Daxton Releases New Album ‘50% Grit’

"Daxton Releases New Album ‘50% Grit’"

A long-time friend asked Daxton to produce a stripped back, raw but lively and psychedelic dirty blues song. ‘Just something I can really get into as I drink my bourbon to late at night please mate’.

Dax took on the job with gusto and was so engrossed that before he knew it 7 new tunes were born. The song, Rise Above, fulfilled the original request and opens the album. The rest of the tunes don’t disappoint and range from dirty, stompy, bluesy slide pieces to slightly more grungy but poppy tunes with some snare and percussion added in.

Song Descriptions
Rise Above
Dirty scratchy psychedelic harp and cigar box guitar feature in this mid-tempo track from Daxton’s new offering.  Distorted, rough and ready vocals set the tone for the next six tracks on this mini album.

Nothing to lose
A more up-tempo blues tune. Bass, slide cigar box guitar and some simple drums flesh out this one with his life-worn vocals and lyrics filling in the story.

Right On time
Guitar riffs and electric slide stabs plus some nifty catchy vocal lines abound in this mid-tempo song. There’s some stomp box keeping time and enough changes and interesting sounds to keep you rocking all the way through.

Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.

Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound.

Daxton – 50% Grit is out NOW September 23rd
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Kalen Hogan Releases Debut Single ‘Help Me I’m Dying’

"Kalen Hogan Releases Debut Single ‘Help Me I’m Dying’"

 The latest addition to soundslikecafe is a young artist from NSW Kalen Hogan

A guitarist at heart, the process for Kalen is always the music first, layered secondly by the melody for the lyrics to lastly follow. The track has a dream-like quality, filled with melancholy, which sings of a knowing that not all can be saved. Kalen wrote the song after seeing a story of a young person dying in the arms of their parents. It’s a song about wanting to be saved but equally wanting to leave a pained broken body.

Kalen Hogan is a 17 year old solo guitarist singer songwriter, living a very chilled out life an hour north of Sydney, near Wamberal Beach.

Influenced by his musical uncle, Kalen started out jamming on a ukulele as a toddler, before advancing to his first acoustic guitar in primary school. Now in high school, Kalen is composing songs and recently recorded his first track at Damien Gerard Studios, in Gosford.

Kalen’s upcoming debut gig is planned for this summer at Wamberal Beach Surf Club. Kalen will be showcasing a couple of tracks he has recorded to release in 2022 and playing some of the new upcoming tunes, planned for future recording and distribution in early 2023.

Kalen Hogan – Help Me I’m Dying is out NOW (September 23rd)
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Julie-Anne Marshall New Single ‘Mirror’

"Julie-Anne Marshall New Single ‘Mirror’"

Soundslikecafe is proud to present ‘Mirror’ the new single from Julie-Anne Marshall

Melbourne-based independent singer-songwriter Julie-Anne Marshall has just released her 20th song ‘Mirror’. The song has an 80’s synth-pop ballad feel which uses haunting vocal harmonies to add to the reflective nature of the song’s lyrics.

Originally from Adelaide, Julie-Anne is now based in Melbourne. She is a multi-genre artist encompassing pop, rock, blues, soul, folk, alternative, ballads and smooth jazz – all sitting under the umbrella of Easy Listening. Her vocal style is earthy yet ethereal. Her songs melodic and lyric driven.

As a singer-songwriter Julie-Anne’s chosen instrument is the piano and it features in most of her songs released. Her first single ‘Bluebird’ was released in 2015, this was followed by a full album titled ‘Bluebird’ in 2016. To date, Julie-Anne has recorded and released 20 songs, her latest being ‘Mirror’, and she has a further two singles for release this year.

Whilst recording has been the focus for her over the last few years, Julie-Anne has previously performed live with bands around Adelaide and is now venturing back into live performing in Melbourne.

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The Burley Griffin ‘Being Alive’ Tour

"The Burley Griffin ‘Being Alive’ Tour"

Upcoming Shows


4th September 3pm at Yulli’s in Sydney with Hedy Blaazer – Free entry, table bookings recommended
https://www.facebook.com/events/s/hedy-blaazer-the-burley-griffi/2215326415283870/

24th September at Grace Emily Hotel in Adelaide with Bromham – Tickets on sale now
https://www.facebook.com/events/s/the-burley-griffin-act-w-bromh/872445094159479/

28th September at Shotkickers in Melbourne with Final Final, James Fahy, & Jim Dusty
https://facebook.com/events/s/too-good-five-bands-free-sunda/1160170284848952/

‘Being Alive’ 

To coincide with the Tour a new video for the song has been created by Stackhat – (Tim Kent)
who is an award-winning Director/Producer currently based in Sydney, but originally hailing from the small town of Queanbeyan. Having worked with an impressive roster of artists including Sampa the Great, L-Fresh the Lion and Flying Lotus, Stackhat is an artistic tour de force constantly searching for new challenges both locally and abroad.

The video will be officially released for the start of the tour.

Being Alive is a song that finds beauty in despair and reflects on lessons learned in defeat. Written in the wake of a relationship breakdown, Being Alive takes place directly after Hong Kong, the preceding single from The Burley Griffin’s latest record, Lost Limbs. Whereas Hong Kong tells the tale of separation, Being Alive sits in the realisation that everything has changed, and not necessarily for the better.

Being Alive was recorded by Louis Montgomery at Infidel and Myall Street studios and produced by Louis Montgomery and Evan Buckley. Electric guitars were played by Samuel McNair with Steve Paillas on bass and Steve Fitzgerald on drums, as well as additional vocals by Cathy Diver.
Mastered at Studios 301 by Andrew Edgson.

About The Burley Griffin
Evan Buckley (The Burley Griffin) grew up in Canberra, homeschooled in a religious fundamentalist cult, and has since hitch hiked and toured through 37 American states, exorcising and befriending his demons along the way.  His most recent US tour took place during the 2016 election and his newest songs reflect the absurdity of the American dream.

The third Burley Griffin album, Lost Limbs, was launched with a twelve piece, beefed up band on June 26th 2021 to a sold out theatre at The Street, celebrating a vinyl packed with moving songs of loss and joy.

Long-time members Evan Buckley and Sam McNair are now joined on stage by “Reverend” Michael Bones, Hannah Beasley and featuring an energetic new rhythm section in Ben Cumming and Somesh Putcha. The Burley Griffin has seen Evan’s songs accompanied and interpreted by some of both Australia’s and the USA’s most intuitive musicians.

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Luke Escombe Releases New Album ‘Whale Beach Road’

"Luke Escombe Releases New Album ‘Whale Beach Road’"

Finally out on all digital platforms here is Luke’s latest album, an ode to brilliant songwriting and musicianship all wound up in family stories.
Luke says –

“I genuinely believe that Whale Beach Road is the best album of “adult music” I’ve made, and it’s very special to me because of all the family history written into the songs.

Whale Beach Road is the first full studio album I’ve made solely under my own name. I started writing the songs in early 2020, towards the end of the fires and before the first lockdown. Initially, I was working on a memoir but then the stories started turning into songs instead.

At first, I was hesitant to apply for Jobkeeper in 2020, as I felt like other people needed it more than me, but then I realised it would give me the funds to go and employ all of the amazing musicians on this album, like drummer Evan Mannell, bassist Zoe Hauptmann, Aaron Flower on guitar and Clayton Doley on Hammond organ. There was even enough to get string and backing vocal arrangements for most of the songs, which gives it that luxurious 70’s soul vibe I was after while still sounding modern and clean. I could have been a hermit and lived off beans and rice, but instead Jobkeeper enabled me to keep creating and collaborating with my community.

Whale Beach Road is a very personal album, but I think there’s also something very universal there in that the songs are all about searching for love and hope in an uncertain world. It was all written and tracked between the Northern Beaches of Sydney and the Central Coast, and I think those beautiful locations feed into the sound. Hopefully the album takes listeners to a good place.”

Family – On Feature Track ‘Max and Melanie’

“While I was writing Max and Melanie I had the idea that it would make a good 70th birthday present for my Mum, a way of paying tribute to her family and where she came from. I’d never actually realised it before, but she was a political refugee, an asylum seeker in her own country. I carried on her story in another song on the album – “Lady Sunlight” – and then started to think about my own story, and all the events and circumstances that had led me to the exact place I found myself at the time of writing these songs: a house on Whale Beach Road. That’s how the album found its narrative, and its title. It’s about people trying to hold on to love and hope while confronting the powerful tide of history. To paraphrase the chorus of Max and Melanie, history makes plans for us, but we can still make plans for ourselves. I find that idea very hopeful.”

“Luke Escombe is a rock-soul singer, raconteur, blistering blues guitarist, comedian and songwriter, and very good at them all” – Sydney Morning Herald

Luke Escombe is an ARIA-nominated singer-songwriter who combines his blues, rock and soul influences with subversive humour, poetic lyrics and heartfelt storytelling. He is the creator of the internationally acclaimed one-man show “Chronic” and the writer and front man of multi award-winning Aussie kids band The Vegetable Plot.

Luke has released numerous albums and EPs with his band Luke Escombe and the Corporation and one album solely under his own name, 2017’s Skeleton Blues. The album was recorded direct to tape in a three-hour session at Damien Gerard Studios, featuring his smoky-voiced cover of Bob Dylan’s “Man in the Long Black Coat” alongside distinctive originals like Punctuation Blues and The Lipsi. This new Luke Escombe studio album, Whale Beach Road, was recorded in between lockdowns with some of Sydney’s most in-demand session players.

Luke received his early musical education in London, where his father’s job in the rock and roll industry enabled him to see hundreds of legendary performances by artists like Freddie Mercury, Prince and Bruce Springsteen while he was just a boy. When he’s not channelling his childhood idols, Luke is an ambassador for a number of health charities, a member of the NSW Arts Advisory Panel, a teaching artist with the Sydney Opera House’s Creative Leadership in Learning Program. He is also a song writing mentor with the Sydney Children’s Hospital’s Chronic Illness Peer Support program [ChIPS] with whom he wrote and recorded the track “Wake up Call” in 2021. He believes strongly that music and storytelling can play a transformative role in health, education and society. Among his more obscure awards is the title of “Sydney’s Sexiest man voice”, which he won in a competition on a once-popular Sydney radio station.

Luke Escombe – Whale Beach Road (Foghorn/MGM) August 19

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PG Naylor Releases Latest Single ‘Move Like That’

"PG Naylor Releases Latest Single ‘Move Like That’"

“The song is based on my memories of my first visit to a strip club in Kings Cross in the mid 60s (the Pink Pussy cat – not Chinatown as mentioned in the song – Chinatown just seemed to work better musically).  There was a well known ‘dancer’ there who attracted much interest for her ‘moves’.  The verse about me being hauled onto the stage is entirely imaginary!!” – PG Naylor

A nod to the 60’s rocker with some modern brass and vocal touches make this mid-tempo song from PG Naylor instantly accessible.  Right from the get-go its hooky, rhythmic and very sing along.  There’s a cheeky element to the lyrics and vocals to set it all off too.

PG Naylor brings a new original visit to 60s classic rock music. All songs are written and performed by PG – who was there then in the 60s and is still here now! Although all the songs are new, they slot perfectly into a 60s rock playlist. PG has been playing in rock bands based in Sydney, Australia since the 60s, and after a life in the corporate world he has returned to his first love – 60s rock music. The title track to his album, Sanctuary, was announced as a semi finalist in the 2019 International Songwriting Competition, based in Nashville, USA; the tracks Sanctuary and Hollywood Road were both announced as semi finalists in the 2020 Voyager International Songwriting Competition based in Melbourne, Australia as well.
Demonstrating that there is still great interest in ‘old rockers’, since 2020 his songs have attracted over 80,00 listeners and just under 160,000 streams on Spotify (and still growing every day!)

Official Video:

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Luke Escombe Releases Single ‘Sacred River’

"Luke Escombe Releases Single ‘Sacred River’"

“Sacred River” is the pulsating second single from Luke Escombe’s forthcoming album “Whale Beach Road”. Starting with some very funky catchy bass (Tina Weymouth style), then once Luke’s vocals start this could be a Talking Heads song for sure. Up-tempo, hooky, and immediate, this one is a winner for radio. Written around the hypnotic bass and drum loop, played live on the recording by bassist Zoe Hauptmann and drummer Evan Mannell, the track builds a suspenseful narrative of a man on the edge.

Luke says: “The song was inspired by certain characters I would see on small flights up to Mackay, the FIFO workers leaving their young families for weeks on end to disappear into the company of other men, working in deserted places.”

Musically, “Sacred River” draws on one of Luke’s deepest musical influences: “One of my earliest memories is going to see Pink Floyd’s ‘The Wall’ live in concert at Earl’s Court in London when I was 4 years old. My Dad was working on the tour and showed me around the stage on the day of the show. I remember being really excited but then running out in terror as soon as the lights went down.”

LE Head Shot 1

Luke plays the lead guitar part on the track, recorded in one take at Damien Gerard Studios in Gosford through an old Fender Bassman amp that was, as Luke recalls, “cranked so loud I thought it was going to explode. I was sitting right next to it trying to manipulate the sound so it didn’t incinerate me with feedback.  It was totally instinctive.”

Clayton Doley adds extra layers of swirling tension on the Hammond organ, and the epic choruses feature backing vocals by Sarah Belkner, Darren Percival, Alice Terry and Daniel Mifsud. It was recorded by Andrew Beck and Richie Belkner, mixed by Richie at Free Energy Device Studios in Newtown and mastered by Grammy-winning engineer William Bowden, who declared it his favourite track on the album: “hypnotic and awesome”.

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About Luke Escombe

“Luke Escombe is a rock-soul singer, raconteur, blistering blues guitarist, comedian and songwriter, and very good at them all” – Sydney Morning Herald

Luke Escombe is an ARIA-nominated singer-songwriter who combines his blues, rock and soul influences with subversive humour, poetic lyrics and heartfelt storytelling. He is the creator of the internationally acclaimed one-man show “Chronic” and the writer and front man of multi award-winning Aussie kids band The Vegetable Plot.

Luke has released numerous albums and EPs with his band Luke Escombe and the Corporation and one album solely under his own name, 2017’s Skeleton Blues. The album was recorded direct to tape in a three-hour session at Damien Gerard Studios, featuring his smoky-voiced cover of Bob Dylan’s “Man in the Long Black Coat” alongside distinctive originals like Punctuation Blues and The Lipsi. A new Luke Escombe studio album, Whale Beach Road, recorded in between lockdowns with some of Sydney’s most in-demand session players, is set for release in 2022.

Luke received his early musical education in London, where his father’s job in the rock and roll industry enabled him to see hundreds of legendary performances by artists like Freddie Mercury, Prince and Bruce Springsteen while he was just a boy. When he’s not channelling his childhood idols, Luke is an ambassador for a number of health charities, a member of the NSW Arts Advisory Panel, a teaching artist with the Sydney Opera House’s Creative Leadership in Learning Program. He is also a song writing mentor with the Sydney Children’s Hospital’s Chronic Illness Peer Support program [ChIPS] with whom he wrote and recorded the track “Wake up Call” in 2021. He believes strongly that music and storytelling can play a transformative role in health, education and society. Among his more obscure awards is the title of “Sydney’s Sexiest man voice”, which he won in a competition on a once-popular Sydney radio station.

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Throwing Shapes Releases Single ‘Into The Void’

"Throwing Shapes Releases Single ‘Into The Void’"

The track begins slowly and builds with a fat bass line and fast beat. There is a duality between the slower chords and melodies, and the busy drums, that makes this track interesting and a little unique. This track is about meditation, diving deep ‘Into The Void’ of your own mind and soul.

Some slow piano begins this track with an almost ambient flavour, but wait. Full arpeggio keys, drums and bass hit hard creating a dance floor smash. There’s a breakdown back to the chilled vibe before stretching back into the frenetic uptempo vibe that is Throwing Shapes’ signature.

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About Throwing Shapes 

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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Throwing Shapes Releases Single ‘Mind Filter’

"Throwing Shapes Releases Single ‘Mind Filter’"

An up-tempo drum & bass track with an edge. A heavier rock vibe to this track with soaring synth lead lines and pumping rhythms – a fusion of rock and dance music. It’s about how we tell ourselves certain stories about our own lives, which aren’t always true. Sometimes they become an observation of life through a tinted glass or a ‘Filter’ for the ‘Mind’, distorting our view of the world and preventing us from seeing the truth of our own lives.

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About Throwing Shapes

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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PG Naylor’s Latest Singles ‘Better Left Unsaid’ and ‘Sensible’

"PG Naylor’s Latest Singles ‘Better Left Unsaid’ and ‘Sensible’"

Checkout these new tunes for 2022 from 60’s fanatic PG Naylor

PG Naylor brings a new original visit to 60s classic rock music. All songs are written and performed by PG – who was there then in the 60s and is still here now! Although all the songs are new, they slot perfectly into a 60s rock playlist. PG has been playing in rock bands based in Sydney, Australia since the 60s, and after a life in the corporate world he has returned to his first love – 60s rock music. The title track to his album, Sanctuary, was announced as a semi finalist in the 2019 International Songwriting Competition, based in Nashville, USA; the tracks Sanctuary and Hollywood Road were both announced as semi finalists in the 2020 Voyager International Songwriting Competition based in Melbourne, Australia as well.
Demonstrating that there is still great interest in ‘old rockers’, since 2020 his songs have attracted over 80,00 listeners and just under 160,000 streams on Spotify (and still growing every day!)

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Better Left Unsaid – Hate to be a name dropper but I was having lunch with Mike McClellan at the Greengate Hotel in Killara (he was an old schoolmate of mine) and he told me he’d just written a song about seeing a lady at the airport and wondering who she was waiting for. He also thought he knew the lady but couldn’t place her till after she’d left. It turns out she was a well known personality but he wouldn’t reveal who.
Anyhow, I was searching through my old songs and I found this song that I’d written 20 years before for my wife’s birthday which sounded pretty catchy. So I adapted Mike’s idea to a railway station – changed my old lyrics to a tale about being tempted to say something to a lady at the station but deciding – ‘better left unsaid’.

Sensible – Was written about 20 years ago about my frustration with people who procrastinate instead of ‘just doing it’. It also started with some more fiddling around that Em7 chord to which I added a sequence of G, Bm and C followed by a C#dim to link to the chorus. It made, I thought, a nice melody with a ‘sing along type’ chorus. But my demo and Kim’s original tracks were all guitar-based. John Roy had other ideas.
He has a grand piano in the middle of his studio and he decided to record a sole grand piano track – he and Kim sent it to me for my reaction and I was blown away. Some guitar, bass and drums plus vocal and harmonies were added and voila! there we have Sensible as you hear it today.

Producer Kim Humphreys(John Farnham Band, Ted Mulry Gang) on working with PG
I really enjoy shaping Phil’s demos and seeing them evolve into what you can now hear, having taken the songs beyond the boundaries PG considered.
His songs all have a ‘’Back to the 60’s’ slant . . .     the period which continues to inspire my own approach to guitar playing ,recording and producing.
If this was the mid 60’s he would no doubt have Top 40 hits on his hands!

Recent International reviews

“Sensible is a beautiful, serene piano number with PG Naylor’s subtle vocals. It’s interesting in the 1:00 minute that the song takes a different turn as if we were stepping into a musical and later being embraced by guitar riffs”- TECO APPLE

“Showland ProductionsI really enjoyed the smooth and mellow entrance to Sensible. The instrumental is extremely catchy, and ready for a scene in a major motion picture. The tone and cadence in your vocals are soothing and perfect for singing along with.”

“PG Naylor is able to make something refreshing and retro while staying as clean and crisp as modern music can be. An A+ effort.” James McQuiston, Neufutur Magazine

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Better Left Unsaid

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Sensible
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