Eldafyre New Album RAW

January 19, 2020 Leave a comment

Introducing Eldafyre and his new album RAW, our latest feature artist and album on Soundslikecafe

‘Eldafyre’is a stylist acoustic poet. Sending out euphoric melancholia infused with the deep passion of love, from all things. Eldafyre grew up in Shepparton and now resides within the northern rivers of NSW or deep in the mountains near Melbourne. With four mastered studio albums we see a vast range of genres. The one you have in your hands was 3 years in the making. Eldafyre wrote every song in one evening. Recreating the same lyrical stories to a dark jazz smokey noir band. Hand selected and collaborated with some of the best session musicians available in Australia. After three years absorbing the creation, a remix was made with an intention to finalize the work of art. Filtered organically with all ego and unwanted material omitted. With influences from Patti Smith, Rodriguez and Melanie Safka. Eldafyre thinks of himself as a storyteller. Telling this story as a studio musician.

Eldafyre on his music and live performance – “Expect music therapy. Expect to be relaxed. Expect to forget about your worries. Most report a deep sense of healing and restoration after my performances.”

We think you will be impressed with this record too, and its just the first of more to come from this exciting new artist…

The RAW album has been described as “DARK JAZZ SMOKEY NOIR”

The Tracklist includes

1- welcome around

2- another wholesome night

3 the evening came together

4 where connection bonds-(checkout the feature video below)

5- what lies down

6 long pause

7 a last goodbye

Check it out now-

Tim Walker’s Red Velvet Chair

November 9, 2019 Leave a comment

After moving back to his hometown of Adelaide earlier this year, ex-Sydney singer-songwriter Tim Walker set to work to record a new album, inspired by a recent trip to Europe. Tim, who began in folk before evolving into a country rock act, is now a prolific soloist doing gigs around Adelaide.

The first single from the forthcoming album is Red Velvet Chair – a pen portrait of a woman on the rebound and determined to enjoy her ‘freedom’, but also vulnerable at the same time because of it. The song’s narrator invites her to sit down on the ‘red velvet chair’ and collect her thoughts.

The single’s ‘B side’, On The Bridge, will be the opening track on the eventual album, and is a completely different sentiment. A short, classical prelude to all that is to follow, providing the thematic underpinning of the entire album – a beautiful floating spark of hope and redemption for a world in flux.

Walker’s new album, due for release early in 2020, was recorded in a Grange studio according to a strict plan. A spiritual album with more universal themes than his debut, the album echoes the singer’s recent European trip, where he was struck in particular by the European culture, saturated with centuries of spiritual and religious symbols.

Download or stream:

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Margaret Anne and The Rock It Man Lay Their Souls Bare

October 26, 2019 Leave a comment

Margaret Anne and The Rock It Man’s debut album is called Soul Laid Bare. Lyrically it’s an intensely personal exploration of emotional turmoil after a marriage breakup, while musically it’s an exciting blend of Americana, country, roots, blues, funk and rock.

The title track is due for release on the soundslikecafe October Playlist ahead of the long play album march 2020.. It was written while singer Margaret Anne was making the agonizing decision to leave a 20 year marriage, break up a family and family home. The song conveys a search for clarity and expresses the fear and recklessness in making such a massive and life changing decision for all involved.

Growing up in a seaside town on the south coast of NSW, she was blessed to belong to a musical family so classical piano, guitar and song became a big part of her life.

Margaret Anne says she was heavily influenced by her surfing brothers as she grew up. “We would pool our pennies to buy the latest records. My favourites, and certainly most early influences were Joni Mitchell, Eric Clapton, Crosby Stills Nash and Young, The Stones, Carol King, James Taylor, Fleetwood Mac, Hair! Anything Woodstock!”

Adventurous and a passionate singer songwriter, Margaret Anne continually touches her listeners with her inclusive heartfelt singing, dynamic stage presence and empowering songs. She currently manages and performs in the successful band Firefly.

Soul Laid Bare is a collaboration with Doug Weaver, a talented multi instrumentalist, producer and screenwrite. He has produced and written music for over 200 episodes of the American TV show The MythBusters and also many local programs including Border Security and Beach Cops.

Margaret Anne has always been an adventurer, having previously travelled the world for 11 years and visiting 56 countries. This time her attention is turned inwards and the result is an emotive album full of vulnerabilities and strength.

Soul Laid Bare (the single) is out on October 25.

The album of the same name is due in March 2020.

Download or stream from October 25:

Watch Soul Laid Bare here:

Connect with Margaret Anne:

Sydney’s blues-rock-rockabilly act Toadvine release new EP

October 25, 2019 Leave a comment

Toadvine are a five-piece blues-rock outfit hailing from Sydney, Australia, who dish up a unique blend of blues-tinged rock’n’roll with generous lashings of rockabilly, country and fuzzed-out garage sounds. Their new five-track EP is called Love Is A Dangerous Game.

The five track EP Love Is A Dangerous Game is set for release on 25 October 2019.

TRACK BY TRACK:

Stones and Bones – The EP opener is a rip snorting bluesy garage rock tale about love gone wrong and revenge, featuring a blues harp solo courtesy of Celia Curtis.

Dead Man’s Clothes – cool country Johnny Cash vibe

Dirty Lies – garage rock with a peppering of country roots

More Than Anyone – fun bar-room classic about boy meets girl

Black Naomi – a blues tinged rockabilly sound with the swagger of the Stray Cats

Toadvine will launch the EP at Moshpit Bar, 642A King Street, Newtown on Saturday November 9.

Download or stream from October 25:

Connect with Toadvine:

Jessie May Kitchen Offers New Single ‘Star Child’.

September 26, 2019 Leave a comment

On the heels of her debut single, Coffee Shop and the follow up Teen Love, Central Coast, NSW singer Jessie May Kitchen has recorded a new song called Star Child.-Out September 27

A sweet and ethereal up-tempo indie pop tune, Star Child is an otherworldly self-monologue, written as a letter from Jessie to the Cosmic Forces of the Universe. Jessie tries to capture the confusion in the meaning of human experience, feelings of isolation towards the physical plane and comfort of knowing that one day it will all make sense. Jessie says, “Every time I start to lose hope or stray from the path, the stars are always there to remind me of who I am and encourage me to never give up.”

[photo by Tony Mott]

Superb production from ARIA winner Peter Holz accompanies Jessie’s immediately likeable and familiar style.

Jessie-May Kitchen was born in Hobart and grew up on the NSW Central Coast. She started writing songs at five and performing arts became her escape from a tough family life.

Jessie May Kitchen – Star Child is out September 27 through Foghorn Records / MGM Distribution.

Download or stream:

Connect with Jessie May Kitchen:

Adam Jones Releases Third Album ‘The Dark Side Of The Earth’

September 26, 2019 Leave a comment

Melbourne folk-rock, alt-country and blues singer/songwriter/musician Adam Jones releases his third album The Dark Side Of The Earth on 27 September 2019.

Adam released an album of 12 diverse songs in 2017 called ‘Little Death’, and then an acoustic version of that album a year later. His catchy and interesting songs traverse many styles such as folk-rock, blues, alt-country and Australiana.

In November 2018 Adam started recording some new material at a local studio in Flowerdale, Victoria and those sessions finally wrapped up at the end of August. Two early singles from these sessions – ‘Cupid’ and ‘Shining Car’ – were well-received by radio, social media and local fans.

Adam explains his inspiration for the album title. “I wrote a song called The Dark Side of The Earth, protesting about, and expressing my sadness, with regard to how cruel humans can be. Later when it came to planning the album, I thought that it would make a great album title, especially as my favourite album of all time is Pink Floyd’s The Dark Side of The Moon! All songs on the album relate somehow to what I call ‘the dark side of humanity!”

Folk-rock album opener No Insurance examines risk in personal relationships, Knots in Our Hair is musically a nod to country artist John Prine whilst lyrically reflecting on the love, freedom and happiness that a relationship can provide.
The title track acts as a socio-political protest song, which Jones hopes will encourage listeners to “get up and make a real difference.”

Adam has been a serious music fan since he was very young. “My older brother left home when I was 10 and left behind his vinyl collection, my favourites including The Beatles, Neil Young and Led Zeppelin. I remember the first CD I bought was Dire Straits Brothers In Arms when CDs had only just become available in Australia. I loved the rock, blues and sweet melodies of Dire Straits music. Other early influences were some of the classics of 60’s and 70’s rock and folk, like Bob Dylan, Supertramp, Fleetwood Mac, Pink Floyd and Deep Purple. More recent music that inspires Adam are Manchester Orchestra and Kevin Devine “for their creativity and musicality.”

Although music has been a huge part of his life since then, it’s only in the last couple of years that he’s put some serious energy into his music. “I’ve been singing, writing songs, playing guitar, a bit of keyboard and percussion since I was a child. I decided to become a serious recording and performing artist late in life after a long-term relationship broke down in early 2017.”

Adam is an extremely prolific songwriter. “I write a lot, up to 150 songs per year – complete as far as lyrics and basic guitar parts go,” he explains. “I usually write the lyrics first and then straight away put some music to them and then finish the song and decide on the structure, rhythm, tempo, etc. Having time alone to sit and focus on my thoughts, experiences and feelings usually leads to me being creative. Sometimes I plan to write a particular song, others are very spontaneous. I try and change up what I write about a lot so that there is plenty of variety in my songs.”

Adam Jones – The Dark Side Of The Earth is out September 20 through Foghorn Records / MGM Distribution.

Download or stream:

Connect with Adam Jones:

Apsara-Tandem Venit Amor(Official Video)

September 2, 2019 Leave a comment

The Blind Pilots release debut 3-track EP

August 29, 2019 Leave a comment

New on the soundslikecafe playlist this month is a track called Tell Me I’m Wrong, courtesy of an electrifying blues rock outfit from Sydney called The Blind Pilots.

When describing this band, it’s easy to say the same old things about being an explosive four piece Australian Roots, Rock and Blues outfit from the Northern Beaches. But the truth is all four members have known each other in previous successful bands, which gives them an advantage in the creative songwriting process. The four friends share a close rapport and have a laugh together every week. They say, “There’s never a dull moment in rehearsals!”

The band members’ camaraderie is largely based on the fact they grew up listening to the same music and share common influences like Muddy Waters, John Lee Hooker, Van Morrison, Jimmy Hendrix, Cat Stevens, Led Zepplin and Midnight Oil. Together they form a band making the most of dirty slide guitar, hard hitting drums, solid bass grooves, accompanied by a soulful vocal drenched in foot stompin’ harmonica riffs. “We all have an urge to push each other harder to get the best out of our muscianship and are driven to create those magic moments,” says lead guitarist and vocalist Owen.

In a live format, the band produce an energetic show full of intense commitment, whilst still maintaining a laid back vibe.

The lead track of their brand new EP is called Tell Me I’m Wrong, which offers frontman Owen’s perspective on the current political landscape. Accompanying tracks are Telephone – a hard-hitting blues rock tune about breakdowns in relationships, complete with dirty blues harp and riffing electric guitar. The swampy southern blues rock style of Howling at the Moon fits perfectly with the lyrical lament about longing and yearning.

Between them, their experiences have seen them performing at festivals including Byron Blues, Woodford Folk, Festival Of Sun, Echuca Blues Festival, Mud Run, Harley Days, Throttle Roll, Sydney Blues Festival and has found them on the Australian Blues charts. With new ideas consistently being brought to the table this group will continue to make inroads in the Blues and Roots World and be one to watch.

The Blind Pilots members are: Owen Mancell – Guitar/Vocals; Matt Hough – Drums; Ryan Stone – Harmonica; Daniel Changas – Bass/Vocals

“Owen brings the spark, Matt is the conductor and reconstructs, Changas adds the bottom end whilst Stony waves the magic which is the icing on the cake.”

The Blind Pilots EP is out on August 30.

Tell Me I’m Wrong is on the soundslikecafe playlist now.

Download or stream from August 30:

Connect with The Blind Pilots here:

Apsara – Galatea EP

August 20, 2019 Leave a comment

Apsara is an original project of classical soprano Michaele Archer, exploring a sound palate that is rich and raw. Composed with Latin text from Virgil and Roman woman poet Sulpicia, Apsara’s debut EP Galatea intertwines ancient and new sounds.

Leading the Apsara project on harmonium and vocals, Archer is joined by cellist Rachel Whealy, violist Gabrielle Laura Steele and guitarist Giuseppe Zangari.

It been a journey bringing together the different layers for this project – Ancient Latin text, alto instruments and a vocal approach that blends opera and early music. “Once I had it the music came quickly. The songs almost wrote themselves. They came so fast in a matter of minutes recording on my phone.”

In addition to medieval vocals, ancient Latin text and deep analogue instruments, the flow of water and nature inspires Apsara. In Virgil’s Eclogue 7 there are references to Galatea, a water sprite and the name Apsara also translates as Indian water spirit.

Michaele has performed opera, song and oratorio in Australia and internationally and has featured in several world premieres of new works by Australian composers.

“Coming from an opera background and having a larger voice type my sound has always been full on opera”. Michaele has recently been performing and studying in Los Angeles with Robin de Haas, a leading voice coach in Europe and founder of a new performance and body work method called Breathing Coordination. Going ever deeper into anatomy and the science of breathing led Michaele to a new vocal style, blending Opera into medieval straight tone.

Discovering the poetry of Roman woman poet Sulpicia struck a deep chord. “The portrayal of women in opera is often two dimensional and I wanted to depart from that,” says Archer. Sulpicia was a woman who lived outside the stereotypes of Ancient Roman society in terms of being unmarried, writing poetry and writing explicitly about love. The feel and sound qualities of old Latin text and stories interpreted from a female perspective form a rich layer, built with instruments from the deeper harmonic spectrum.

“I’ve got a thing for the darker sounding instruments so combining the tone of the viola with cello and alto harmonium was a perfect fit.”

Cellist Rachel Whealy has been a muse since high school. The pair met in Year 12 Music class, where Michaele fell in love with Rachel’s playing and the mellow sob of the cello. There were quite a few maths lessons skipped to play Purcell on Balmoral Island with the waves. They have been performing, writing and recording together ever since. “We’ve created some beautiful original recordings, but I kept putting them aside. I hadn’t quite cracked the feel of the sound I knew I was looking for. I wanted to move slightly left of opera with an instrumental foundation that was real and textured.”