Jessie-May Kitchen Debut EP Zone Out

May 22, 2020 Leave a comment

Here we present a fantastic new young artist – Jessie May Kitchen

Jessie-May was born in Hobart and grew up on the NSW Central Coast. She started writing songs at five and Performing Arts became her escape from a tough family life.

The debut EP Zone Out follows her successful singles and videos-
Teen Love, Coffee Shop and Star Child from 2018-2019(see YT link below)

Have you ever been so deep in thought that the world disappears and suddenly you are detached from the physical plane, and all you know is what you are thinking about? Like a switch has been flicked and the real world just isn’t there anymore. Most people say they do occasionally or brag that they scandalously day dream whilst doing chores and leave their body on autopilot for a little while.

Ever since I can remember, I have been switching back and forth from this world to my own, I just Zone Out. It’s an integral part of who I am. Zoning out has brought me so many brilliant ideas, inspirations and creations to my life.

There are many different ways to be smart and tuning out reality, tapping into your imagination is a skilled, worthwhile cleverness. I wanted to use this EP to bring my world to you. My stories, thoughts and philosophies in every song, courtesy of tuning out the rest of the world and tapping into my own.

So, give it a go! Find a safe place of your own, listen to the music, let your imagination run wild and Zone Out.

[photo by Tony Mott]

Track Descriptions:
Blue Skies
Along with the video Jessie’s new single features a lyrical story of optimism and happiness, overlaying a hybrid acoustic and keyboard driven rhythm track.

Calm In The Eye Of The Storm
Some more great messages in Jessie’s lyrics – “it’s all lies within your perception of your own reality – you either choose defeat or to be calm amidst the chaos.” With a more uptempo and guitar driven backing track, along with a catchy keys melody – another great track.

Head In The Clouds
A note to her younger self, this song features similar production values to the rest of the EP, lush keyboards, full guitars, solid beats and hooky melodies.

Jessie May Kitchen – Zone Out is out NOW through Foghorn Records / MGM Distribution.

Download or stream:

Connect with Jessie May Kitchen:

For further information, Cd’s and Interview requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

Kaijin Solo New EP Universal Love

May 15, 2020 Leave a comment

Kaijin Solo is a contemporary singer/songwriter based on the NSW Central Coast with a blues rock influence.

Universal Love is an experiment in letting other people find their way into his music.
The idea came about from jamming original songs live with a host of different people on the local open mike circuit. The result is an electric mix of ideas that provides a solid rocking sound-scope for the lyrics.

Mark Cashin and Jake Hunt from The Little Hussies were the collaborators this time round, with Russell Pilling at Damien Gerard Studios engineering. The combination of talent without prima donna egos made the sessions into a fun day with a fantastic output and every song grew in dimension.
The EP was Mastered by Andrew Beck.

Universal Love – “When we can think, speak and act the way we want to be treated ourselves, the power of love will exceed the love of power and the world will know peace.” Is what Universal Love is about, it was inspired by a quote from Jimi Hendrix “When the power of love exceeds the love of power the world will know peace.

Into the Dream was written the morning after a Ryan Adams concert, thinking about how much things has changed since the beginning of the century.

The Republic is a tribute to the people and their achievements, and a wake up to call to Canberra to get on with it.

Spirit on the Wind is an ode to the Spirit of Freedom.

Like Sunshine is a love song to music itself.

Stream from your favourite service:

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Review of Steve Kilbey and Gareth Koch album Chryse Planitia

April 3, 2020 Leave a comment

By Adam Jones 24/3/2020

Some artists and bands change like a slow-moving chameleon. Listen to Bowie’s first and last albums, and Queen’s, and the Rolling Stones. None of them gathered any moss, but did they gain any shine?

In Australia we have some extraordinary and treasured original artists who consistently deliver creative fodder for the music loving Aussie cattle, and all those other beautiful creatures herding around this great continent and across the world. Enigmatic riders on the dragons of fiery passion and creativity.

Some amazing dragon’s sons also have a long tail that lashes our ears with a quirky but blunt sentiment, along with a hearty serving of provocative ideas. It takes a true lover of the art of contemporary music to really appreciate the legend that is Steve Kilbey, the master of The Church, and a maestro for the lovers of exceptional songwriting and performance. But he is still somehow pleasingly familiar. When you get this close to musical utopia, the worst thing you can do is change too much!

But wait, there’s more!! Another shiny dragon egg has borne a different, but kindred spirit, conjured up by the masters of fantastic melody and classical classiness, and his name is Gareth Koch. Wow, this Aria award winner plays the guitar better than the best lover in the world tinkers with the sweet body of the object of his desire. Gareth relentlessly pleased my ears, and they were suffering gladly from his incandescent acoustic sensory overload.

Their incredible collaboration, helmed by the solid and laconic vocals and songwriting from Steve, is a somewhat different, but just frigging awesome, version of those fantastic albums we were treated to last millennium in the only Church I would every prey in.

So what can we find between the pews, up in the mural-covered arches, and hidden in cobwebbed bell-towers? Well, I tell you right now. There is still so much to discover, even after a few listens I feel like I need to spend 6 months with this album hitting my ears at least a few times per week, before I could do it some real justice with my review. But with only a few spins on my digital turntable, I will do my best, and give it a go!

‘Chryse Planitia’ is a smooth round golden plain, found north of the equator on the planet Mars, AND probably one of the most interesting and original album names I’ve seen since Pink Floyd in the late 60s. Well, I suppose its a very appropriate name, because it definitely rocketed my mind to another planet!

This collection of great songs opens with the fast-paced band expression that is Fallen Crown. “Hey baby, I’m a billionaire! Woah! She said I’ve got everything I need”. Well, lucky her, but her crown has fallen to the ground, because “her broken King don’t know what to say, clinging to the throne by a piece of string”. Surely this is a critical appraisal of greed and power, but “wow, you look so pretty!”.

The Fatal Hour strikes early on, “still sour in its cage, while fools come out to promenade”. This slower, and darker song is modern folklore. With multiple acoustic guitars plucking along, this is moody melodies galore. Then a bit of Didge introduces us to that misnamed Tassie Tiger, the Thylacine, mourning the extinction of that weird native dog from the map of Tassie. “Somebody came and took them all away, but still I wonder where they are tonight”. Next comes Tears of The End Of The World, a ballad for all that we seem to have lost and destroyed on planet Earth. And some people want to go and live on inhospitable Mars! Why, so they can “smile at the end of the day, mean everything, mean anything, give nothing away”?

In ‘Ophelia Without Wine’ Steve is “dying for the chance for her to come my way”. Gareth is once again amazing on the nylon strings. This whole album has so much to offer. Rest assured that the rest of the album, with songs that are so easy to indulge in, and with titles such as ’Heart is Heavy’, ‘Lady Ishtar in her Garden’, ‘Broken Toys’, and ‘Lost At Sea’, are sweet or sour treats that just keep coming, like a bottomless bowl of your favourite dessert or chilli con carne.

Honestly, this album has just been added to my ‘Essential Listening List’. Say no more.

(photo credit: Tony Mott)

Listen to the album on your favourite platform:

Connect with Steve Kilbey:

Connect with Gareth Koch:

Tim Walker’s New Album Bridge of Angels

April 3, 2020 Leave a comment

Ex-Sydney singer-songwriter Tim Walker moved back to his hometown of Adelaide earlier this year and immediately began recording this new album, his first for a while.

The album was inspired by a recent trip to Europe, where Tim was struck by a culture saturated with centuries of spiritual and religious symbols, strivings and sentiments. The new album has more universal themes than his first (Fellow Traveller), which was very Sydney-oriented.

Beginning in folk, he went into a country rock act, and now is a prolific soloist, doing gigs around Adelaide. He was a regular on the Sydney live circuit and played at several NSW festivals. He found a SA recording studio in Grange this year, and immediately began laying down tracks according to a careful plan, devised over many months.

Track list with Descriptions:

On The Bridge (a prelude): This is a crossroad, of civilisation, of history, the course of your own life, a juncture, a leap. The “bridge” refers to Rome’s Bridge of Angels of the album’s title, which is lined with 10 angels and overlooked by a castle, on the River Tiber. A short classical piece, it provides the thematic underpinning of the entire album – a beautiful, floating spark of hope and redemption for a world in flux.
The Loving Arms (those we love): The race is on from the day you are born as time and love play off against each other, and the kindness of strangers. The real currency of life, more valuable than gold or silver, never to be taken for granted.
Every Story Tells a Picture (the plague): With 7.8 billion people on Earth and millions more being added every year, we are running out of everything, including our humanity and our judgement.
Mirror of Love (a reflection):A photograph can lie, but love cannot lie. It is the ultimate mirror.
Red Velvet Chair (a friend in need): When you sit in this chair you tell the truth, and the truth is told to you. It’s the advice of a friend, the helping hand. But hey, you can have some fun with it too!
Streets of Rome (eyes are opened): The ancient capital was no stranger to the album’s themes. Without the benefit of science, its original citizensinvented their own answers to life, preserved today with respect and awe, embedded in every stone of the city. And they had to deal with the same spiritual questions as us. Rome was therefore the accidental epicentre of the album.
The Bolshie Swing (the dance): Time for a break. This track started off as a playful riff and expanded into a mini-orchestra, was left on the shelf for a while, then rushed into action as track 7. It was the understudy.
Face Without a Name (stare inside): Ultimately we are just one of the crowd. It’s a big world and that crowd is made up of billions. Not often can we roar; more often at most we can squeak. Not invisible -but maybe only a “hill of beans”, as Bogart said in one of his films.
Fly into the Sunrise (flying home): You have been away, seen many things. Now you wing your way on a long flight home, from the nighttime behind (the past) to the sunrise ahead (the future). The huge jet streams past, its passengers look out and simultaneously look in, through half-asleep eyes; the moment is sublime.
Star (inspiration): Maybe it’s love at first sight; maybe it’s the inspiration that keeps alive a distant flame. Perhaps it’s fate.

Listen on your favourite platform:

Throwing Shapes Feature Album Tranquillity Base

March 28, 2020 Leave a comment

Throwing Shapes Feature Album Tranquillity Base

EP8 Cover Sqaure

Throwing Shapes is Fox Shannon. An electronic and Drum and Bass producer from Perth, Western Australia. Unique and forward-thinking electronic music. With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5 and Slumber Jack.

His energetic performances and catchy dance floor hooks have won him growing interest from community radio, with airplay around the country. And seen him feature on numerous compilation albums. And secure billing at local underground dance events, such as ‘Reawakening’.

Throwing Shapes latest release,the EP ‘Tranquility Base’ is now available on Spotify, Apple Music and most other streaming services.

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(Tim Fox Shannon)

Track descriptions:

Tranquility Base – (Mid to up tempo) The title track, is up lifting and euphoric. A truly majestic feeling to this track. Angelic choir pads floating over a rolling rhythm section. With synth leads in the chorus that lift you higher and higher. The song is about the beauty and fascination of creativity and fantasy, that we all possess.

Demons Run – (Mid tempo vibe). A slightly deeper, introspective type track. The verses lend themselves to a sort of fantasy world that then drops away into a large space with a dominating bass synth, in the chorus. Gradually opening up to the more ambient, introspective sections of synth chords and leads. The title is taken from a Doctor Who episode called ‘Demons Run, When A Good Man Goes To War’.

Wonders To Behold – (Mid to up tempo) Beautiful piano chords that build to a catchy lead synth line in the chorus, with a positive and up lifting vibe but also somehow defiant and proud. It ends with a sort of marching beat. A triumphant feeling of overcoming struggle, on this track.

Marauder – (Up tempo) Is probably the heaviest track on the EP but it’s also got the most funk and groove. A rolling, funky rhythm based verse which drops into a dark chorus of fat driving bass synths. The song gradually opens up to more melodic sections with a positive vibe and different chord changes, as synth lines and ambience builds the track to it’s crescendo. All the songs on this EP gradually develop and evolve throughout course of the song and take you on a journey. And this track is no exception.

Defiant, Yet At Your Mercy – (Down tempo) Is the mellow track with the deepest vibes on this EP. It begins with slow ambient choir pads, chimes and some atmospheric ear candy that builds and drops into sort of swing’ing beat and wide synth chords, that have a slightly sad, introspective feeling followed by a lead bass synth line that drives that feeling home even more. The song evolves further and you’re introduced to a piano lead section which caries the main melody of the song and is a highlight of this release.

Stream / Connect with Throwing Shapes

New March Playlist

March 23, 2020 Leave a comment

Our new additions and playlist changes for March include new releases from Karissa, Fiona joy and Throwing Shapes as well as tunes lifted from current albums by Graham Gouldman, The Mezcaltones, Steve Kilbey, Gareth Koch and more.

Steve Kilbey / Gareth Koch – ‘Stay Where You are’ (from the album Chryse Planitia)
Big Merino – ‘I Lay Me Down (2020 Remix)’ (remix single from the album Sweet Little Angel)
Graham Gouldman – ‘Standing Next To Me’ (from the album Modesty Forbids)
Karissa – ‘Utopian Coma’ (from the album Light at the End of Darkness)
Park Haven – ‘Take Cover’ (single)
Fiona Joy Hawkins – ‘Bushfire Moon’ (single)
The Mezcaltones – ‘Shango’s Surfwaxxx’ (from the album Mexican Hillbilly Surf Music)
Throwing Shapes – ‘Tranquility Base’ (from the album Tranquility Base)

Have a listen to all these songs on Our Soundslikecafe Digital Playlist On Spotify: https://open.spotify.com/playlist/5r0hsdTsV5N3aZAXUWt6r2?si=FcW9kDa4RcCWwF980x2Iaw

Park Haven Latest Single Release Take Cover

February 24, 2020 Leave a comment

The newest add to our playlist, and its a help to the Bushfire Crisis as well – check it out…..

Hi. We’re Harry and Isobel. We’re married and we live in an apartment block called Park Haven. We’ve both been musos in our separate spaces for a while but only started making music together this summer when Isobel penned a song about her awkward teenage crush on Harry. Then we got carried away and made some more tunes. We’re inspired by 70’s apartment blocks, 80’s synthesisers and 90’s video games. To be honest we don’t really know what to call the combination of those things but we hope you find a vibe you enjoy in our songs.

Stream and Connect below

10cc Star Graham Gouldman-Modesty Forbids

February 21, 2020 Leave a comment

10cc Star Graham Gouldman To Release First Solo Album in Eight Years

On 21 Febuary 2020, 10cc’s Graham Gouldmanwill release ‘Modesty Forbids’,his first solo album in eight years.Released on British independent record label Lojinx, Modesty Forbids is the fifth solo album of Graham’s career, and his first since 2012’s ‘Love And Work’. Featuring eleven tracks, the album’s release will coincide with 10cc’s 14-date Australia and New Zealand tour, ahead of the rest-of-world release in March 2020.

With Graham’s 10cc tours enjoying ever-increasing success around the world in recent years, in 2018 he was invited by former Beatles’ drummer Ringo Starr to join his All Starr Band for tours of Europe and the USA, during which the band played three 10cc songs, elevating Graham’s profile yet further.

That relationship continues, with Ringo making a very special guest appearance on Modesty Forbids, playing drums on a song called ‘Standing Next To Me’.

Heres the tracklist along with Graham’s succinct descriptions-

Track-by-track guide to ‘Modesty Forbids’, by Graham Gouldman

‘Standing Next To Me’(written by Graham Gouldman)

“A song about being asked to join, and my experiences with, Ringo Starr And His All Starr Band. I would stand next to Ringo front of stage when he wasn’t playing the drums. It was a surreal and wonderful experience to see him ‘Standing Next To Me’. It was also brilliant to be on the road with the other members of the All Starr Band, namely Steve Lukather, Colin Hay, Gregg Rolie, Gregg Bissonette, and Warren Ham. A dream come true.”

‘That’s Love Right There’ (written by Graham Gouldman)

“Whenever I go on the road my wife Ariella leaves little notes in my suitcase that I come across when I’m unpacking. She also leaves me little chocolate bars. I was with the band when I found one of these bars and exclaimed ‘That’s Love Right There’. I wanted to make an authentic sounding ‘swing’ record so I asked these brilliant players, Jamie Salisbury piano, Ralph Salmins drums and Chris Hill bass to play on the record with me.”

‘All Around The World’ (written by Beth Neilson Chapman, Graham Gouldman and Gordon Kennedy)

“I asked Beth to send me her take on the song. I couldn’t top her description. At a time of such upheaval and chaos this song reminds me that all is not lost. It doesn’t hide from the truth of the challenges but it brings it all into perspective and it just fills me with such joy! I loved writing this with two of the great songwriters on this planet! ‘It can only get better’says it all.”

‘It’s Not You It’s Me’ (written by Graham Gouldman)

“This song was originally written for the Yardbirds who approached me to write something for a new album they were hoping to record, but it never got made. Don’t ask. I liked the song not least because it uses the old excuse when you want to break up with someone that ‘It’s Not You It’s Me’.”

‘What Time Won’t Heal’ (written by Graham Gouldman and Bill Lloyd)

“This song was written very quickly like all the good ones do. I had a chord sequence and melody and Bill came up with this great title, he also wrote most of the lyrics. Bill is from Nashville and I think you can hear that influence in the song.”

‘Different Times’ (written by Graham Gouldman, Anna Krantz and Graeme Pleeth)

“I’d written with Anna before and was very happy to work with her again. This song came out of a session we had at Graeme Pleeth’s studio. As well as co-writing the song Graeme wrote a beautiful string arrangement. A song of regret and what might have been.”

‘Wake Up Dreamer’ (written by Graham Gouldman and Iain Hornal)

“I already had a lot of the musical ideas for this, which I shared with Iain, who came up with the title and more musical ideas. We have written together before and one of my favourite co-writes with him is ‘Say The Word’ from his first solo album and a song we perform in our 10cc show. Let’s stop dreaming and wake up to what’s happening to our planet.”

‘Russian Doll’(written by Graham Gouldman and Graeme Pleeth)

“I started this instrumental years ago with the idea that it would make a great movie theme. Maybe it will someday. It was only after I’d overdubbed a mandolin, that sounds like a balalaika, that I came up with the title ‘Russian Doll’. I love its dark, melancholic feel.”

‘Hangin’ By A Thread’ (written by Graham Gouldman and Cassa Jackson)

“We’d already written one song and at the end of the session I started messing around and came up with the start of this. Cassa joined in with what was to become the title and the chorus of ‘Hangin’ By A Thread’.”

‘Waited All My Life For You’ (written by Graham Gouldman and Phil Thornalley)

“Phil discovered the demo of this whilst going through some old files and played it to me. I couldn’t understand why we’d never finished it before but I’m so glad we did. It has a lovely Beatles feel to it. Btw, I first met Phil in 1986 when he produced the first Wax album. We have remained friends and worked together occasionally ever since.”

‘New Star’ (written by Graham Gouldman and Iain Hornal)

“I got the idea for this walking home one day. I heard something being played in the distance on someone’s radio. I couldn’t hear the song very well but I heard the rhythm which I liked. The chords came into my head immediately. I originally wanted to repeat the verse chords for the whole of the song using different melodies but it just didn’t work, so I asked Iain to help me finish it adding new parts. I lost my mum in 2019 and the first line of the song, ‘There’s a new star up in heaven’, refers to her.”

Stream or download here

Connect with Graham Gouldman

The Mezcaltones Feature Album Mexican Hillbilly Surf Music

February 21, 2020 Leave a comment

The Mezcaltones Mexican Hillbilly Surf Music
The band’s third album finds them at the top of their game with brilliantly written and played originals along with a tasteful selection of covers lifted from their live set. Recorded and mixed in just over a week at Damien Gerard’s new expanded studios on the Central Coast, the album stands as their most cohesively accessible and sonically pleasing to date.

Only released last Friday to coincide with the launch on Sydney’s Northern Beaches to their home crowd, the Album is already garnering reviews such as:
“The third album from the enigmatic Mezcaltones is cranking, feelgood drinking music that crawls into your boots and drags you to the dance floor of any number of dusty roadside Mexican Saloons.” Redback Rock
“The good, the bad, the groovy, playing all things cool with a Tarantino and strong Mexican flavour. Blog

The band have also been invited to co host Ross Fear’s influential Australian Spectrum show this Tuesday March 3.

The band will be playing over the next few weeks to promote the record, see dates below.

And now to the band – Just what is it about the Mezcaltones –
Four guys dressed as cowboys and two women dressed like Spanish Mexican Senoritas that you might find in a Quentin Tarantino movie – two guitarists, a bassist, a drummer, a crazy front man and a beautiful dancer/percussionist. Whilst their original songs have an alt country flavour with rich cowboy guitar sounds reminiscent of another century, the guitar tones also reach into the realms of 60’s surf instrumentals.

See them live at

Album – Out Now – Foghorn/MGM
CD on sale at Shows
Click below for DSP’s

Connect with The Mezcaltones:

For further information please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

STEVE KILBEY AND GARETH KOCH NEW ALBUM CHRYSE PLANITIA

February 3, 2020 Leave a comment

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What unites the musical spheres of an Australian rock icon and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns, fatal hours, and enchanted gardens. To complement the poignant lyrics is delicious instrumentation, weaving and wafting, ghostly and waif-like, alternately brimming with rhythmic drive, present yet somehow elusive.

Hot on the heels of two critically acclaimed singles, the debut album Chryse Planitiapulses with a strong and immediately recognisable musical identity. Kilbey and Koch have forged an entirely new sound characterised by a fluid and elegant movement across genres. Their partnership draws inspiration from medieval music to post-modern psychedelia, as if it were the most natural thing in the world, with every imaginable influence in between.

(photo credit: Tony Mott)

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers. Kilbey’s words evoke a succession of images, half-remembered whisperings at the edge of our consciousness. He is a poet-master of unsaid things whose writing arouses the dreamer within us.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12^thcentury.

Expertly mixed by Russell Pilling of Damien Gerard Studios and superbly mastered by Grammy Award-winning King Willy Sound, Chryse Planitia is a feast for the ears.

Release Dates February 7 (Foghorn/MGM) Digital Platforms and CD Instore, April/May Vinyl LP

Connect with Steve Kilbey:

Connect with Gareth Koch:

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Tag: Foghorn Media

Jessie-May Kitchen Debut EP Zone Out

Kaijin Solo New EP Universal Love

Review of Steve Kilbey and Gareth Koch album Chryse Planitia

Tim Walker’s New Album Bridge of Angels

Track list with Descriptions:

Throwing Shapes Feature Album Tranquillity Base

Throwing Shapes Feature Album Tranquillity Base

New March Playlist

Park Haven Latest Single Release Take Cover

10cc Star Graham Gouldman-Modesty Forbids

The Mezcaltones Feature Album Mexican Hillbilly Surf Music

STEVE KILBEY AND GARETH KOCH NEW ALBUM CHRYSE PLANITIA

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