for his 2013 release, Twilight Serenade. While his recent works are released on his own Harp Magic label (including his 2018 album, Magic Kingdom), Real Music, one of the giants of new age music, released his Shadow, Mist and Light album in 2005. His most recent recognition came in 2017 when he shared the Hollywood Music and Media Award for Best New Age song. In addition, Divine Reflection from Sanctuary of Light won the HMMA for Best Ambient/New Age song of 2021 and Sanctuary won the 2021 COVR Silver Award in the Visionary Music category.

When he is asked, “What is the best part of being a musician?” Peter answers, “Creating music that touches the heart and soul of listeners… bringing peace and healing to people all over the world. I love receiving letters about how my music has touched peoples’ lives.” Peter looks back at his path to the present now and humbled at his worldwide success. Back when he was recording his first 8-track compositions on a cassette tape in Byron Bay, Australia, and then marketing it by going door-to-door to Sedona’s stores, he could scarcely imagine that one day his music would reach people across the planet through international airplay (Pandora, SiriusXM, Soundscapes) as well as on major airlines (United and American).

Composed & produced by Peter Sterling for Harp Magic Music (BMI)
Peter Plays a custom made Lyon and Healy electric Troubador, keyboards, vocals, percussion, freenote chimes, G-Dov Gertzweig/violin, Richard Hardy silver and bamboo flutes, Hans Christian Cello

Mastered by Eric Boulanger, The Bakery Sony studios Culver City

The Winding Way is OUT NOW (Harp Magic Music)

Spotify album link:

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Gareth Koch Releases ‘A Christmas Album’

"Gareth Koch Releases ‘A Christmas Album’"

Imagine timeless European Christmas music played instrumentally, as if upon a choir of lutes. Ancient & exquisite songs, deep within the human psyche, are now newly arranged by ARIA Award winning guitarist Gareth Koch. The interpretations reveal his signature blend of contemporary flair laced with medieval sensibilities.

The arrangements are both elegant & appealing, sidestepping any notion of commercialised Christmas clichés. Re-imagined as troubadour-like ballads or tender Austrian folk songs, each carol receives a unique treatment. The listener is invited into an array of soundworlds, ranging from the early medieval to English folk-revival.

The music of this album leads us away from the bustle of many modern realities. Instead, we are drawn into a gentler universe, filled with subtlety & nuance. In any year, at any time, this album presents a Christmas message we all need to hear.

Song Description
Little Drummer Boy
This timeless mid-tempo classic Christmas carol is dealt with not just using multiple classical guitar parts but with hand percussion and rice shakers.

Ding Dong Merrily On High
An up-tempo and superbly played Christmas piece dating right back to the 1800’s. Even some 12 string electric features in Gareth’s new arrangement.

God Rest Ye Merry Gentlemen
A very old piece, dated to the 16th century and referred to in Charles Dickens ‘A Christmas Carol’. Gareth recreates the vocal melody perfectly and becomes a terrific hum along piece. Bass guitar rounds out the arrangement featuring multiple guitars: acoustic, nylon string and electric creating a lush sonic tapestry.

About Gareth Koch
Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing. He has appeared at major festivals within Australia, Europe, Asia and North America.
Gareth is involved with many cross genre projects. Over the past two years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church). Earlier this year a third collaboration with Steve saw the release of double album ‘The Hall of Counterfeits’.

A Christmas Album is OUT TODAY November 26th – via MGM
Order CD’s from official store and Stream/ download below

xmasfull

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The Jimmy C – Ducking

"The Jimmy C – Ducking"

Created during the longest lockdown in the world –
Melbourne’s irrepressible One Man Band records a full album

“From February to September of this year, with the pandemic still belligerently stomping through the living room like a toddler with a bucket on its head, I managed to use music as a way to “remain indoors” and focus on something that wasn’t terrible news in an attempt to preserve my sanity.

‘Ducking’ begins and ends with comic ‘bookends’ an almost Las Vegas lounge singer introduction and ‘Gateway Song’ that abruptly gives way to ‘Everything Is OK’ (something we all want to hear).  A positive and up-beat acoustic guitar and glockenspiel tune with cheerful whistling that reassuringly squeezes your shoulder and says everything will be ok. Aaaahhh yes … I do hope so.

It’s an eclectic mix of up-beat rock, down-beat moody rock, tongue-in-cheek segues, power pop (and whatever Paranoia Grande is), that moves quickly in spite of the rather long 47-minute total playing time.  Song durations range from 27 seconds to the cinematic and sprawling 5:07 of ‘Don’t Forget Me’ which is appropriate because it was actually written for a movie. “The Problem Y” was shot in California a few years ago and is yet to be released.  Written & directed by Joe Bizarro with whom I spent 5 years making music for The Brides Of Satan grindhouse indie slasher which is now available to stream and buy.

‘Ducking’ is a fun, light hearted and amusing album in places but gets serious and even a little scary in others – all part of the emotional rollercoaster of the pandemic era.  I feel the title sums it all up.   We all know what we meant to say when we tried to text ‘Ducking’ but autocorrect had other intentions … our frustration becomes humour and we find that we can still laugh at ourselves. ” –
Jamie Coghill September 23, 2021

JC-1manband

As a band I am called The Jimmy C.  As a human person I am called Jamie Coghill and am possibly known for (by people with very good memories specifically within the Melbourne pub rock scene) playing drums with The Devilrock Four, Fez Perez and Luxedo – going back more than 20 years now to the very late 90s so to be familiar with me is super niche and you would have to have very good taste!

Sometime around 2005 I decided to make an album of songs I’d recorded on a Tascam 4 track cassette recorder. I’d been experimenting with writing and recording since my teens but until then I hadn’t recorded anything I wanted people to hear.

Over the past 16 years I worked on my song writing, playing and recording techniques and released 7 albums, 4 soundtrack albums (2 for an American web series: The Adventures Of Superseven and The Sandra West Diaries, and one for an American indie grindhouse film: The Brides Of Satan), and a few EPs and singles.  I also made a sort of 10 year anniversary live album/video roping in a few friends to play and record my songs live, which lead to the formation of Lava Fangs, a garage power pop punk band with an EP, an album and some singles – we’re very good and you should check us out!

As a one-person band I have found the pandemic era to be quite productive, and a welcome distraction from almost two years of terrible news (I’m writing this the day after the Melbourne earthquake – who saw that coming?!?!).  From February 2021 to mid-September I worked on a new collection of songs as well as upgrading my recording setup – still with quite out of date gear but a huge step forward from the stuff I used to record my previous albums!

Videos from the album



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Steve Williams – Surrey Road

"Steve Williams – Surrey Road"

Steve Williams
Surrey Road
Collaborative Album
OUT NOW

Surrey Road is the culmination of over 20 years song writing and came from Steve’s desire to do an album of his own songs with various great singers that he knew or had worked with previously.  Shelter Me was written by Steve and  Pat Powell and features the smooth vocals of young up and coming Melbourne singer, Nic MC. Many of the other songs on the album are sung by Pat Powel himself, lending his legendary voice to the mix and pat also co write a number of the tunes.
Steve Played all instruments on the album himself  other than guest appearances by Victor rounds on bass and John prior on drums (selected songs). Steve produced, engineered and mixed the album at his studio in Melbourne with the exception of “when I see you dancing” which was mixed by John Prior at Unity Gain studios in Sydney.


Steve Williams came to prominence as the lead guitarist in the 80’s pop group Wa Wa Nee, who had top 5 hits and ARIA Nominations in Australia and chart action in Europe and the USA. This prompted Steve to relocate to Europe after working with James Freud and Richard Clapton following Wa wa Nee’s breakup. After working as a session musician in the UK and Europe he returned to Australia in 2005 and continued session and production work including musical theatre and television appearances.  He has played in bands alongside Jon Lord from Deep Purple, Choirboys, Matt Finish, Ray Parker Jr, Real Life, and many more.

The Surry Road album was recorded in Steve’s Melbourne studio.  Steve co-wrote all the tracks with musicians that he has worked with over many years of touring and recording :

Tracks feature guest vocals from Pat Powell(Melbourne Ska Orchestra and many more) and other well known vocalists such as: John Kenny (Rockmelons), Tim Watson(Taxiride), Vince Contarino, Terry Slesser(UK) and Louise Person as well up-coming Melbourne singer Nic MC.

The songs were co written with a host of writers including Mark Gable(Choriboys), Scott Smith and many of the singers above.

With the worldwide release of Surrey Road marking off this long span of writing and recording Steve’s new album for 2022 is already underway with a much more personalized and singular approach.

Checkout the Album

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